22.12.2012 Aufrufe

Katalog 2004 - DOK.fest München

Katalog 2004 - DOK.fest München

Katalog 2004 - DOK.fest München

MEHR ANZEIGEN
WENIGER ANZEIGEN

Sie wollen auch ein ePaper? Erhöhen Sie die Reichweite Ihrer Titel.

YUMPU macht aus Druck-PDFs automatisch weboptimierte ePaper, die Google liebt.

“In the post 9-11 world, the politics of intolerance is finding acceptance<br />

within the mainstream, ‘nationalism’ is on the rise and the<br />

right-wing seems to be tightening its stranglehold across USA and<br />

Europe mainly on the anti-immigrant / anti-Moslem issue. The Indian<br />

right-wing is legitimising its own agenda of politics of hate by<br />

supporting the global War on Terror.<br />

I find shocking parallels between India 2002-<strong>2004</strong> and Germany of<br />

the 1930s – the state-supported genocidal violence against Moslems<br />

in Gujarat, its continuing impact – ghettoisation in cities and<br />

villages, formal calls for economic boycott of Moslems and<br />

attacks on intelligentsia by right-wing Hindutva cadres.<br />

We have earlier lived through many dark periods in history, often<br />

justifying our barbarism by using similar phrases. I hope this film<br />

forces people to react and think, challenge popular opinions<br />

(being handed down in easy-to-digest form across media) so<br />

we build a world which has for its foundation peace, love and welfare<br />

/ well-being of people rather than hate, despair, destruction<br />

and tragedy.“ Rakesh Sharma on Final Solution<br />

“Several years ago I realized that my films have to survive outside<br />

the broadcast world, and travelling and screening my films in India<br />

is very important for me – and I do it extensively. My films are<br />

screened all over – in schools, colleges, film clubs, conferences,<br />

by non-governmental organizations and in campaigns of different<br />

peoples movements. I also feel that for films to survive they need<br />

to find new homes and continuous screenings to small or large<br />

numbers. That creates a situation where other people take the film<br />

forward, allowing for the film to live and keep getting screened.”<br />

Amar Kanwar, director of A Night of Prophecy<br />

105

Hurra! Ihre Datei wurde hochgeladen und ist bereit für die Veröffentlichung.

Erfolgreich gespeichert!

Leider ist etwas schief gelaufen!