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OECD Culture and Local Development.pdf - PACA

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2. LOCAL DEVELOPMENT BASED ON ATTRACTING VISITORS AND TOURISTS<br />

producing traditional or contemporary objects with a cultural connotation, <strong>and</strong><br />

equipping it with an interpretation centre demonstrating the method <strong>and</strong> the product,<br />

where visitors can become familiar with this heritage.<br />

This symbiosis between the firm <strong>and</strong> the interpretive centre is also intended to<br />

highlight the environmental <strong>and</strong> heritage qualities of the building or the site concerned.<br />

With the globalisation of references <strong>and</strong> techniques, regional or local architecture is<br />

no longer synonymous with “outdated”, <strong>and</strong> indeed older buildings can be restored<br />

<strong>and</strong> maintained as a way out of preserving popular heritage. In 2002, the Federation<br />

of Economuseums had more than 200 institutional members in Canada <strong>and</strong> around<br />

50 in Europe. Employment in these institutions was significant, amounting to more<br />

than 1000, recognising however that no distinction is made here between the productive<br />

function performed by these people in the business itself <strong>and</strong> their work as interpretive<br />

or sales personnel in the museum, which is an extension of the business. From this<br />

viewpoint, the contribution of culture is different but at least as important as in other<br />

fields, for it relies directly on the sustainability of existing enterprises.<br />

The performing arts<br />

Live performances are often cited to show the importance of the economic spinoffs<br />

that culture provides for the local economy, no doubt because winning grants is<br />

a key element. These activities often lose money because of quasi-structural factors,<br />

<strong>and</strong> mounting them requires the support of public subsidies <strong>and</strong> private philanthropy.<br />

Two arguments are generally employed to this end: the expected benefits of<br />

democratising cultural practices, <strong>and</strong> the job creation potential for the local territory.<br />

Empirical evidence however does not provide automatic corroboration of these<br />

claims, <strong>and</strong> we shall select from among the various forms of performing arts that of<br />

the theatre (both because of its importance, <strong>and</strong> because more data are available on<br />

it). While theatres can make contributions, it seems that these are confined for the<br />

most part to metropolitan areas where they can generate <strong>and</strong> sustain jobs over one<br />

or several seasons.<br />

- Every two years, a report is published evaluating the impact of Broadway theatre<br />

activity on the city of New York. The data include the amounts spent on mounting<br />

<strong>and</strong> running productions <strong>and</strong> on theatre maintenance, <strong>and</strong> spending in the city<br />

by Broadway patrons 51 .<br />

From June 2002 through June 2003, Broadway as an industry contributed $4.3<br />

billion to the economy of New York City. This amount comprised $2.60 billion in<br />

impact from ancillary spending by Broadway-bound visitors to the city; $1.66 billion<br />

in impact from expenditures on producing <strong>and</strong> running shows; <strong>and</strong> $42 million in impact<br />

from capital investment in the theatres. Moreover, Broadway supported 36,000 fulltime<br />

equivalent jobs during this period.<br />

72 CULTURE AND LOCAL DEVELOPMENT - ISBN 92-64-00990-6 - © <strong>OECD</strong> 2005

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