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SELA-HAMMAHLEKOTH<br />

the land of Edom, surnamed Joktheel, is called Rekem<br />

by the As3yrians (so Eus.. but Jer. 'Syrians'). Still,<br />

as rlreii'herr they . ao~eal .. to 10s.. thcv may not be<br />

speaking here on their o,vn~nuthoritj. lor. (Ant.<br />

iv. 47 71)ray~ that Petra, the capital of Arabia, was<br />

called opn., or pmep., from its foundw Rekem. a<br />

hlidianite king. But Targ. Onk, and Targ. Jon.<br />

apply 097 to Kadesh-'bumea,' tien. 16x4 2Or. n,m<br />

is 5uppored to be conilected with JD,,. 'to stone' ; it<br />

is prubnbly, ho\vever, as applied to Kadesh, a corrupt<br />

fragment of (Jerahmeel,' whilst, as applied to Petra, it<br />

may perhaps, as Wrtlrtein suggests. be derived from<br />

the Greek pjypa, 'a cleft io the rocks.'<br />

Wellhauxn IDe Gemli6rrr 118701. 20. n. 1) douhrr whether<br />

... . . . ~<br />

Peira (4 nhpa : ai ilhpo,), however, which gave its<br />

name to the nrovince Arabia Petrga lb ,,<br />

mr& nirwv<br />

Z, Petra. 'Apapia, ilgathemerus), became famous<br />

under the NAaAmfiA~s<br />

(y.%); but, to judge<br />

from the ad~antaeer - of its situation. it was doubtless n<br />

city or fortress Idore that time Its ruins are in the<br />

deep valley called CVBdy Mils;? (from its connection in<br />

in Mohammedan legend with Moses). which ir in the<br />

mountains forming the eastern wall of the grea ralley<br />

between the Dead Sea and the Gulf of 'Aljabn. Wady<br />

Mnsa lies just II, of the watershed between the two<br />

sear, in 30- 19' N. lat. and 35O 31' E. 10"g-1 Travellers<br />

coming up the 'Arabah usually approach the ruins from<br />

the SW. by a rough path, partly of artificial conrtruc-<br />

tion but the natural entrance is from the E. down a<br />

narrow defile more than a mile long called the Sik<br />

('shaft'). The Sik is a contraction in the valley of a<br />

strean, which comes down from the E., rising in the<br />

so-called Fountain of Moses j'Ain Mit~a),~ and passing<br />

between the vi11nger of Elji and'Aireh (Palmer). Both<br />

these placer are ancient; the latter is the fortress Wo-<br />

'aim of Yak~t.~ whilst Elji, mentioned by Edrisi, is the<br />

.Gaia urbs juxtacivitatem Petam' of the 0nornnrticon."<br />

Below these and above the ravine the characteristic<br />

rock~cut tombs and dwellingr of the Kabatarans begin<br />

to appear.<br />

Not only war Petra a place of iefi~ge and a safe<br />

storehou~e, it was also the great centre of the Nvbataean<br />

caravan trade. It was the place where the Gaza road<br />

branched off from that to Hostra, Palmyra, and N.<br />

Syria, and it commanded the route from Egypt to<br />

Damascus. From Petra, too, there went a great route<br />

direct through the desert to the head of the Persian<br />

~uit ~hur Perra became a centre for all the main<br />

liner of overland trade between the E. and the W.,<br />

and it war not till the fall of the Nabatean kingdom<br />

that Palmvra suoerreded it as the chief emwrium of<br />

. .<br />

N. .4ml,ia.<br />

See 1.6on de Lsborde =nd Linant, Yoyegg TAmbia<br />

F"tr!e (1830); Duc de i.uynrr, Vay~fd drzj/orolion d /n nlr<br />

mortr (&a,); Palmer, Desert ofihr Exadd, *o{; virconti,<br />

Yiiggii in Am6ie Petre= (1872); Lihbey, EFQ, IF*,<br />

P- 1'2/ T.K.C.,sI;W.R.S..$2.<br />

H M~PIC~EICA [H.%L]; cp Driver's note), the name<br />

of a mountain where Saul and David 'played hide and<br />

seek' 11 S. 2328 f 1. Saul hurries alone on one ride of<br />

< ,<br />

the mbuntain, thinking to overtake theunseen David,<br />

and David on the other Bier (as he thinks) before the<br />

unseen Saul. Theie is dancer " of their comine - into<br />

