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The Judgment of Animals in Classical Greece: Animal Sculpture and ...

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Cleon <strong>of</strong> embezzl<strong>in</strong>g money while campaign<strong>in</strong>g on the isl<strong>and</strong>. 271 <strong>The</strong> allusion to this<br />

event is also apparent <strong>in</strong> the pun that <strong>in</strong>volves the name <strong>of</strong> the general Laches <strong>and</strong> that <strong>of</strong><br />

the dog Labes, which, as mentioned earlier, means “Grabber.” 272 It is clear, therefore,<br />

that Aristophanes uses the steal<strong>in</strong>g <strong>of</strong> food by Labes as an allusion to the steal<strong>in</strong>g <strong>of</strong><br />

money by a real politician. But the scene with Labes, when seen <strong>in</strong> isolation, is<br />

particularly <strong>in</strong>structive, for it shows that can<strong>in</strong>e behavior was observed <strong>in</strong> real life. When<br />

Xanthias describes Labes’ behavior to Bdelycleon, for example, he ma<strong>in</strong>ta<strong>in</strong>s that the dog<br />

dashed through <strong>in</strong>to the kitchen (para|&caj). 273 This is a type <strong>of</strong> behavior that <strong>in</strong>dicates<br />

agility <strong>and</strong> swiftness, both <strong>of</strong> which are features essential to cunn<strong>in</strong>g <strong>in</strong>telligence known<br />

as mh~tij <strong>and</strong> shown earlier to be a can<strong>in</strong>e quality. 274<br />

Taken together, the <strong>in</strong>cidents <strong>of</strong> dogs’ steal<strong>in</strong>g <strong>and</strong> eat<strong>in</strong>g food that are described<br />

<strong>in</strong> the Knights <strong>and</strong> the Wasps are two identical versions <strong>of</strong> the same <strong>in</strong>tention: to highlight<br />

<strong>and</strong>, at the same time, ridicule the steal<strong>in</strong>g <strong>of</strong> public money by political figures. <strong>The</strong> use<br />

<strong>of</strong> can<strong>in</strong>e behavior as a metaphor for describ<strong>in</strong>g human behavior suggests that<br />

271 For this event be<strong>in</strong>g taken from real life, <strong>and</strong> for the prosecution <strong>of</strong> Laches by Cleon, which is<br />

mentioned earlier <strong>in</strong> the play (Vesp. 240-244), see S. D. Olson, “Politics <strong>and</strong> Poetry <strong>in</strong> Aristophanes’<br />

Wasps,” TAPA 126 (1996) 138-139; D. M. McDowell, Aristophanes <strong>and</strong> Athens. An Introduction to the<br />

Plays (Oxford, 1995) 167.<br />

272 For the ways <strong>in</strong> which various characters <strong>in</strong> the comedies <strong>of</strong> Aristophanes are named, <strong>and</strong> the use to<br />

which these names are put with<strong>in</strong> the wider context <strong>of</strong> each play, see S. D. Olson, “Names <strong>and</strong> Nam<strong>in</strong>g <strong>in</strong><br />

Aristophanic Comedy,” CQ 42 (1992) 304-319.<br />

273 Labes’ behavior br<strong>in</strong>gs to m<strong>in</strong>d the story <strong>of</strong> the dog dash<strong>in</strong>g through the Erechtheion, a story quoted by<br />

Dionysius <strong>of</strong> Halicarnassus (On D<strong>in</strong>archus 3) who, <strong>in</strong> turn, attributes it to Philochorus, a fourth-century<br />

B.C. scholar-historian <strong>and</strong> a contemporary <strong>of</strong> D<strong>in</strong>archus, the last <strong>of</strong> the canon <strong>of</strong> ten Attic orators.<br />

Accord<strong>in</strong>g to J. G. Frazer, Pausanias’s Description <strong>of</strong> <strong>Greece</strong> (London, 1898; second ed., 1913) 338, the<br />

story <strong>of</strong> Philochorus runs as follows: “On the Acropolis the follow<strong>in</strong>g portent took place. A bitch entered<br />

the temple <strong>of</strong> the Polias, <strong>and</strong> hav<strong>in</strong>g gone down <strong>in</strong>to the P<strong>and</strong>rosium, ascended the altar <strong>of</strong> Zeus <strong>of</strong> the<br />

Courtyard which st<strong>and</strong>s under the olive-tree, <strong>and</strong> there lay down. Now it is an old established custom with<br />

the Athenians that no dog shall ascend the Acropolis.”<br />

274 Detienne <strong>and</strong> Vernant, Cunn<strong>in</strong>g Intelligence 30, do not refer to explicit examples <strong>of</strong> animals who are<br />

agile <strong>and</strong> swift, but consider the qualities <strong>of</strong> agility, suppleness, swiftness, <strong>and</strong> mobility as fundamental to<br />

both huntsmen <strong>and</strong> fishermen, who <strong>in</strong> order to be successful need to exhibit mh~tij that surpasses that <strong>of</strong><br />

their prey. Such attitude, they state, accords well with “the one unalterable rule for animals <strong>and</strong> men alike,<br />

be they hunt<strong>in</strong>g or fish<strong>in</strong>g: the only way to get better <strong>of</strong> a polumh~tij one (‘one with a lot <strong>of</strong> mh~tij’) is to<br />

exhibit even more mh~tij.”<br />

181

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