food-and-wine-pairing-a-sensory-experience-robert-harrington
food-and-wine-pairing-a-sensory-experience-robert-harrington
food-and-wine-pairing-a-sensory-experience-robert-harrington
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Chapter 7 Wine Texture Characteristics: Tannin, Oak, <strong>and</strong> Body<br />
Generally, a definition of body refers to the consistency or viscosity of <strong>wine</strong>, assessed<br />
through tactile sensations in the mouth. It provides an impression of weight, size, <strong>and</strong> volume<br />
in the mouth. 14 Wine evaluators use terms such as substance or plenty of reserve or power to<br />
describe a full-bodied <strong>wine</strong>. 15 A typical analogy to describe various levels of body in <strong>wine</strong> is<br />
to use a spectrum of milks <strong>and</strong> creams. These range from skim milk (light-bodied), whole<br />
milk (medium-bodied), half-<strong>and</strong>-half (full-bodied), <strong>and</strong> whipping cream (very full-bodied). 16<br />
One method to emphasize the differences between a full-bodied <strong>wine</strong> <strong>and</strong> a thin <strong>wine</strong><br />
is to select a full-bodied <strong>wine</strong> (such as a good Cabernet Sauvignon or even an oaked Chardonnay)<br />
<strong>and</strong> create two samples: one that is the normal <strong>wine</strong> right out of the bottle <strong>and</strong> one<br />
that has been diluted with 10 percent water. This exercise will reinforce in a hurry what is<br />
meant by full-bodied <strong>wine</strong>.<br />
Ranking <strong>wine</strong> on a perceived feeling of body can range from thin to robust. Value<br />
b<strong>and</strong>s <strong>and</strong> descriptions are provided in Table 7.2 to guide you in this process. Also included<br />
are milk <strong>and</strong> cream samples to serve as references. Wine varietals that usually fall within<br />
these value b<strong>and</strong>s are included as well. The <strong>wine</strong> examples provide good diversity in body<br />
levels, but as with other elements in <strong>wine</strong>, overall body can vary within the same <strong>wine</strong> varietal<br />
<strong>and</strong> may have slightly higher or lower values of body than those indicated in Table 7.2.<br />
Experts on <strong>wine</strong> <strong>and</strong> <strong>food</strong> <strong>pairing</strong> do not agree about the importance of matching the<br />
body style of <strong>wine</strong> <strong>and</strong> <strong>food</strong>. Some authors suggest that it is the most important element to<br />
match, while others indicate it is just one of many factors that may impact good <strong>wine</strong> <strong>and</strong><br />
<strong>food</strong> <strong>pairing</strong>. Given that <strong>wine</strong> <strong>and</strong> <strong>food</strong> have a natural affinity with each other, <strong>wine</strong> <strong>and</strong><br />
<strong>food</strong> matching is not a win-or-lose proposition but instead is a win-or-synergize proposition.<br />
I believe that matching body style in <strong>wine</strong> <strong>and</strong> <strong>food</strong> is an important factor for creating great<br />
matches <strong>and</strong>, ultimately, transforming the gastronomic <strong>experience</strong> from a refreshing one to<br />
a memorable one. My belief is that texture elements play a secondary role only to components<br />
in their importance in creating a synergistic relationship with <strong>food</strong>. It is common sense<br />
to match lighter <strong>wine</strong>s with lighter <strong>food</strong>s <strong>and</strong> robust <strong>wine</strong>s with robust <strong>food</strong>s. When body<br />
styles are contrasted (light to rich or rich to light), the lighter member of this equation will<br />
generally serve as only a supporting actor on the gastronomic stage <strong>and</strong> doesn’t create the<br />
ultimate goal of a synergistic <strong>wine</strong> <strong>and</strong> <strong>food</strong> match.<br />
Table 7.2 Levels of Overall Body in Wine<br />
Value B<strong>and</strong>s Descriptions<br />
0<br />
1<br />
2<br />
2<br />
3<br />
4<br />
4<br />
5<br />
6<br />
6<br />
7<br />
8<br />
8<br />
9<br />
10<br />
Thin. Lacking in body—devoid of tannin, low in alcohol <strong>and</strong>, without<br />
oak. Resembles a watery consistency. Skim milk; some Riesling, Chenin<br />
Blanc, Gavi, Fendant, some sparkling <strong>wine</strong>s.<br />
Light. Agreeably light in body with relatively low tannin, alcohol, <strong>and</strong><br />
oak. 1% or 2% milk; Sémillon, Sauvignon Blanc, Gewurztraminer,<br />
unoaked Chardonnay, Beaujolais Nouveau.<br />
Moderate. Body that is identifiable at an intermediate level with<br />
sufficient amounts of tannin, alcohol, <strong>and</strong> / or oak. Whole milk; Pinot<br />
Noir, oaked Chardonnay, unoaked Barbera.<br />
Full. Body in which elements of tannin, alcohol, or oak are unmistakably<br />
identified <strong>and</strong> are significantly emphasized. A feeling of big, <strong>and</strong> bold<br />
body <strong>and</strong> structure. Half-<strong>and</strong>-half; Cabernet Franc, Zinf<strong>and</strong>el, Syrah,<br />
Merlot, oaked Chianti.<br />
Heavy. A very robust <strong>and</strong> rich body with high tannin, high alcohol,<br />
heavy oak <strong>and</strong> an unmistakable feeling of strong, heavy texture.<br />
Whipping cream; some Cabernet Sauvignon, Barolo, Port, late-harvest<br />
Zinf<strong>and</strong>el, Cabernet Franc ice <strong>wine</strong>.