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166<br />

OBJECTIVE<br />

Chapter 7 Wine Texture Characteristics: Tannin, Oak, <strong>and</strong> Body<br />

To compare high <strong>and</strong> low alcohol percentage<br />

<strong>and</strong> their impact on identifying<br />

the body of red <strong>and</strong> white <strong>wine</strong>.<br />

STEPS<br />

EXERCISE 7.4<br />

ALCOHOL IN WINE<br />

Mise en Place: Things to Do Before<br />

the Exercise Select two whites<br />

(the same varietal) <strong>and</strong>/or two reds (the<br />

same varietal), with one <strong>wine</strong> from a cool<br />

climate zone <strong>and</strong> one from a moderate/<br />

warm climate zone. For example, you<br />

might select a lower-alcohol German<br />

Riesling <strong>and</strong> a Riesling from a warmer climate<br />

such as Washington State or California.<br />

For reds, select a red from the<br />

Burgundy region of France (Pinot Noir)<br />

<strong>and</strong> compare it against a Pinot Noir from<br />

California. Be sure to check the label to<br />

ensure alcohol level differences.<br />

1. Sight. The cooler-climate <strong>wine</strong>s will have lighter colors than the warmer-climate <strong>wine</strong>s (the Riesling from the cool climate may<br />

have a greenish tinge to it). The Burgundy will be more translucent than the California Pinot.<br />

2. Smell. Note the character differences between the <strong>wine</strong>s from the cooler <strong>and</strong> warmer climates. Can you smell more alcohol?<br />

What are the other aroma differences?<br />

3. Sip. The cooler-climate <strong>wine</strong>s will have more acidity <strong>and</strong> be more subtle. The warmer-climate <strong>wine</strong>s with higher alcohol will be<br />

richer <strong>and</strong> more powerful. This sensation should be apparent on the tip of the tongue (initial sweetness), throughout the mouth,<br />

<strong>and</strong> in its aftereffects.<br />

4. Spit/swallow <strong>and</strong> savor. What differences are there in the lingering effects of these <strong>wine</strong>s? Are there prominent differences in<br />

body, alcohol, fruit character, <strong>and</strong> tannin?<br />

NOTES<br />

1. M. A. Amerine <strong>and</strong> V. L. Singleton, Wine: An Introduction,<br />

2nd ed. (Berkeley: University of California<br />

Press, 1977).<br />

2. M. C. King, M. A. Cliff, <strong>and</strong> J. Hall, ‘‘Effectiveness of<br />

the ‘Mouth-feel Wheel’ for the Evaluation of Astringent<br />

Subqualities in British Columbia Red Wines,’’<br />

Journal of Wine Research 14, 2–3 (2003): 67–78.<br />

3. T. Ishikawa <strong>and</strong> A. C. Noble, ‘‘Temporal Perception<br />

of Astringency <strong>and</strong> Sweetness in Red Wine,’’ Food<br />

Quality <strong>and</strong> Preference 6 (1995): 27–33.<br />

4. S. Kallithraka, J. Bakker, <strong>and</strong> M. N. Clifford, ‘‘Effect<br />

of pH on Astringency in Model Solutions <strong>and</strong><br />

Wines,’’ Journal of Agriculture <strong>and</strong> Food Chemistry 45<br />

(1997): 2211–6.<br />

5. J. Simon, Wine with Food (New York: Simon <strong>and</strong><br />

Schuster, 1996).<br />

6. R. Gawel, A. Oberholster, <strong>and</strong> I. L. Francis, ‘‘A<br />

‘Mouth-feel Wheel’: Terminology for Communicating<br />

the Mouth-feel Characteristics of Red Wine,’’ Australian<br />

Journal of Grape <strong>and</strong> Wine Research 6 (2000):<br />

203–7.<br />

7. King, Cliff <strong>and</strong> Hall, ‘‘Effectiveness of the ‘Mouthfeel<br />

Wheel.’’’<br />

8. Ibid.<br />

9. E. Peynaud, The Taste of Wine: The Art <strong>and</strong> Science of<br />

Wine Appreciation, 2nd ed. (New York: John Wiley<br />

<strong>and</strong> Sons, 1996), 225.<br />

10. A. Immer, Great Tastes Made Simple: Extraordinary<br />

Food <strong>and</strong> Wine Pairing for Every Palate (New York:<br />

Broadway Books, 2002).<br />

11. F. Beckett, How to Match Food <strong>and</strong> Wine (London:<br />

Octopus, 2002).<br />

12. D. Rosengarten <strong>and</strong> J. Wesson, Red Wine with Fish:<br />

The New Art of Matching Wine with Food. (New York:<br />

Simon <strong>and</strong> Schuster, 1989).<br />

13. R. J. Harrington <strong>and</strong> R. Hammond, ‘‘Predicting Synergistic<br />

Matches in Wine <strong>and</strong> Food: Instrument Testing<br />

<strong>and</strong> Evaluation,’’ 2005 Proceedings of International<br />

Council on Hotel, Restaurant <strong>and</strong> Institutional Education<br />

(2005): 155–60.<br />

14. B. Alex<strong>and</strong>er, Le Cordon Bleu Wine Essentials: Professional<br />

Secrets to Buying, Storing, Serving <strong>and</strong> Drinking<br />

Wine (New York: John Wiley <strong>and</strong> Sons, 2001).<br />

15. S. Kolpan, B. H. Smith, <strong>and</strong> M. A. Weiss, Exploring<br />

Wine, 2nd ed. (New York: John Wiley <strong>and</strong> Sons,<br />

2001); Peynaud, The Taste of Wine.<br />

16. A. Immer, Great Wine Made Simple: Straight Talk from<br />

a Master Sommelier (New York: Broadway Books,<br />

2000); K. MacNeil, The Wine Bible (New York: Workman,<br />

2001).<br />

17. R. S. Jackson, Wine Tasting: A Professional H<strong>and</strong>book<br />

(San Diego: Academic Press, 2002).<br />

18. T. Maresca, The Right Wine: Matching Wine with Food<br />

for Every Occasion (New York: Grove Press, 1990).

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