OECD Culture and Local Development.pdf - PACA
OECD Culture and Local Development.pdf - PACA
OECD Culture and Local Development.pdf - PACA
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INTRODUCTION<br />
Yet these attitudes gradually evolved.<br />
- <strong>Culture</strong> began to be appreciated for the jobs it creates <strong>and</strong> the tourism returns<br />
it earns.<br />
- At the same time, international trade patterns highlighted the growing place<br />
occupied by cultural products.<br />
- Cultural industries (books, records, audiovisual products) were in strong dem<strong>and</strong>.<br />
- Other products <strong>and</strong> services that combined a cultural dimension with their<br />
utilitarian aspect (styling, fashion, architecture, arts <strong>and</strong> crafts) were recognised<br />
as sources of value-added <strong>and</strong> were gradually ranked under the heading of creative<br />
industries.<br />
Various studies testified to the importance of these activities.<br />
- In the United Kingdom, they were credited with creating 4.5% of total employment<br />
(Pratt, 1997).<br />
- In the United States, that proportion was estimated at 2.4% (Scott, 2000).<br />
- In Japan, cultural employment has now been incorporated into the broader concept<br />
of “creativity industries”, which encompasses twelve sectors: advertising;<br />
architecture <strong>and</strong> related engineering services; the antiques market; the lacquer<br />
industry; design; film <strong>and</strong> video industries; audiovisual production, live<br />
performances; publishing; software; radio <strong>and</strong> television; <strong>and</strong> artistic <strong>and</strong> cultural<br />
organisations. In 2001, the sector comprised more than 176 000 businesses <strong>and</strong><br />
provided over 1.9 million jobs, accounting for roughly 3.1% of aggregate<br />
employment that year. In addition, the sector grew by 7.9% between 1996 <strong>and</strong><br />
2001, while over the same period other industries suffered a 7.8% decline in<br />
employment (Yoshimoto, 2004).<br />
- An initial study of countries of the European Union estimated that 2% of the<br />
working population was engaged in cultural activities (Greffe, 1999), but a<br />
second study raised that proportion to 7% by rolling the traditional concept of<br />
culture into that of “digital culture” (Economix, 2002).<br />
- Other studies sought to highlight the leverage effect that cultural heritage exerts<br />
on creativity in the economy: in France, for example, it was shown that while<br />
jobs related to exploiting cultural heritage accounted for 0.4% of the working<br />
population, the number of jobs involving the transformation of heritage resources<br />
into creative resources stood at nearly 3% (Greffe <strong>and</strong> Pflieger, 2003).<br />
16 CULTURE AND LOCAL DEVELOPMENT - ISBN 92-64-00990-6 - © <strong>OECD</strong> 2005