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food-and-wine-pairing-a-sensory-experience-robert-harrington

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Flavors in <strong>food</strong> <strong>and</strong> <strong>wine</strong> are the third category of elements that we will discuss in this text. Flavors are closely tied to<br />

our perceptions of specific characteristics inherent in <strong>food</strong> or <strong>wine</strong> <strong>and</strong> are derived from both aroma <strong>and</strong> taste<br />

sensations. Matching the flavor elements in <strong>wine</strong> <strong>and</strong> <strong>food</strong> is one of the defining steps in the <strong>pairing</strong> process<br />

<strong>and</strong> helps to move the level of match from good to synergistic.<br />

188<br />

The concepts of aromas <strong>and</strong> flavors have received a substantial amount of both anecdotal <strong>and</strong> empirical study.<br />

Unfortunately, much of the anecdotal research comes across as elitist, with <strong>wine</strong> <strong>and</strong> <strong>food</strong> experts articulating<br />

convoluted descriptions with obscure references. Stories abound of supposed experts who claim to be able to<br />

identify the exact vintage, variety, <strong>wine</strong>maker, <strong>and</strong> terroir—only to find out that what’s in the glass is a blend<br />

of several different <strong>wine</strong>s. Nonetheless, identifying aromas <strong>and</strong> flavors is a skill that can be developed <strong>and</strong><br />

improved substantially based on <strong>experience</strong> <strong>and</strong> hard work, so you should not be intimidated. The exercises<br />

provided throughout this book are intended to help you to further develop this ability. But beware of the selfproclaimed<br />

expert—Alex Eberspaecher’s amusing definition of a <strong>wine</strong> expert in Vino Veritas is ‘‘a person who<br />

has an inferiority complex or some other personality disorder.’’<br />

For the purposes of <strong>wine</strong> <strong>and</strong> <strong>food</strong> <strong>pairing</strong>, the concept of flavor follows Baldy’s definition of flavor as retronasal<br />

or ‘‘in-mouth’’ smells. Basically, flavor in any <strong>food</strong> or <strong>wine</strong> substance can be defined as the collaboration between<br />

the sense of smell <strong>and</strong> the sense of taste in the back of the mouth. When selecting <strong>wine</strong>s to pair with <strong>food</strong>,<br />

the concept of flavor encompasses the following attributes: dominant identified flavor(s), intensity of flavor,<br />

persistency of flavor, <strong>and</strong> whether or not the <strong>wine</strong> or <strong>food</strong> has any spicy characteristics.<br />

Chapter 9 provides on overview of the impact <strong>and</strong> implications of spiciness in <strong>food</strong> <strong>and</strong> <strong>wine</strong>. This element of<br />

flavor is discussed first because spicy <strong>food</strong> can have a substantial limiting effect on the <strong>wine</strong>s that will pair well<br />

with it. Spiciness in <strong>food</strong> is a wild card in the <strong>pairing</strong> process—while a <strong>food</strong> <strong>and</strong> <strong>wine</strong> may match well in the<br />

component <strong>and</strong> texture relationships, <strong>food</strong> spiciness may trump this relationship <strong>and</strong> return us to the no match<br />

or refreshment match level.<br />

Chapter 10 provides an overview of flavor categories or types <strong>and</strong> their intensity <strong>and</strong> persistency. For both the<br />

<strong>food</strong> <strong>and</strong> <strong>wine</strong> items to become equal partners in the <strong>pairing</strong> relationship, they must have similar or contrasting<br />

flavor types, similar levels of flavor intensity, <strong>and</strong> similar levels of flavor persistence.

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