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Psychology of sex - Total No. of Records in System :: 2032

Psychology of sex - Total No. of Records in System :: 2032

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THE BIOLOGY OF SEXS<strong>in</strong>ce not only <strong>in</strong> the animals nearly related to Man,but <strong>in</strong> man himself, the larynx and the voice undergo amarked <strong>sex</strong>ual differentiation at puberty, it is easy to believethat the change has an <strong>in</strong>fluence on <strong>sex</strong>ual selectionand <strong>sex</strong>ual psychology. At puberty there israpid developmentalike <strong>of</strong> the larynx itself and the vocal cords, whichbecome larger and thicker, while the voice deepens. Allthese changes are slight <strong>in</strong> girls, but pronounced <strong>in</strong> boys,whose voices are said to "break" and then become lowerby at least an octave. The fem<strong>in</strong><strong>in</strong>e larynx at puberty only<strong>in</strong>creases <strong>in</strong> the proportion <strong>of</strong> five to seven, but the mascul<strong>in</strong>elarynx <strong>in</strong> the proportion<strong>of</strong> five to ten. The directdependence <strong>of</strong> this change on the general <strong>sex</strong>ual developmentis shown not merely byits occurrence at puberty,but by the fact that <strong>in</strong> eunuchs <strong>in</strong> whom the testicles havebeen removed before puberty the voice reta<strong>in</strong>s its childlikequalities.Bear<strong>in</strong>g this <strong>in</strong> m<strong>in</strong>d we may attach considerable importanceto the voice and to music generally as a method <strong>of</strong><strong>sex</strong>ual appeal. On this po<strong>in</strong>t we may agree with Moll,"that <strong>sex</strong>ual stimulation throughthe ears isgreaterthanis usually believed," though I consider that it is greateron women than on men, as we should expect, the causebe<strong>in</strong>g that, as Robert Miiller remarks, a woman's voicereta<strong>in</strong>s child-like qualities,and is therefore less specificallyfem<strong>in</strong><strong>in</strong>e than a man's voice isspecifically mascul<strong>in</strong>e.Men are, <strong>in</strong>deed, <strong>of</strong>ten able to associate many <strong>of</strong> theirearliest ideas <strong>of</strong> love <strong>in</strong> boyhood with women s<strong>in</strong>g<strong>in</strong>g orplay<strong>in</strong>g; but <strong>in</strong> these cases it will be found that the fasc<strong>in</strong>ationwas romantic and sentimental, and not specificallyerotic, while <strong>in</strong> adult life the music which <strong>of</strong>tenseems to us to be most def<strong>in</strong>itely <strong>sex</strong>ual <strong>in</strong> its appeal reallyproduces this effect <strong>in</strong> part from association with thestory, and <strong>in</strong> part from the <strong>in</strong>tellectual realization <strong>of</strong> the[61]

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