collision, which is averted by the news of an inroad of<br />

the I'hilirtines ; Saul turns aside fiom the chase. The<br />

narrator must have exolained s4Id-hammahlekoth so as<br />

to suggest this .hide'and seek' game. B& neither<br />

'rock of divisionr' (EV:VmS), nor 'rock of escaping' (an<br />

unjustifiable rendering) can be tight. Though the<br />

name is confirmed on the whole by the certainly corrupt<br />

form ,527 (see HACHILAH), we are almost driven to<br />

suppose that the original form was niin?? y>p, 'the<br />

rock of the rn@al8fh' (circling dances). Meholah, like<br />

Hachilah, may come from ' Jerahmeel.' T. K. c.<br />

8ELAE (il\~) occurs seventy-one times in forty<br />

~ralmr, and three timer in Habakkuk 13,913). Mostly<br />

Data of xT ft occurs in the middle of a psalm ; but<br />

Blld vsrsions, m four psalms (39 24 46) also at the<br />

end. Usually if occurs only once in a<br />

psalm : but there are sever'tl cares of two Selahs, and<br />

in some psalms we find three (3 32 46 66 68 77 140) ;<br />

Ps, 89 actunllv resents four. In 5520 1x91 574 l3l<br />

Hab. 339 %lab occurs in the middle of a Ce&. T&<br />

orcents . ~~.. ronnwt . . it closelv ~ with ~ the orecedine ~ ~ word: ~ ~ ~<br />

Aq., Jer.. Tg. also imply that it forms part of the text.<br />

There three versions take it to mean 'always' (dri,<br />

rrmprr andjugifer, imCyC, but also x-mn). So PE. 9x7,<br />

Iheod. and LiXhor give brl ; Qninta rls rods aluivor ;<br />

Srxta Loravibr. 6. however, gives hd$ohpo, a word<br />

of somewhat uncertain signification (Theodoret, dhou~<br />

urrapoh$) ; it occurs more frequently than the Hebrew<br />

, '.","L a=,&,,. .<br />

\'ariiour conjectures as to theetymology of Selah have<br />

been offered (see Ger. the^. 955 ; and the commentaries<br />

,, Use and of,?elitrsch and Baethgen) : even a Greek<br />

ongm (pdMr) has been suggested (Paulus<br />

meaninp' Cassel ; see Siegfried-Stade, Ler.). Parisot<br />

(Rm. did[. . Ocf. 1899) approves the theory that Selah<br />

represents a musical interlude. Briggs suggests that<br />

when a section of a psalm or a prayer was used apart<br />

from its context in liturgical service it war followed<br />

by a doxology, and that ' Selah ' divider a psalm into<br />

~ection~ for Liturgical use' By an inductire process<br />

Miss E. Btiew "" arrives at results of much interest 1AJSL<br />

161.~~). These partly depend on the correctner; of the<br />

MT ; hut Grimme has rhotvn that in some cases (and<br />

the present writer, Che. Ps.bl, has added considerably<br />

to the number) the ik of MT ir due to corruption of<br />

the text.<br />

Attractive as the view that a h ir properly a musical<br />

indication may be, it will have to be reconsidered if<br />

Conjectured the other so-called musicnl notes in<br />

the headings owe their existence to<br />

oIigilL textval corm~fion. In that case it<br />

hmes lausible to hold !hit n5o is a corruption of<br />

FaUZm (&). 'supplement, or ZPiaN&), 'for<br />

~up~leme~ting.' The note may either be a direction<br />

to supplement the MS at a defective place from another<br />

MS, or an intimation that an editor at this point has<br />

made an insertion in the psalms. Possibly the old<br />

traditional interpretation 'always' points to a reading<br />

niv or oivi. which was itself a corruotion of o$d or<br />

4 Pcrhaps also the '1%" of Gen. ?A,, [see In*?"].<br />

6 See Tuch, Gex.ll) 271 n.<br />

I 'An inductive study of Selah' (IBL 18 xjn.6). Brigzr<br />

thinlr. it pmhab~c that ni~ 4 imperative coho-tive, .lie<br />

up a benediction or doxology.

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