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The Judgment of Animals in Classical Greece: Animal Sculpture and ...

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zw|~a. Thus, they translate the first zw|~a as “figures,” <strong>and</strong> the second as “designs.” 372<br />

David Grene, <strong>in</strong> contrast, suggests that both zw|~a are “figures <strong>of</strong> animals,” <strong>and</strong> Elizabeth<br />

Barber says simply “animals.” 373 F<strong>in</strong>ally, <strong>in</strong> his commentary on the first book <strong>of</strong><br />

Herodotus’ Histories, George Sheets translates the term as “creatures.” 374 <strong>The</strong> variety <strong>of</strong><br />

modern def<strong>in</strong>itions for zw|~a reflects scholarly awareness <strong>of</strong> the split <strong>in</strong> the fifth-century<br />

mean<strong>in</strong>g <strong>of</strong> zw|~on, a situation, which is rem<strong>in</strong>iscent <strong>of</strong> the treatment <strong>of</strong> zw|&oisi <strong>in</strong><br />

Empedocles’ fragment.<br />

Syntactically, the term zw|~a is the object <strong>of</strong> the word e0ggra&fe<strong>in</strong>, which is a<br />

compound <strong>of</strong> the preposition e0n (“<strong>in</strong>”) <strong>and</strong> the verb gra&fw, whose mean<strong>in</strong>g, as noted<br />

earlier, is “to write,” “to draw,” <strong>and</strong> “to pa<strong>in</strong>t.” Given this evidence, it can be seen why<br />

Liddell <strong>and</strong> Scott’s Lexicon def<strong>in</strong>es e0ggra&fw as “to make <strong>in</strong>cisions <strong>in</strong>to,” “to mark <strong>in</strong> or<br />

on,” <strong>and</strong> “to pa<strong>in</strong>t”). 375 Regard<strong>in</strong>g this e0ggra&fe<strong>in</strong>, De Sél<strong>in</strong>court <strong>and</strong> Mar<strong>in</strong>cola, Grene,<br />

Godley, Macaulay <strong>and</strong> Late<strong>in</strong>er, <strong>and</strong> Waterfield suggest that it refers to pa<strong>in</strong>t<strong>in</strong>g. 376 In<br />

her analysis, Barber ma<strong>in</strong>ta<strong>in</strong>s that Herodotus’ e0ggra&fe<strong>in</strong> denotes that the <strong>in</strong>habitants <strong>of</strong><br />

the Caucasus pa<strong>in</strong>ted or drew all over their clothes. 377 <strong>The</strong>se suggestions, which rely on<br />

the semantic dependence <strong>of</strong> e0ggra&fw on gra&fw, place zw|~a, the direct object <strong>of</strong><br />

e0ggra&fe<strong>in</strong>, <strong>in</strong> close proximity with Empedocles’ grapta& (also from gra&fw, <strong>and</strong><br />

therefore, “pa<strong>in</strong>ted” or “drawn”) zw|~a. As seen earlier, the latter were images <strong>of</strong> some<br />

372<br />

A. De Sél<strong>in</strong>court, tr., rev. J. Mar<strong>in</strong>cola, Herodotus. <strong>The</strong> Histories (London <strong>and</strong> New York, 1996; rev.<br />

ed., 2003) 89.<br />

373<br />

D. Grene, tr., <strong>The</strong> History. Herodotus (Chicago <strong>and</strong> London, 1987) 126; E. J. W. Barber, Prehistoric<br />

Textiles: <strong>The</strong> Development <strong>of</strong> Cloth <strong>in</strong> the Neolithic <strong>and</strong> Bronze Ages with Special Reference to the Aegean<br />

( Pr<strong>in</strong>ceton, 1991) 226.<br />

374<br />

G. A. Sheets, Herodotus Book 1. Commentary (Bryn Mawr, 1981) 73.<br />

375 9<br />

LSJ , 468, s.v. e0ggra&fw.<br />

376<br />

De Sél<strong>in</strong>court <strong>and</strong> Mar<strong>in</strong>cola, Herodotus. <strong>The</strong> Histories 89; Grene, <strong>The</strong> History. Herodotus 126; Godley,<br />

Herodotus 257; Macaulay <strong>and</strong> Late<strong>in</strong>er, <strong>The</strong> Histories. Herodotus 74; Waterfield, Herodotus. <strong>The</strong> Histories<br />

89.<br />

377<br />

Barber, Prehistoric Textiles 206 <strong>and</strong> 226 respectively.<br />

231

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