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A History of English Language

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The renaissance, 1500-1650 213<br />

seventeenth centuries in the form grenado, palisado, escalado, and cavaliero, even when<br />

the correct Spanish form would have been granada, palisada, escalada, and caballero.<br />

Sometimes the influence <strong>of</strong> all these languages combined to give us our <strong>English</strong> word, as<br />

in the case <strong>of</strong> galleon,<br />

gallery, pistol, cochineal. 33 Thus the cosmopolitan tendency, the spirit <strong>of</strong> exploration<br />

and adventure, and the interest in the New World that was being opened up show<br />

themselves in an interesting way in the growth <strong>of</strong> our vocabulary and contributed along<br />

with the more intellectual forms <strong>of</strong> activity to the enrichment <strong>of</strong> the <strong>English</strong> language.<br />

167. The Method <strong>of</strong> Introducing New Words.<br />

The Latin words that form so important an element in the <strong>English</strong> vocabulary have<br />

generally entered the language through the medium <strong>of</strong> writing. Unlike the Scandinavian<br />

influence and to a large extent the French influence after the Norman Conquest, the<br />

various Latin influences, except the earliest, have been the work <strong>of</strong> churchmen and<br />

scholars. If the words themselves have not always been learned words, they have needed<br />

the help <strong>of</strong> learned people to become known. This was particularly true in the<br />

Renaissance. Even the words borrowed from the Romance languages in this period <strong>of</strong>ten<br />

came in through books, and the revivals and new formations from native material were<br />

due to the efforts <strong>of</strong> individual writers and their associates. It is impossible, <strong>of</strong> course, to<br />

say who was responsible for the introduction <strong>of</strong> each particular word, but in certain cases<br />

we can see individual writers at work—like Sir Thomas Elyot—conscious <strong>of</strong> their<br />

innovations and sometimes pausing to remark upon them. Another writer who introduced<br />

a large number <strong>of</strong> new words was Elyot’s older contemporary Sir Thomas More. To<br />

More we owe the words absurdity, acceptance, anticipate, combustible, compatible (in<br />

our sense), comprehensible, concomitance, congratulatory, contradictory, damnability,<br />

denunciation, detector, dissipate, endurable, eruditely, exact, exaggerate, exasperate,<br />

explain, extenuate, fact, frivolous, impenitent, implacable, incorporeal, indifference,<br />

insinuate, inveigh, inviolable, irrefragable, monopoly, monosyllable, necessitate,<br />

obstruction, paradox, pretext, and others. Elyot, besides using some <strong>of</strong> these, gives us<br />

accommodate, adumbrate, adumbration, analogy, animate, applicate (as an alternative to<br />

the older apply), beneficence, encyclopedia, exerp (now spelled excerpt), excogitate,<br />

excogitation, excrement, exhaust, exordium, experience (verb), exterminate, frugality,<br />

implacability, infrequent, inimitable, irritate, modesty, placability, etc. The lists have<br />

been made long,<br />

33<br />

galleon = F. galion, Sp. galeon, Ital. galeone.<br />

gallery = F. galerie, Sp., Port, and Ital. galeria.<br />

pistol = F. pistole, Sp. and Ital. pistola.<br />

cochineal = F. cochenille, Sp. cochinilla, Ital. cocciniglia.<br />

That the Italian and Spanish words borrowed by <strong>English</strong> at this time reflect the general commerce<br />

<strong>of</strong> ideas is clear from the fact that the same words were generally being adopted by French. Cf.<br />

B.H.Wind, Les Mots italiens introduits en français au XVI e siècle (Deventer, Netherlands, 1928),

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