cheenc03a.pdf
cheenc03a.pdf
cheenc03a.pdf
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STONES (PRECIOUS)<br />
These derangements are instructive. That they<br />
reprerent an old text in c1wr from vg. ; but that the<br />
eorruotion is later than 6 - is orobablr. . firrtlv , because 6i .<br />
follows Ex. 28,)fl (the variant dpy. n. xp. being<br />
mainly explanatory of A+), xcondly, because the<br />
derangements are all explicable on the single sopposition<br />
that they are intended to remove difficulties<br />
which are raised by the identifications propounded by<br />
the LXX.<br />
(I) The identifications d&rn=odp&av, and n@hch=<br />
duapaf, brought two red stoner together. SO long as<br />
'adem, whkch is 'red' in any case, meant red jasper, it<br />
was opaque, and gare a certain contrast. 'Sardr,'<br />
however, are often nearly clear. Helm a difficulty.<br />
which war removed by transporing nd9heh and raj'bir;<br />
the further difficult" thus created, that the red nobheh is<br />
brought next to ti;e red icb6, dxdqr, not being felt,<br />
because, ar we shall see, the 'third row' dropped out<br />
altogether.<br />
(1) The identification ddr4efh = ap6po76or had<br />
already brought about the transposition of ydi&.bhih<br />
and yuhd/a"', so as to separate the two green stoner.<br />
and had caused the confusion in the LXX between<br />
bvi;)(~ov and ,9vpliMlov in xi. and xii. In MT it has<br />
had the further rsult that dnrdklh in. the old sense of<br />
a clear mlourlerr stone became interchanged with the<br />
opaque colourlers yahd18m. Moreover ddr4aalh. if it<br />
meant cvdonv8or. . , , meant 'ereen': - and faor~r war<br />
'green,' whereas ofidpoy8ar was ambiguous, and<br />
yohdl6m had no special coiour. So on all grounds<br />
bor4hcth went down to (vi.) and yohalam up to (iii).<br />
(3) Fwther, to restore ydfzjhih to its proper place<br />
at (vi.), and perhaps as an alternative method of<br />
.eo.r.ti"s - idem and nibheh. the whole of the .fourth<br />
~~r~ '<br />
row' WPS interpolated between rows one and two.<br />
(4) Finally and conrequently, the 'third row' fell<br />
out altogether; l4iepjrm. hcylip~ov, being taken for<br />
flAmrpo"-i.e. Lpylipcov *at xpvaiou-and confused with<br />
the adhdb (=Vg, aurun), which actually ends the<br />
description both in MT and 6.<br />
Another distorted version of the same list of stoner ir<br />
supplied by the 'Foundations' of the New Jerusalem.<br />
~ ~<br />
2s, Faun da- in Rev. 2119 f Here, as regards the<br />
oPNew o'der. the problem has been, how to<br />
Jerusalem. adapt the twelve stones of the breastplate,<br />
in their four rows-of-three, to the<br />
foundations of a 'foursauare' citv. The result is as<br />
follows :-<br />
Of there rows-of-three, the first row is the second<br />
row of the 'breastplate,' given in reaer~ed odder, (vi.),<br />
(v.), (iv.), with xaAx$bwv for (nijheh) avopa< at (iv.).<br />
The second row is the firit row of the 'breastplate: airo<br />
in rez~eried order (iii.), (ii.), (i.), with oapbiut exchanged<br />
for d o at i . . The third row is the fourth row<br />
of the 'breastplate' in direct order (x.). (xi.), (xii.), but<br />
with rordliov exchanged for oop6bvuF at (r.). The<br />
fourth row ir the third row of the 'breastplate' also in<br />
dire1 order (uii. ). (viii. ). (ix.), but with xpuobrpooor for<br />
h~74prou at (vii.) and bdnvO0r for dxd~r at (viii.).<br />
That is to say, the (Foundations'<br />
are conceived as i" the diagram<br />
rii.<br />
1". appended, and to describe them<br />
the writer ha5 started from the<br />
xi. IV. 11. u. angle between rides 11. and 111.<br />
, , i. iii.<br />
He has first described 11. and I.,<br />
X. ~i. in correct sequence : but when he<br />
ir, viii, + reached IV. and 111.. he has<br />
recurred to the traditional order<br />
within each of the 'rows-oEthree,' or has perhaps<br />
attempted to work outwards again from his startingpoint<br />
at the angle between 11. and 111.<br />
This account also adds several minor points. (I)<br />
4811<br />
