ATTP 5-0.1 Commander and Staff Officer Guide - Army Electronic ...
ATTP 5-0.1 Commander and Staff Officer Guide - Army Electronic ...
ATTP 5-0.1 Commander and Staff Officer Guide - Army Electronic ...
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Rehearsals<br />
the warfighting functions should tie directly to the supported unit’s execution matrix <strong>and</strong> decision support<br />
template. Examples include an intelligence synchronization matrix or fires execution matrix.<br />
8-80. An effective rehearsal realistically <strong>and</strong> quickly portrays the enemy force <strong>and</strong> other variables of the<br />
operational environment without distracting from the rehearsal. One technique for doing this has the G-2<br />
(S-2) preparing an actions checklist. It lists a sequence of events much like the one for friendly units but<br />
from the enemy or civilian perspective.<br />
Response Sequence<br />
8-81. Participants respond in a logical sequence: either by warfighting function or by unit as the<br />
organization deploys, from front to rear. The comm<strong>and</strong>er determines the sequence before the rehearsal. The<br />
staff posts the sequence at the rehearsal site, <strong>and</strong> the rehearsal director may restate it.<br />
8-82. Effective rehearsals allow participants to visualize <strong>and</strong> synchronize the concept of operations. As the<br />
rehearsal proceeds, participants talk through the concept of operations. They focus on key events <strong>and</strong> the<br />
synchronization required to achieve the desired effects. The comm<strong>and</strong>er leads the rehearsal <strong>and</strong> gives<br />
orders during the operation. Subordinate comm<strong>and</strong>ers enter <strong>and</strong> leave the discussion at the time they expect<br />
to begin <strong>and</strong> end their tasks or activities during the operation. This practice helps the comm<strong>and</strong>er assess the<br />
adequacy of synchronization. They do not “re-war-game” unless absolutely necessary to ensure subordinate<br />
unit comm<strong>and</strong>ers underst<strong>and</strong> the plan.<br />
8-83. The rehearsal director emphasizes integrating fires, events that trigger different branch actions, <strong>and</strong><br />
actions on contact. The chief of fires (fire support officer) or fires unit comm<strong>and</strong>er states when to initiate<br />
fires, who to fire them, from where the firing comes, the ammunition available, <strong>and</strong> the desired target<br />
effect. Subordinate comm<strong>and</strong>ers state when they initiate fires per their fire support plans. The rehearsal<br />
director speaks for any absent staff section <strong>and</strong> ensures the rehearsal addresses all actions on the<br />
synchronization matrix <strong>and</strong> decision support template at the proper time or event.<br />
8-84. The rehearsal director ensures that the rehearsal includes key sustainment <strong>and</strong> protection actions at<br />
the appropriate times. (See Table 8-1.) Failure to do so reduces the value of the rehearsal as a coordination<br />
tool. The staff officer with coordinating staff responsibility inserts these items into the rehearsal. Special<br />
staff officers should brief by exception when a friendly or enemy event occurs within their area of<br />
expertise. Summarizing these actions at the end of the rehearsal can reinforce coordination requirements<br />
identified during the rehearsal. The staff updates the decision support template <strong>and</strong> gives a copy to each<br />
participant. Under time-constrained conditions, the conducting headquarters staff may provide copies<br />
before the rehearsal <strong>and</strong> rely on participants to update them with pen-<strong>and</strong>-ink changes.<br />
Table 8-1. Example sustainment <strong>and</strong> protection actions for rehearsals<br />
• Casualty evacuation routes<br />
• Ambulance exchange point locations<br />
• Refuel-on-the-move points<br />
• Class IV <strong>and</strong> Class V resupply points<br />
• Logistics release points<br />
Ground Rules<br />
• Support area displacement times <strong>and</strong> locations<br />
• Enemy prisoner of war collection points<br />
• Aviation support<br />
• Military police actions<br />
8-85. After discussing the rehearsal script, the rehearsal director—<br />
� States the st<strong>and</strong>ard (what the comm<strong>and</strong>er will accept) for a successful rehearsal.<br />
� Ensures everyone underst<strong>and</strong>s the parts of the operation order to rehearse. If the unit will not<br />
rehearse the entire operation, the rehearsal director states the events to be rehearsed.<br />
� Quickly reviews the rehearsal SOP if all participants are not familiar with it. An effective<br />
rehearsal SOP states—<br />
� Who controls the rehearsal.<br />
� Who approves the rehearsal venue <strong>and</strong> its construction.<br />
14 September 2011 <strong>ATTP</strong> 5-<strong>0.1</strong> 8-11