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Psychology of sex - Total No. of Records in System :: 2032

Psychology of sex - Total No. of Records in System :: 2032

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PSYCHOLOGY OF SEX<strong>in</strong>volves an element <strong>of</strong> pa<strong>in</strong> or shock. The Grand Guignoltype <strong>of</strong> play always f<strong>in</strong>ds fasc<strong>in</strong>ated spectators for its horrors,and it is noteworthy that the novels <strong>in</strong> which pa<strong>in</strong>fulsituations are made amus<strong>in</strong>g, and pathetic figures ridiculous,are frequently the popular works <strong>of</strong> writers <strong>of</strong> highability. It is evident that <strong>in</strong> a mild degree an element <strong>of</strong>what may be termed non-<strong>sex</strong>ual sadism and masochism(what the Germans term Schadenfreude) i fairly widespreadamong the general population.When we bear these considerations <strong>in</strong> m<strong>in</strong>d we mayunderstand how it is that the sadist is by no means necessarilyimpelled by the desire to be cruel. It is emotion thathe is concerned to arouse, as well as to feel, more thanpa<strong>in</strong>. This is, for <strong>in</strong>stance, illustrated by the active algolagnicsubject already quoted, a man <strong>of</strong> <strong>in</strong>tellectualhabits and not extremely sadistic: "The actual act <strong>of</strong>iswhipp<strong>in</strong>g the source <strong>of</strong> the fasc<strong>in</strong>ation. There is absolutelyno desire to humiliate the subject. She must feelpa<strong>in</strong>, but only as an expression <strong>of</strong> the vigour <strong>of</strong> the whipp<strong>in</strong>g.The <strong>in</strong>fliction <strong>of</strong> pa<strong>in</strong> itself gives me no pleasure; onthe contraryit is a source <strong>of</strong> repugnance to me. Apartfrom this <strong>sex</strong>ual anomaly, I have a great dislike <strong>of</strong> cruelty.I have only once killed an animal and remember it withregret"Our attention is apt to be fixed on the presence <strong>of</strong> pa<strong>in</strong><strong>in</strong> algolagnia because we fail to realize all the psychicphenomena <strong>in</strong>volved. It is as though a musical <strong>in</strong>strumentwere sensitive: the supposition would be reasonable that amusical performance is the <strong>in</strong>fliction <strong>of</strong> pa<strong>in</strong>, and weshould certa<strong>in</strong>ly have would-be scientific and analyticalpeople conclud<strong>in</strong>g that the pleasure <strong>of</strong> music is the pleasure<strong>of</strong> giv<strong>in</strong>g pa<strong>in</strong>, and that the emotional effect <strong>of</strong> musicis due to the pa<strong>in</strong> thus <strong>in</strong>flicted.Algolagnia covers some <strong>of</strong> the most extravagant mani-[202]

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