If our analysis is correct, the “placing” of the body in space turns out to be a paradoxicalcondition in so far as it is mark<strong>ed</strong> by the “slippage” of physical space into a non-coincidencewith itself. Through a “metamorphosis” achiev<strong>ed</strong> by means of a strange exchange system,physical space “slips” into the Umwelt of an expressive, significant body; a body which,reversibly, ceases to be in homogeneous space only. This possibility is demonstrat<strong>ed</strong> bythe fact that a thing never appears as spatial without at the same time receiving from -- orgiving to -- the beholder the whole of space in the evident a priori of its symbolism.Now, when we speak in this fashion about a liv<strong>ed</strong> experience of space, what we are talkingabout is not relat<strong>ed</strong> to possession, but rather to reciprocal belonging. It is a relationby which I discover myself as a world-bound body, in the sense that we are no longer referringto a relationship between a subject and an external object, but to a living body thatfeels the world from the inside and his or her own inside as outside of the world; a worldwhose outside passes through the inside of the body as an ante-pr<strong>ed</strong>icative reference forall <strong>com</strong>prehension. In brief, for the body, being in space is not an exercise in precisionbut a gesture of immersion in what is perceptible by the senses, an immersion always alreadyperceiv<strong>ed</strong>, always already felt. The presence of the body in space is hence, to a largeextent, unsignalizable, not because our body ceases to be situat<strong>ed</strong> as a thing among things,but because that does not translate all that is meant by presence. There is a space that inspires19 the body and, however much the body may be mingling with objective space,it is nevertheless characteriz<strong>ed</strong> by verticality and depth, for it appears to dilate, shrink,disperse, open itself up in pulsations, and retract. 20Let us intensify our search for the mode of being (in) space of that body, an objectivebody, when seen from the outside. Yet a body, when liv<strong>ed</strong> from the inside, fuses with theobjects and prolongs itself in them without ever discovering where it itself ends and thosebegin. In other words, it is a body harboring from space a knowl<strong>ed</strong>ge without place, wherethinking and perceiving cannot be told apart.This constitutive ambiguity reveals the body’s capacity for reflexivity, assert<strong>ed</strong> byMerleau-Ponty in his Phénoménologie with reference to the Husserlian problematic of“double sensations.” 21 The body in the world is an object but, in so far as it is able toknow itself in the world, not just an object. Being a being that knows itself (to be) in theworld, it is a subject, but not just a subject, since that knowing, far from driving it away fromthat world, plunges it right into the world. Widely known, in this context, is Merleau-Ponty’sfamous formulation on the question of a touching-touch<strong>ed</strong> body: “whenever I touch myright hand with my left hand, the right hand (i.e., an object) possesses, in the same way,this peculiar quality of feeling.” 22 Since we never are, at the same time and in relation toeach other, touching and touch<strong>ed</strong>, we must conclude that the issue is the hand’s capacityof being alternately touching and touch<strong>ed</strong>. In the transition from one function to the other,it is possible to recognize the touch<strong>ed</strong> hand as the very same that will soon thereafter betouching. And thus, for a brief moment, we catch a glimpse of an involvement or incarnationof the hand that, setting out to touch, finds itself being touch<strong>ed</strong>. At that moment, “thebody catches itself, from the outside, performing a function of knowl<strong>ed</strong>ge; it tries to touch19Cf. Maurice Merleau-Ponty, L’œil et l’esprit (Paris: Gallimard, 1964), 31-32.20We could also consider in this regard the kinestheses of the body’s eyes and limbs. In spite of thefact that the body can see and feel itself as an appearing body, such kinestheses belong to an order whichis not just the one of physical sensations, as they precisely reveal that body to itself as an excess. Cf. MarcRichir, “Nature, corps et espace en phénoménologie,” in Chris Younès, <strong>ed</strong>., Ville contre-nature. Philosophieet architecture (Paris: La Découverte, 1999), 38. Cf. Merleau-Ponty, Phénoménologie, 278.21Merleau-Ponty, Phénoménologie, 109.22Ibid.116
itself touching, it attempts a ‘sort of reflection.’” 23 When I feel and feel myself, that isdue, first of all, to that constitutive ambiguity by which the body can simultaneously besubject and object. When touch<strong>ed</strong>, I am an object, without entirely coinciding with it; andwhen touching, I am a subject, without, as well, fully coinciding with it. And this occursbecause it is always the same body in both situations. But if this is so, everything will ultimatelydepend on the unavoidable in<strong>com</strong>pleteness of that type of reflexivity by which thebody-object awakens in an instant as a nimble and lively body-subject. “This reflexivityof the body -- casting a reflection on itself -- always fails at the last moment” 24 in a twofoldway: in the gesture of touching there is always something that is ultimately left untouch<strong>ed</strong>,since the touch<strong>ed</strong> hand finds itself touching and, therefore, never solely “touchable.”Moreover, if, as a body, I discover myself as a concrete being in the world, that is dueto the very fact that this incarnation is not entirely “thinkable,” since it is always alreadyexperienc<strong>ed</strong> as a presence -- and previous possibilities of presence -- to the world.If this analysis is correct, we are struck by something decisive. The reflexivity of thebody does not embrace the whole sphere of the sensible. That which is not reflect<strong>ed</strong> bythe body, is another way of expressing the reality of a body able to wel<strong>com</strong>e and respond,in itself, to the non-thematic presence of space. Consequently, the body only recognizesitself as living in the world on a previous experience of space, which suggests to this bodya special mode of existence. The irreflect<strong>ed</strong> of the body is hence an icon for a space thatdoes not stop at the physical boundaries of the body, 25 but rather invades it and prolongsitself in it in a multiplicity of extensions and intensities.In each perception of space, the body carries within itself a latent knowl<strong>ed</strong>ge that subvertsany clarifying effort <strong>com</strong>ing from consciousness, by revealing that effort to itself as root<strong>ed</strong>in a silent encounter, where living is already understanding. This domain of the “unthought”is visible, for instance, in the unity between all the senses of the body, which reveals afeeling prior to what is experienc<strong>ed</strong> by each of those senses in particular. We are speakinghere of an esthesiology substantiat<strong>ed</strong> in a principle of anonymity or depersonalization. Ineach sensation, “I experience that it does not concern my own being, the one I am responsiblefor and over which I decide, but rather another (my)self who has already sid<strong>ed</strong> withthe world, who is already open to some of its aspects and synchroniz<strong>ed</strong> with them.” 26 Onlythis can explain the fact that, whenever I listen to a piece of music, I do not merely recognizea sum of notes, but declare myself seiz<strong>ed</strong> by an echo that runs through my wholebody, allowing me to re-encounter it, always already in a space where unsuspect<strong>ed</strong>dimensions are suddenly disclos<strong>ed</strong>. Music, as Merleau-Ponty significantly observ<strong>ed</strong>, is notin the visible space, but rather undermines it, invests it with itself, dislocates it at the verymoment that it summons our whole body in a special way:In the concert hall, when I reopen my eyes, the visible space seems constrict<strong>ed</strong> inrelation to that other space where, just a moment ago, the music was unfolding; andeven if I keep my eyes open during the performance of the piece, I have a feeling thatthe music is not really contain<strong>ed</strong> within that precise and trivial space. 27It is therefore as if space itself was refold<strong>ed</strong> over the presence of something that cannotbe present<strong>ed</strong> (“an impresentable”).2324252627Ibid.Maurice Merleau-Ponty, Le visible et l’invisible (Paris: Gallimard, 1967), 24.Cf. Merleau-Ponty, Phénoménologie, 250.Ibid.Ibid., 256.117
