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OECD Culture and Local Development.pdf - PACA

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2. LOCAL DEVELOPMENT BASED ON ATTRACTING VISITORS AND TOURISTS<br />

• Cultural activities will have a more important impact if their territory is densely<br />

populated, or a metropolitan area. As we saw above (see Table 2.2), this point had<br />

already been made in the late 1980s, <strong>and</strong> it has been repeatedly confirmed since<br />

then (Myerscough, 1988). The reason is simple enough. Only major cities have the<br />

servicing capacity to meet tourists’ needs, <strong>and</strong> to reap the revenues. Conversely,<br />

smaller, less diversified regions will have to import these means, assuming they<br />

can keep tourists in their territory at all. There is nothing new about this analysis.<br />

As early as 1981, a report for the National Endowment for the Arts used a sample<br />

contrasting New York City with seven mid-sized American cities (Columbus,<br />

Minneapolis/St. Paul, St. Louis, Springfield, Salt Lake City <strong>and</strong> San Antonio) to show<br />

that the benefits derived from culture would vary in direct proportion to their<br />

population. These variations were even stronger in terms of spending than of<br />

audience, which meant that tourist spending would vary with city size still more<br />

sharply than would tourist numbers (National Endowment for the Arts , 1981).<br />

• Cultural activities will have a greater impact if they involve the local populace.<br />

Transforming a cultural potential into a source of varied activities throughout<br />

the year, <strong>and</strong> not just during the tourist season, conserving heritage attractions,<br />

finding the money for investments, mobilising volunteers, enlisting partners<br />

to prevent the deterioration of a local site — all of this implies commitment<br />

<strong>and</strong> participation by local people <strong>and</strong> communities. Turning a territory into a<br />

museum will not guarantee its sustainable development.<br />

• Kanazawa is a city in the central <strong>and</strong> western part of Japan, endowed with a heritage<br />

that is both tangible (monuments <strong>and</strong> temples) <strong>and</strong> intangible (substantial knowhow<br />

in the production of wallpaper <strong>and</strong> parasols). The decline of Japan’s textile<br />

industry <strong>and</strong> decades of flight by the rural population, which have weakened<br />

regions like that of Kanazawa <strong>and</strong> strengthened those of Kansai <strong>and</strong> Tohok, have<br />

prompted the city to reformulate both its opportunities <strong>and</strong> its image to become<br />

a centre of attraction. Three strategies were adopted to exploit the potential<br />

of the city’s considerable cultural heritage.<br />

• The first was to develop all components of its heritage in an integrated manner,<br />

rather than taking a piecemeal approach to individual monuments. By<br />

deploying resources flexibly, it would be possible to extend prospects<br />

<strong>and</strong> achieve cross-fertilisation, e.g. between the restoration of tea houses<br />

<strong>and</strong> samurai dwellings <strong>and</strong> the promotion of local arts <strong>and</strong> crafts.<br />

• The second was to bring students back to the city centre, since the trend<br />

over time had been to locate all teaching <strong>and</strong> student-life facilities outside<br />

of cities, whereas students were capable of conducting a variety of cultural<br />

activities in sites targeted for rehabilitation. Examples of this include two<br />

theatres that were restored <strong>and</strong> are now being managed by students.<br />

84 CULTURE AND LOCAL DEVELOPMENT - ISBN 92-64-00990-6 - © <strong>OECD</strong> 2005

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