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OECD Culture and Local Development.pdf - PACA

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CONCLUSION - DESIGNING LOCAL PUBLIC POLICIES<br />

existence, we can identify some factors that will help a territory to foster the required<br />

links between culture <strong>and</strong> creativity 119 .<br />

• As a starting point, people <strong>and</strong> communities within a territory must be “immersed”<br />

in the consumption <strong>and</strong> the production of cultural goods. This can be achieved<br />

by promoting online culture as a new learning resource 120 . But it can just as well<br />

be done by offering free access to museums or public libraries. This can be an<br />

appropriate point for introducing training in artistic skills, provided it is cast<br />

in terms of the development project dimension <strong>and</strong> of incentives to the creation<br />

of artistic enterprises.<br />

• Developing cultural entrepreneurship in this way requires specific physical <strong>and</strong><br />

financial facilities, such as those funded by Britain’s National Endowment for<br />

Science, Technology <strong>and</strong> the Arts (NESTA), which uses proceeds from the<br />

National Lottery to create <strong>and</strong> support entrepreneurship incubators.<br />

• Such initiatives require sturdy, long-term partnerships between the artistic<br />

<strong>and</strong> non-artistic sectors, or between private businesses <strong>and</strong> associations or<br />

non-profit enterprises. The risky <strong>and</strong> shifting nature of cultural goods means<br />

that enterprises must be mutually “plugged in” so that they can respond<br />

promptly by redefining <strong>and</strong> recombining their products. Finally, these<br />

partnerships must provide for the oft-missing strategic links between production<br />

<strong>and</strong> marketing.<br />

These needs are even more strongly felt in developing countries, where there is<br />

a general lack of support for artists; the creative crafts are gradually disappearing; there<br />

is no protection for artistic property or, worse, existing protection is counterproductive;<br />

there are no local markets to encourage the emergence of cultural goods <strong>and</strong>, generally<br />

speaking, local governments fail to take account of such production 121 .<br />

What role is there for national or regional policies ?<br />

While recognising the importance of local policies for making culture a lever of<br />

development, we must not overlook the role of national or regional policies.<br />

The potential contribution of national policies is not always given its due. There<br />

are several reasons for this :<br />

• National or regional policies relating to culture are, of course, horizontal policies<br />

that seek above all to improve the environment within which cultural projects<br />

can flourish. They make themselves felt primarily through offering training for<br />

artists, protecting intellectual property rights, preserving heritage, providing<br />

CULTURE AND LOCAL DEVELOPMENT - ISBN 92-64-00990-6 - © <strong>OECD</strong> 2005 163

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