Forging new pathways of research and innovation in open and distance learning
RW_2016_Oldenburg_Proceedings
RW_2016_Oldenburg_Proceedings
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Student generated clips<br />
Video <strong>in</strong> Higher Education: Exam<strong>in</strong><strong>in</strong>g Good Practices<br />
Ilse Sistermans<br />
A student generated clip can be used to replace a written assignment. Teacher Giselle Bosse, at<br />
Maastricht University <strong>of</strong> Arts <strong>and</strong> Social Sciences, asks students <strong>in</strong> her Civil Society <strong>and</strong><br />
European Integration course to make a BBC style documentary <strong>in</strong> which they analyse an EU<br />
<strong>in</strong>strument. The video assignment <strong>in</strong>cludes conventional learn<strong>in</strong>g goals, such as knowledge<br />
acquisition <strong>and</strong> application, well-argued empirical analyses, knowledge dissem<strong>in</strong>ation, team<br />
work <strong>and</strong> problem solv<strong>in</strong>g skills. In addition, students improve their ICT, <strong>new</strong> media <strong>and</strong><br />
presentation skills. This assignment truly motivates the students <strong>and</strong> is now one <strong>of</strong> the<br />
assignments they spend most time <strong>and</strong> energy on.<br />
Another example <strong>of</strong> a student generated clip is one where a student demonstrates a skill or<br />
practices a patient conversation with a simulation patient played by another student or<br />
pr<strong>of</strong>essional actor. This format is <strong>of</strong>ten used at medic<strong>in</strong>e <strong>and</strong> psychology courses. Afterwards<br />
the students watch themselves <strong>and</strong> each other <strong>and</strong> provide <strong>and</strong> receive peer <strong>and</strong> teacher<br />
feedback attached to the video fragments (S<strong>and</strong>ra Mulkens, 2015).<br />
Experiential video<br />
An experiential video can br<strong>in</strong>g the outside world <strong>in</strong>to the classroom. Roy Erkens, who<br />
teaches tropical ecology at Maastricht University, br<strong>in</strong>gs his fieldwork <strong>in</strong> the jungle <strong>of</strong><br />
Cameroon back to his. Do<strong>in</strong>g so enables him to share an experience a book could not convey;<br />
students get a better impression <strong>of</strong> certa<strong>in</strong> aspects <strong>of</strong> a pr<strong>of</strong>essional career <strong>and</strong> at the same<br />
time he can demonstrate skills such as the collection <strong>and</strong> preparation <strong>of</strong> tropical flowers. He<br />
uses his i-phone, a selfie stick, <strong>and</strong> a small tripod. It is not a pr<strong>of</strong>essional production, but the<br />
sound is good <strong>and</strong> it allows him to capture <strong>in</strong>terest<strong>in</strong>g moments as they occur.<br />
Fictional clip or film<br />
Some <strong>of</strong> the <strong>in</strong>terviewees used a fictional story to <strong>in</strong>troduce a <strong>new</strong> topic. For <strong>in</strong>stance, Lorenzo<br />
Squ<strong>in</strong>tani <strong>and</strong> his colleagues (Gron<strong>in</strong>gen University) acted out sketches to illustrate the effects<br />
<strong>of</strong> a European law on everyday life. They chose to act out the roles themselves, as they felt a<br />
content expert would be better at convey<strong>in</strong>g the message. Bas Har<strong>in</strong>g, <strong>of</strong> Leiden University<br />
made a series <strong>of</strong> pr<strong>of</strong>essionally produced short films for a course on ethics, called: On be<strong>in</strong>g a<br />
scientist (van G<strong>in</strong>kel, 2016). Each episode presented a different issue that formed the bases for<br />
the face-to-face session. The objective is to make theory personal <strong>and</strong>/or tangible. The videos<br />
are a replacement <strong>of</strong> short novels. He argues pr<strong>of</strong>essional actors are crucial for a conv<strong>in</strong>c<strong>in</strong>g<br />
video.<br />
Good practices <strong>in</strong> video design<br />
Utrecht University uses a view<strong>in</strong>g guide, by Liesbeth Kester (2013), for assess<strong>in</strong>g educational<br />
video on design <strong>and</strong> content. Her guide is based on the cognitive load theory by Richard<br />
Mayer (1998). The guide expla<strong>in</strong>s that video is <strong>of</strong> high educational value when it captures the<br />
attention <strong>and</strong> enables to select <strong>in</strong>formation <strong>and</strong> process it <strong>in</strong> our work<strong>in</strong>g memory, <strong>and</strong> when<br />
it activates relevant exist<strong>in</strong>g knowledge. Accord<strong>in</strong>g to media pr<strong>in</strong>ciples relat<strong>in</strong>g to sensory<br />
receptors <strong>and</strong> memory work load, a video is most effective when learn<strong>in</strong>g goals are def<strong>in</strong>ed <strong>in</strong><br />
154 Reach<strong>in</strong>g from the roots – 9 th EDEN Research Workshop Proceed<strong>in</strong>gs, 2016, Oldenburg<br />
ISBN 978-615-5511-12-7