OECD Culture and Local Development.pdf - PACA

Notes
1. Scott, A.J., (2000), op. cit., p.462
2. idem, Chapter 3.
3. We define the creative industries as those industries which have their origin in individual creativity,
skill and talent and which have a potential for wealth and job creation through the generation and
exploitation of intellectual property. This includes advertising, architecture, the art and antiques
market, crafts, design, designer fashion, film and video, interactive leisure software, music, the performing
arts, publishing, software and computer games, television and radio. DCMS: www.culture.gov.uk/
creative_industries/default.htm
4. “that the activities concerned involve some form of creativity in their production, that they are concerned
with the generation and communication of symbolic meaning, and that their output embodies, at least
potentially, some form of intellectual property”, Throsby, D. (2001), Economics and Culture, Cambridge:
Cambridge University Press, P.76
5. “those involved in the creation of new product or content, which is the basis for the creation of value
across the sector”(O’Connor, 1998).
6. Morishima, M. (1982), Why Japan succeeded: Western Technologies and the Japanese Ethos, Cambridge: Cambridge
University Press
7. Keating M. (2004), “Governing Cities and regions: territorial restructuring”, in: Allen J. Scott, ed. Global
City-Regions: Trends, Theory, Policy, pp. 371-88, Oxford University Press
8. V. Ponthieux S. (2003), Que Faire du ‘Social Capital ?’ INSEE, Documents de Travail N°F0306, p.33
9. V. Ponthieux S. (2003), Que Faire du ‘Social Capital ?’ INSEE, Documents de Travail N°F0306, p.60
10. OECD (2002), Social Capital: the Challenge of International Measurement, OECD-ONS Conference, London,
26-27 September.
11. idem, p.45
12. idem, p.45
13. V. Ponthieux S. (2003), p. 19
14. idem, p. 22
15. Fukuyama, F., (2002), “Social Capital and Development: The Coming Agenda”, SAIS Review 12(1), 23-
37, p.35
CULTURE AND LOCAL DEVELOPMENT - ISBN 92-64-00990-6 - © OECD 2005 189