A guide to the export and import of cultural goods between Russia ...

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Chapter 3: European Union Member States Where can I get more information? Sweden Information in English on the Exportation of Cultural Objects: http://www.raa.se/cms/extern/en/cultural_heritage/legislation_and_responsibility/ exportation_of_cultural_objects.html How to apply for a permit (in English – with downloadable application forms): http://www.raa.se/cms/en/cultural_heritage/legislation_and_resposibility/exportation_of_ cultural_objects/applying_for_a_permit.html How to apply for a permit (in Swedish – with downloadable application forms): http://www.raa.se/cms/extern/kulturarv/lagar_och_ansvar/utforsel_och_export_av_ kulturforemal/att_soka_tillstand.html Information in English on the Swedish law preventing the export of cultural goods: this website contains a visual index of objects denied an export licence by the Nordiska Museum (mainly furniture and other antique artefacts) since the year 2000: http://www.eoco.org/index_en.html Contact details for the authorities in Sweden empowered to issue export licences for cultural goods under the EU licence scheme can be found at: http://eur-lex.europa.eu/LexUriServ/site/en/oj/2006/c_187/c_18720060810en00020009.pdf Contact details for the customs offices in Sweden empowered to handle formalities for the exportation of cultural goods can be found at: http://eur-lex.europa.eu/LexUriServ/site/en/oj/2006/c_187/c_18720060810en00100013.pdf Information on legislation for the protection of cultural heritage in Sweden published by the European Commission in 2002: http://ec.europa.eu/taxation_customs/resources/documents/cgoods_sv_en.pdf 222
Chapter 3: European Union Member States United Kingdom CHAPTER Cultural cooperation between the UK and Russia has a long history and continues to play an important role in the relationship between our two countries. Through the British Council, the UK’s organisation for international cultural cooperation, the UK is committed to bringing to Russia high-quality, innovative arts events which reflect both contemporary UK and its long cultural tradition. In recent years the number of Russian cultural events in the UK has increased dramatically, reflecting a growing interest among UK residents in Russia and Russian culture. The British Council plans to capitalise on this by organising, in conjunction with the Russian Ministry of Culture, a Year of UK in Russia in 2010 and a Year of Russia in UK in 2011. In December 2006, to celebrate the 150th anniversary of the Tretyakov Gallery, the British Council organised a major exhibition of James McNeill Whistler, the first time such a comprehensive survey of the artist’s work has been seen in Russia. Including loans from major museums in the UK and the USA, this exhibition demonstrated both the demand for such shows in Russia and the willingness of western institutions to lend major works to Russian museums. WHAT LEGISLATION APPLIES TO THE IMPORT/EXPORT OF CULTURAL GOODS BETWEEN THE UK AND RUSSIA? NATIONAL Statutory Instrument 2003 No. 2759: The Export of Objects of Cultural Interest (Control) Order 2003. The Export of Objects of Cultural Interest (Control) Order 2003 Open General Export Licence 2004 http://www.culture.gov.uk/NR/rdonlyres/6A0AAD3F-448E-4F34-BA74-765D1A6A6BB5/0/ OPENGENERALEXPORTLICENCEOF1MAY2004.pdf Dealing in Cultural Objects (Offences) Act 2003 INTERNATIONAL European Community legislation is applicable as explained in Chapter 2 UNESCO Convention of 1970 (the UK ratifi ed in 2002) Who is responsible for implementing these regulations? The Department for Culture Media and Sport (DCMS) is responsible for protecting the nation’s cultural objects and for policy in the area of export of cultural property: http://www.culture.gov.uk/what_we_do/Cultural_property/. 223
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Moving Art A guide to the export an
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Moving Art A guide to the export an
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We tried to make this guide as user
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Latvia ............................
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The exhibition Europe-Russia-Europe
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Introduction In the EU, the Council
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Introduction Who is involved in con
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Introduction The aim has been to es
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International Conventions for the P
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secular monument or similar institu
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The Movement of Cultural Goods from
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• In some cases, however, if the
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