A guide to the export and import of cultural goods between Russia ...

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CHAPTER Chapter 3: European Union Member States Sweden Contacts between Sweden and Russia have a history of over a thousand years including cultural exchanges. Today Sweden faces the challenge to intensify its cultural exchanges with Russia. During four months in the spring of 2006 the Swedish Embassy carried out its largest ever cultural project in Russia. It gave a broad presentation of contemporary Swedish culture in nine Russian cities (Moscow, St Petersburg and seven cities along, or in the vicinity of, the Volga). Entitled ‘Sweden:Upgrade’, the project presented film (mostly new films plus an Ingmar Bergman retrospective), music (concerts of classical music, jazz, pop and DJs at clubs), contemporary art, photography, literature (new Swedish drama and children’s literature), contemporary dance performances, theatre (including plays for children) and seminars. Within this project a large group of Swedish cultural workers were able to meet with Russian colleagues. The groundwork that was laid during ‘Sweden:Upgrade’ is now being built on. The present dynamic Russian cultural scene opens new prospects for intensified exchange. Sweden already regularly participates in art and photo exhibitions, such as the Moscow art and photo biennales, and film festivals (first of all the Moscow Film Festival). Swedish DJs regularly play at clubs in Russian cities. Sweden actively supports the translation of both fiction and children’s literature. Guest performances by internationally well known Swedish artists are planned for the near future (such as the Dramatic Theatre and the Cullberg Ballet). This development is most welcome. Yet, much remains to be done. A market for cultural international exchange has emerged. A precondition for making exchanges flourish under the new conditions is a better knowledge of present regulations in the cultural sphere. WHAT LEGISLATION APPLIES TO THE IMPORT/EXPORT OF CULTURAL GOODS BETWEEN SWEDEN AND RUSSIA? NATIONAL Heritage Conservation Act (1988:950) (including amendments up to and including SFS 2002:1090) Heritage Conservation Ordinance (1988:1188) (including amendments up to and including SFS 2002:970) INTERNATIONAL European Community legislation is applicable as explained in Chapter 2 UNESCO Convention of 1970 (Sweden ratifi ed in 2002) 214
“Aluminium 2” by the Cullberg Ballet with dancers Johanna Lindh and Rafi Sadi. The company performed in Moscow in the 1990s and are planning a guest performance in Russia in 2008. Founded in 1967 by Birgit Cullberg, a prominent choreographer who had staged ballets abroad, including in the Soviet Union, the ensemble is an important cultural ambassador for Sweden and gives foreign audiences a taste of Swedish culture at its best. Photo: Lesley Leslie-Spinks Who is responsible for implementing these regulations? The National Heritage Board (Riksantikvarieämbetet) has overall responsibility for implementing the regulations – http://www.raa.se (full contact details below). There are five different authorities in Sweden that make the actual decisions on export permits: the National Heritage Board, the Nordiska Museet, the National Library of Sweden, the National Museum with Prince Eugens Waldemarsudde and the National Archives – contact details below. Do I need an export licence? Older Swedish cultural goods and foreign cultural goods that may be of major importance to the national cultural heritage may not be taken out of Sweden without special permission. The term, ‘Swedish cultural goods’ refers to objects that were actually or presumably made in Sweden or in some other country by a Swede. The term, ‘foreign cultural goods’ refers to objects made in another country by someone other than a Swede. For the purposes of determination under national legislation, the boundaries of Sweden on 1 July 1986 decide whether an object is deemed to be Swedish cultural goods. 215
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Moving Art A guide to the export an
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Moving Art A guide to the export an
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We tried to make this guide as user
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Latvia ............................
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The exhibition Europe-Russia-Europe
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Introduction In the EU, the Council
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Introduction Who is involved in con
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Introduction The aim has been to es
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International Conventions for the P
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secular monument or similar institu
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• In some cases, however, if the
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