OECD Culture and Local Development.pdf - PACA
OECD Culture and Local Development.pdf - PACA
OECD Culture and Local Development.pdf - PACA
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CONCLUSION - DESIGNING LOCAL PUBLIC POLICIES<br />
contribution (if any) that a territory’s culture makes to its development. This<br />
represents an extension of the analysis of the role of collective behaviour in<br />
development, but at a point where everyone is aware of the logical interference<br />
between a territory’s culture <strong>and</strong> the culture of the businesses <strong>and</strong> players located<br />
there.<br />
The conditions for eliciting these development effects will vary depending on the<br />
type of process considered:<br />
• If we take the “attraction paradigm”, the importance of the contribution of<br />
cultural activities to local development will depend on the territory’s population,<br />
its integration <strong>and</strong> its extent; on the length of the season for cultural activities,<br />
on their synergies, <strong>and</strong> on their local employment content.<br />
• If we take the “dissemination paradigm”, the importance of the contribution of<br />
cultural activities to development will depend on how concentrated cultural<br />
activities are locally; on their capacity to transmit <strong>and</strong> adapt their specific<br />
knowledge <strong>and</strong> know-how; on their capacity to balance production <strong>and</strong> marketing<br />
dimensions; on their potential to win recognition, or even protection, of their<br />
originality.<br />
• If we take the “territorial culture paradigm”, the importance of the contribution<br />
of cultural activities to development will depend on their capacity to reveal <strong>and</strong><br />
disseminate values <strong>and</strong> reference points that will encourage players, individually<br />
or collectively, to think to the future, to devise new plans <strong>and</strong> projects, <strong>and</strong> to<br />
pool their defences against the unforeseen.<br />
Towards local policies for culture <strong>and</strong> creativity<br />
The variety, the complexity <strong>and</strong> the fragility of the impact of cultural activities are<br />
often overlooked, <strong>and</strong> policies to promote artistic <strong>and</strong> cultural activities tend to focus<br />
exclusively on final consumption <strong>and</strong> on tourism. Cultural activities need then to be<br />
considered as a whole, with particular attention to the artistic creativity that lives <strong>and</strong><br />
breathes at their core. As Venturelli put it (Venturelli, 2003), “the real issue is also<br />
less about the h<strong>and</strong>ful of giants that dominate the history of arts (the aesthetic claim<br />
to culture) or the essential qualities of cultural practices (the anthropological claim),<br />
or the size of the market for mass produced cultural products (the industrial claim).<br />
Instead the most significant issue confronting us today concerns the possibility<br />
available for most people in a society to participate in originating new cultural forms.<br />
Hence, the environmental conditions most conducive to originality <strong>and</strong> synthesis as<br />
well as the breadth of social participation in forming new ideas comprise the true test<br />
of cultural vigour <strong>and</strong> the only basis of public policy” 118 .<br />
158 CULTURE AND LOCAL DEVELOPMENT - ISBN 92-64-00990-6 - © <strong>OECD</strong> 2005