A guide to the export and import of cultural goods between Russia ...

More documents

Recommendations

Info

Portugal Chapter 3: European Union Member States If an export licence is refused, can I appeal? How do I do that? You can appeal against a decision to refuse an export licence in the Portuguese Courts of Law. Which customs authorities are empowered to deal with the export of cultural goods? The offices of the Portuguese customs (DGAIEC – Direcção-Geral das Alfândegas e dos Impostos Especiais sobre o Consumo) empowered to deal with the export of cultural goods are: Lisbon Maritime, Lisbon Airport, Alverca, Leixões, Porto Airport, Funchal and Ponta Delgada. What other paperwork do I need to export a cultural object? When you are granted an EU export licence, you keep one copy, the second copy is kept by the responsible department and the third accompanies the exported heritage, being presented to the customs officials. When you enter Russia, you must show all the relevant documentation and declare the object at customs, passing through the Red channel. See Chapter 4 for further information. What are the penalties if I do something wrong? Under Portuguese Law 107/2001, crimes related to the import and/or export of cultural goods may be punished with sanctions such as fines, penalties and imprisonment. What are the standards of service I can expect to receive? The Portuguese Customs authority has a standard of procedures which is available at: http://www.dgaiec.min-fi nancas.pt/. Are there any special export restrictions on certain objects or other considerations I should know about? The framework for protection of movable cultural goods in Portugal includes works by, or attributable to, a Portuguese author, works created or produced on Portuguese territory and works which have been in Portugal for 50 years. There are some other categories of movable cultural goods subject to protection under national heritage legislation. What are the requirements if I want to import cultural goods into Portugal from Russia? The import of cultural goods is controlled under Law 107/2001. An application for an import licence must be made at least 30 days in advance. If it is suspected that the cultural goods have been illicitly exported from another country, national legislation sets out procedures for conserving them and returning them to their country of origin. This is ordered according to the UNESCO and UNIDROIT Conventions, both ratified by Portugal. 180
Chapter 3: European Union Member States Portugal The import of cultural goods which have been acquired for public collections may benefit from fiscal incentives under Portuguese customs regulations. Under certain circumstances, where imported cultural goods have been in Portugal for ten years, they may be subjected to the highest forms of legal protection under Portuguese law. 181
Page 1 and 2:
Moving Art A guide to the export an
Page 3 and 4:
Moving Art A guide to the export an
Page 5 and 6:
We tried to make this guide as user
Page 7 and 8:
Latvia ............................
Page 9 and 10:
The exhibition Europe-Russia-Europe
Page 11 and 12:
Introduction In the EU, the Council
Page 13 and 14:
Introduction Who is involved in con
Page 15 and 16:
Introduction The aim has been to es
Page 17 and 18:
International Conventions for the P
Page 19 and 20:
secular monument or similar institu
Page 21 and 22:
The Movement of Cultural Goods from
Page 23 and 24:
• In some cases, however, if the
Page 25 and 26:
Chapter 2: The Movement of Cultural
Page 27 and 28:
Page 29 and 30:
Page 31 and 32:
Page 33 and 34:
European Union Member States CHAPTE
Page 35 and 36:
The Vienna Philharmonic Orchestra i
Page 37 and 38:
Chapter 3: European Union Member St
Page 39 and 40:
Page 41 and 42:
Wim Vandekeybus/Ultima Vez - Blush
Page 43 and 44:
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Page 51 and 52:
Page 53 and 54:
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75 and 76:
Page 77 and 78:
Apparatus Theatre Group performs
Page 79 and 80:
Page 81 and 82:
Page 83 and 84:
“Seed”, silver necklace by Finn
Page 85 and 86:
Page 87 and 88:
Page 89 and 90:
Page 91 and 92:
Page 93 and 94:
France In 1995, France signed the U
Page 95 and 96:
Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
Page 103 and 104:
Page 105 and 106:
Page 107 and 108:
Page 109 and 110:
Greece INTERNATIONAL European Commu
Page 111 and 112:
Page 113 and 114:
Page 115 and 116:
Page 117 and 118:
Page 119 and 120:
Page 121 and 122:
Page 123 and 124:
Page 125 and 126:
Page 127 and 128:
Page 129 and 130: Chapter 3: European Union Member St
Page 135 and 136: Latvia WHAT LEGISLATION APPLIES TO
Page 141 and 142: Scene from ‘Faust’ by Goethe, d
Page 151 and 152: Luxembourg Philharmonic Orchestra p
Page 169 and 170: Poland Bilateral agreement in the f
Page 179: Chapter 3: European Union Member St
Page 185 and 186: Sibiu, European Capital of Culture
Page 191 and 192: Slovakia Act No. 416/2002 Coll. on
Page 199 and 200: Slovenia Who is responsible for imp
Page 215 and 216: “Aluminium 2” by the Cullberg B
Page 231 and 232:
Page 233 and 234:
Russia CHAPTER 4
Page 235 and 236:
Ivan Shishkin, “Rye”, 1878, oil
Page 237 and 238:
Сhapter 4: Russia Russia 9. Coins,
Page 239 and 240:
Сhapter 4: Russia Russia fee for t
Page 241 and 242:
Сhapter 4: Russia Russia (3) Copie
Page 243 and 244:
Сhapter 4: Russia Russia zokhranku
Page 245 and 246:
Сhapter 4: Russia Russia The reque
Page 247 and 248:
Сhapter 4: Russia Russia (c) Cultu
Page 249 and 250:
Сhapter 4: Russia Russia Cultural
Page 251 and 252:
Сhapter 4: Russia Where can I get
Page 253 and 254:
International Flows of Selected Cul
Page 255 and 256:
Annex European Culture Portal: http
Page 257 and 258:
Acknowledgements This guidebook was
Page 259 and 260:
Notes 259
Page 261 and 262:
The Guidebook is distributed free o
show all

A guide to the export and import of cultural goods between Russia ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?