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Bachelor of Arts (BA) - The University of Hong Kong

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128CLIT3005.Cultural Marxism I (6 credits)This course will aim to historicize and contextualize within a comparative frame the elaboration <strong>of</strong>Marxist cultural/aesthetic theory over the last century and a half. In this course the intersection <strong>of</strong>moments, spaces, and concerns <strong>of</strong> Marxist cultural theory and practice will be central. <strong>The</strong> receptionand development <strong>of</strong> Marxist aesthetic theory in West and Central Europe, in Russia, and in China willbe analysed. Texts will be read in English and Chinese.CLIT3006.Cultural Marxism II (6 credits)This course is a continuation <strong>of</strong> Part I.CLIT3007.Advanced studies in digital culture (6 credits)This course will examine theories <strong>of</strong> digital culture and attempt to develop visions for the theory andpractice <strong>of</strong> life in the digital age. We will explore issues <strong>of</strong> gender and sexualities, memory, motion,speed vs. slowness, space, and community, through readings <strong>of</strong> cultural theory, visual theory, digitaltheory, and fiction. Film, video, multimedia, and websites will form an integral part <strong>of</strong> the material tobe examined. Prerequisite: Introduction to Digital Culture, and/or Digital Culture and New MediaTechnologies.CLIT3008.Literature and philosophy (6 credits)<strong>The</strong> course asks whether literature is really philosophy and whether philosophy can be literature. Whileit explores specific texts such as Phaedrus and <strong>The</strong> Symposium which may be called either, its mainfocus is on Romanticism. Through a detailed consideration <strong>of</strong> the conjunctions <strong>of</strong> literature andphilosophy in the English and German Romantics, it asks how each mode <strong>of</strong> writing contests andcomplements the claims <strong>of</strong> the other.CLIT3013.Critiques <strong>of</strong> space (6 credits)'Space' has become a focal point <strong>of</strong> discussion in many different disciplines ranging from sociology,urban studies and architecture to literature, philosophy, cinema, and gender studies. <strong>The</strong> course willpresent - by means <strong>of</strong> films, writings, photographs, and other speculative media - the spatial issues thataffect our contemporary experience <strong>of</strong> the city and our understanding <strong>of</strong> the culture and politics <strong>of</strong> theglobalizing world.CLIT3014.Traumatic events (6 credits)This course will observe the workings <strong>of</strong> trauma (the enactment and working-through <strong>of</strong> collective andindividual symptoms <strong>of</strong> trauma), memory, and witnessing in various modes <strong>of</strong> everyday life. We willexamine notions <strong>of</strong> catastrophe, disaster, accident, and violence, and explore the possibilities andimpossibilities <strong>of</strong> bearing witness in many forms <strong>of</strong> cultural production. We will examine therepresentation <strong>of</strong> traumatic events in fiction, poetry, architecture, critical theory, visual art, philosophy,science, cartoons, film, video, television reportage, newspaper documentation, and performance, on theinternet and World Wide Web, and in the public and domestic spaces <strong>of</strong> <strong>Hong</strong> <strong>Kong</strong>.CLIT3018.Walter Benjamin as writer and cultural critic (6 credits)<strong>The</strong> course is an introduction to the seminal work <strong>of</strong> Walter Benjamin. His essays - on literature,translation, photography and film, culture and politics, the experience <strong>of</strong> cities - develop a theory <strong>of</strong>reading and a style <strong>of</strong> argument that are indispensable to the understanding <strong>of</strong> contemporary culturaldebates.

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