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Building Design and Construction Handbook - Merritt - Ventech!

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WALL, FLOOR, AND CEILING SYSTEMS 11.151<br />

or even narrower ranges). Usually, the sound-level meter contains filters <strong>and</strong> circuitry<br />

to bias the readings so that the instrument responds more like the human<br />

ear—‘‘deaf’’ to low frequencies <strong>and</strong> most sensitive to the midfrequencies (from<br />

about 500 to 5000 Hz). Such readings are called A-scale readings. Most noise level<br />

readings (<strong>and</strong>, unless otherwise specifically stated, most sound pressure levels with<br />

no stated qualifications) are A-scale readings (often expressed as dBA). This means<br />

that actual sound pressure readings have been modified electrically within the instrument<br />

to give a readout corresponding somewhat to the ear’s response (Fig.<br />

11.91).<br />

For various measurements <strong>and</strong> evaluations of performance for materials, constructions,<br />

systems, <strong>and</strong> spaces, see Art. 11.81.<br />

11.79 SOUND AND VIBRATION CONTROL<br />

This process consists of:<br />

1. Acoustical analysis<br />

a. Determining the use of the structure—the subjective needs<br />

b. Establishing the desirable acoustical environment in each usable area<br />

c. Determining noise <strong>and</strong> vibration sources inside <strong>and</strong> outside the structure<br />

d. Studying the location <strong>and</strong> orientation of the structure <strong>and</strong> its interior spaces<br />

with regard to noise <strong>and</strong> noise sources<br />

2. Acoustical design<br />

a. <strong>Design</strong>ing shapes, areas, volumes, <strong>and</strong> surfaces to accomplish what the analysis<br />

indicates<br />

b. Choosing materials, systems, <strong>and</strong> constructions to achieve the desired result<br />

Sound <strong>and</strong> vibration sources are usually speech <strong>and</strong> sounds of normal human<br />

activity—music, mechanical equipment sound <strong>and</strong> vibration, traffic, <strong>and</strong> the like.<br />

Characteristics of these sound sources are well known or easily determined. Therefore,<br />

the builder or designer is usually most interested in the transmission paths for<br />

sound <strong>and</strong> vibration. These are gases (usually air); denser fluids (water, steam, oil,<br />

etc.); <strong>and</strong> solids (building materials themselves). During sound transmission in a<br />

building, some of the sound energy is absorbed or dissipated, some is reflected<br />

from various surfaces, <strong>and</strong> some is transmitted through the building materials <strong>and</strong><br />

furnishings.<br />

Sound control is accomplished by means of barriers <strong>and</strong> enclosures, acoustically<br />

absorbent materials, <strong>and</strong> other materials <strong>and</strong> systems properly shaped <strong>and</strong> assembled.<br />

Vibration control is accomplished by means of various resilient materials <strong>and</strong><br />

assemblies, <strong>and</strong> by damping materials (viscoelastic materials of various types).<br />

Airborne <strong>and</strong> structure-borne energy are controlled by somewhat different techniques,<br />

described in the following.<br />

11.79.1 Airborne Sound Transmission<br />

A sound source in a room sets the air into vibration. The vibrating air causes any<br />

barrier it touches (partitions, floors, ceilings, etc.) to vibrate. The vibrating barrier,

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