OECD Culture and Local Development.pdf - PACA
OECD Culture and Local Development.pdf - PACA
OECD Culture and Local Development.pdf - PACA
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2. LOCAL DEVELOPMENT BASED ON ATTRACTING VISITORS AND TOURISTS<br />
producing traditional or contemporary objects with a cultural connotation, <strong>and</strong><br />
equipping it with an interpretation centre demonstrating the method <strong>and</strong> the product,<br />
where visitors can become familiar with this heritage.<br />
This symbiosis between the firm <strong>and</strong> the interpretive centre is also intended to<br />
highlight the environmental <strong>and</strong> heritage qualities of the building or the site concerned.<br />
With the globalisation of references <strong>and</strong> techniques, regional or local architecture is<br />
no longer synonymous with “outdated”, <strong>and</strong> indeed older buildings can be restored<br />
<strong>and</strong> maintained as a way out of preserving popular heritage. In 2002, the Federation<br />
of Economuseums had more than 200 institutional members in Canada <strong>and</strong> around<br />
50 in Europe. Employment in these institutions was significant, amounting to more<br />
than 1000, recognising however that no distinction is made here between the productive<br />
function performed by these people in the business itself <strong>and</strong> their work as interpretive<br />
or sales personnel in the museum, which is an extension of the business. From this<br />
viewpoint, the contribution of culture is different but at least as important as in other<br />
fields, for it relies directly on the sustainability of existing enterprises.<br />
The performing arts<br />
Live performances are often cited to show the importance of the economic spinoffs<br />
that culture provides for the local economy, no doubt because winning grants is<br />
a key element. These activities often lose money because of quasi-structural factors,<br />
<strong>and</strong> mounting them requires the support of public subsidies <strong>and</strong> private philanthropy.<br />
Two arguments are generally employed to this end: the expected benefits of<br />
democratising cultural practices, <strong>and</strong> the job creation potential for the local territory.<br />
Empirical evidence however does not provide automatic corroboration of these<br />
claims, <strong>and</strong> we shall select from among the various forms of performing arts that of<br />
the theatre (both because of its importance, <strong>and</strong> because more data are available on<br />
it). While theatres can make contributions, it seems that these are confined for the<br />
most part to metropolitan areas where they can generate <strong>and</strong> sustain jobs over one<br />
or several seasons.<br />
- Every two years, a report is published evaluating the impact of Broadway theatre<br />
activity on the city of New York. The data include the amounts spent on mounting<br />
<strong>and</strong> running productions <strong>and</strong> on theatre maintenance, <strong>and</strong> spending in the city<br />
by Broadway patrons 51 .<br />
From June 2002 through June 2003, Broadway as an industry contributed $4.3<br />
billion to the economy of New York City. This amount comprised $2.60 billion in<br />
impact from ancillary spending by Broadway-bound visitors to the city; $1.66 billion<br />
in impact from expenditures on producing <strong>and</strong> running shows; <strong>and</strong> $42 million in impact<br />
from capital investment in the theatres. Moreover, Broadway supported 36,000 fulltime<br />
equivalent jobs during this period.<br />
72 CULTURE AND LOCAL DEVELOPMENT - ISBN 92-64-00990-6 - © <strong>OECD</strong> 2005