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various forms of idealist philosoph
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self-givenness (Selbstgegebenheit)
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It must be admitted in this regard
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down and all the way back.” 51 Fo
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Heidegger characterized his own pro
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Heidegger’s transcendental-existe
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perceived world” (PP, 25), Merlea
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in the unreflected, in “perceptio
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Nor would Merleau-Ponty have had an
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a way that we do not all crash into
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“I think” but in “the dialogu
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in existence a “super-abundance o
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crucial “other” in our becoming
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to its being grounded in terms of b
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(“History is this quasi-‘thing
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manner (statistical or regression a
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and they are such, precisely becaus
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interpreted the world, and that the
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is not rationalist or idealist in t
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title Herbert Spiegelberg gave to h
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II.TOWARD A TELOS OF SIGNIFYING COM
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published in Being and Having. 12 T
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inside me which makes me able to re
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or is not existence something that
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ReflectionPhilosophical thought is
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The pursuit of health, strongly rei
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each the prey of their own pathos.
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According to views held by Gadamer
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and writing - the tools which human
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or disclosedness (Erschlossenheit)
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exclusively from his own point of v
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the same direction as practical wis
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of ‘art’ which still stands bef
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Gadamer’s approach, however, is n
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of biology and physiology, or they
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IV.PHENOMENOLOGICAL MOMENTS IN THE
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Therefore, I would like to concentr
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classical Greek tradition of thinki
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This uneasiness in human beings, wh
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appears in the way of its appearanc
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We can sense such a philosophical d
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the act of interpreting, except whe
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phenomenological development. The p
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II.A Liberation, With a Meeting in
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denken lässt -, sondern das Leben:
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Sinn” 17 and, following this: “
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Wenn ich dieses Buch sehe, sehe ich
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Der christlich-jüdische Gott ist d
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3. A “BETTER” OR JUST “ANOTHE
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if we have two persons, a master an
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V.THE ARCHEOLOGY OF HERMENEUTIC PHE
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cosmic world, and Nietzschean nihil
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absolute lawgiver to any possible
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solitude.” 26 If there is a “hi
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of reason, as far as the single hum
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transcendental reason, 46 pure rati
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and properties of sensible phenomen
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In clear distantiation from his own
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2. HISTORY AS THE OTHER -- NOTES ON
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precisely the accomplishment of phe
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ought as such into the present, it
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educed state. As soon as the reflec
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explicitly in the Vienna lecture, w
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the task and the very environment o
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stood “from itself.” As a resul
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makes possible the further interpre
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of Being -- already grown into Bein
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the Husserlian idea of phenomenolog
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into the openness of Being, it diff
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We now need to quote a second, well
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“knowledge about the world.” In
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Husserl’s ConversionsTheological
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And this proved, probably, to be a
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Husserl’s Reflective Phenomenolog
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to beings of the same nature. But t
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worldlessness of Husserl’s intent
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According to Aristotle, intellectio
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6. RIGOR AND ORIGINARITY: THE TRANS
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The latter, the nonessential princi
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that, for Husserl, every act is ind
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not forget what Husserl meant by a-
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things, we shall comprehend by intu
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something,’ is not merely there (
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epoché in Husserl become a hermene
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When Heidegger characterizes world-