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Psychology of sex - Total No. of Records in System :: 2032

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PSYCHOLOGY OF SEXthe supreme sense. The love-thoughts <strong>of</strong> men have alwaysbeen a perpetualmeditation on beauty.The orig<strong>in</strong> <strong>of</strong> our ideas o beauty is a question whichbelongs to esthetics, not to <strong>sex</strong>ual psychology,and it is aquestion on which estheticians are not altogether <strong>in</strong> agreement.We need not here be concerned to make any def-whether our ideals <strong>of</strong><strong>in</strong>ite assertion on the question<strong>sex</strong>ual beauty have developed under the <strong>in</strong>fluence <strong>of</strong>more general and fundamental laws, or whether <strong>sex</strong>ualideals themselves underlie our more general conceptions<strong>of</strong> beauty. Practically, so far as man and his immediateancestors are concerned, the <strong>sex</strong>ual and the extra-<strong>sex</strong>ualfactors <strong>of</strong> beauty have been <strong>in</strong>terwoven from the first.The <strong>sex</strong>ually beautiful object must have appealed to fundamentalphysiological aptitudes <strong>of</strong> reaction; the generallybeautiful object must have shared <strong>in</strong> the thrill whichthe specifically <strong>sex</strong>ual object imparted. There has been an<strong>in</strong>evitable action and reaction throughout. Just as we f<strong>in</strong>dthat the <strong>sex</strong>ual and non-<strong>sex</strong>ual <strong>in</strong>fluences <strong>of</strong> agreeableodors throughout nature are <strong>in</strong>extricably m<strong>in</strong>gled, so itis with the motives that make an object beautiful to oureyes. In elaborate descriptions <strong>of</strong> beautiful <strong>in</strong>dividuals itis the visible elements that are <strong>in</strong> most cases emphasized.The richly laden word beautyis a synthesis <strong>of</strong> compleximpressions obta<strong>in</strong>ed through a s<strong>in</strong>gle sense.If we survey broadly the ideal <strong>of</strong> fem<strong>in</strong><strong>in</strong>e beauty setdown by the peoples <strong>of</strong> comparatively uncivilized lands,it is <strong>in</strong>terest<strong>in</strong>g to note that they all conta<strong>in</strong> many featureswhich appeal to our civilized esthetic taste,and many <strong>of</strong>them, <strong>in</strong>deed, conta<strong>in</strong> no features which obviously clasheven be said that thewith our canons <strong>of</strong> taste. It mayideals <strong>of</strong> some savages affect us more sympathetically thansome <strong>of</strong> the ideals <strong>of</strong> our own medieval ancestors. Thisfact, that the modern European, whose culture may be

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