The confusion between #ap8:v"F and rord{~ou Suggest.<br />
that the authoriry, which is followed, read Pvplihhcov for<br />
itham at no. xi. (5 18). and duug, or oopPvy for<br />
yahatam at no. xii. (g 19). (2) The xahx46wu which<br />
takes the place of EvOplF at no, iu. suhrtitutes a green<br />
gem ('dioptase' or copper silicate) for the red ,garnet';<br />
giving some slight support to the discarded rendering<br />
m-fbf ('malachite') for nipheh, but confirming the<br />
view that oudoar6or . , . in Rev. does not mean a " meen<br />
stone merely -for xoh~ljdwv was itself regarded as a<br />
variety of opdpoy6or. Zfidpay8or here, therefore, may<br />
perhaps still be tianrialed ,crystal' ar in its primary<br />
meaning. (3) The xpwbrparor which takes the place<br />
of Xrylip~orov and E not otherwise found in OT or NT,<br />
belongs, like ~ahx+3~~ and aap86vvf. to a more<br />
advanced stare of ex~erience, when intermediate tints<br />
were recognired ; it may represent either a trrenish<br />
' chryroiith,' or, more probably, the opaque applegreen<br />
Ichrysoprase' (chalcedony tinted with nickel oxide),<br />
which in intermediate in tint between a yellow serpentine<br />
or yellow jasper, and the hLOar b rpdmvor (cp fiahoxinr)<br />
ofGen. 21~. The modern 'prase' (deepgreenchalcedony)<br />
and its variant the jasper-spotted 'bloodrtone' were<br />
used for scaraboid gems as early as the sixth century<br />
B.C. in the Levant ( eg Myrer and Ohnefalsch-Richter,<br />
C~prur Murcum Colologue. No. 4581). but are not<br />
clearly to be identified even in Pliny. (4) The bdrrwOor,<br />
which takes the place of d~drqr, is similarly mentioned<br />
in OT or NT only here and in Rev. 9x7. 6oniuLuor ;<br />
cp Enoch 71% (of 'streams of fire'). Pliny (3740)<br />
represents it a;r a dull sort of 'amethyst.' Solinur<br />
describes what is evidently the modern 'sapphire<br />
(blue corundum) and says that it came from Ethiopia ;<br />
probably he is thinking of a port-ofkxchange on the<br />
Red Sea, and consequently of the true Iudian gem.<br />
Later, the meaning expanded, including many different-<br />
coioured varieties ifive according to Eoiohanius, sir<br />
according to Ben Mansor [quoted at length in King,<br />
Nnf. Hirl, of Prei. Stoner. s50fll). But the use of<br />
hycinihui in Vg. Symm. to render fnriii in Cant. 514<br />
jwhere the LXX has auepatj as<br />
" . .<br />
as by symm. in<br />
Ezrk. 1x6 28.3 (where the I.XX has the normal ~puob-<br />
Ador) rutggestn that an early use of bdn~vOor may have<br />
been to render the native Indian word which appears<br />
in Arabic asya@t-this denoting the modern 'jacinth,'<br />
a<br />
~~<br />
' nohle'<br />
~~~~~~<br />
variefv of 'zircon' lzirconium silicate), which<br />
is a tranzparent deep-red stone. Now the BdxrvOor of<br />
Rev. 21m taker the place of a dark-red translucent<br />
stone, JPbb, dxdrvr. The epithet baxrv8ivour of Rev.<br />
grr, too, is coupled wit11 rvpivovr 'fire-like' (cp Enoch<br />
711, above, and the equation hyarinthur=livOpaf in<br />
Cant. 54, so that in both cases 'sapphire' is out of<br />
the question, whilst the sultry glow of the 'jacinth' is<br />
exactly what is wanted. Moreover, both 6d~rvBor and<br />
dxdqq might very well stand as parallel attempts to<br />
transliterate yaalil, and the displacement of the one by<br />
the other becomes in every way intelligible.<br />
. ~<br />
the Republic fro", Ptolemaic Ewpl. J. 1.. M.<br />
C. W. King Nahrrol Hist. of Prrciuur Sfmc.; Anfique<br />
Gsmr (1866); d. Menant, GZytIipr Orimlolr(r883): N. Story<br />
Mate1 ne CatdogrrofthcMurlborawgh<br />
24. Bibliography. G m 6nt:oduution); J. H. Middleron,<br />
Anciznr Gems (1 I): Flindcrr Pstric,<br />
'Precious Stonc' in Harriner' - DB: @Furtw&neler. - . Axlib<<br />
c-m. ( 1 ~ ) .<br />
STONINQ. See LAW AND JUSTICE, 5 12.<br />
ST004 in 2 K. 4x9, represents KD3, hirri (A~+~oc),<br />
on the original msaning of which word see Tnnoee, 1.<br />
On the D!?=w, ddndyim (RV ' birthrtaol'), of Ex. I la cp<br />
Por~enu, P 8, and BaenUEhS note, with the reference5 in<br />
BDB, ra.