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The Judgment of Animals in Classical Greece: Animal Sculpture and ...

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village <strong>of</strong> Vix <strong>in</strong> France (Fig. 25). 521 This krater has been considered an imported Greek<br />

product <strong>of</strong> the sixth century B.C., but issues, such as its exact location <strong>of</strong> manufacture<br />

<strong>and</strong> date are still debated. 522 Its neck is decorated with a cont<strong>in</strong>uous frieze <strong>of</strong> appliqué<br />

relief figures, that is, figures with flat reverse sides fastened by rivets to the neck. 523<br />

<strong>The</strong>y depict hoplites on foot, <strong>and</strong> four-horse chariots with their charioteers <strong>in</strong> a<br />

procession. <strong>The</strong> backs <strong>of</strong> these figures are marked with Greek letters, a recognized<br />

method for their correct position<strong>in</strong>g on the vessel. 524 Rumpf considered these decorative<br />

elements partial evidence for suggest<strong>in</strong>g that the krater described by Herodotus was <strong>of</strong><br />

identical appearance. 525 Despite René J<strong>of</strong>froy’s warn<strong>in</strong>g <strong>of</strong> 1954 that “it would be rash to<br />

see <strong>in</strong> the krater from Vix the present <strong>of</strong> the Lacaedemonians to Croesus,” Rumpf’s<br />

521 For the most recent discussion <strong>and</strong> illustrations <strong>of</strong> the krater from Vix, see C. Rolley, La tombe pr<strong>in</strong>cière<br />

de Vix (Paris, 2003) 77-90; also 90-106 for a catalogue <strong>of</strong> all the well-preserved bronze volute kraters <strong>and</strong><br />

parts <strong>of</strong> them found <strong>in</strong> Greek sites, such as Olympia, Delphi, <strong>and</strong> Athens. For earlier discussions <strong>of</strong> the Vix<br />

krater, see R. J<strong>of</strong>froy, Le Trésor de Vix (Côte d’Or) (Paris, 1954) 6; also Rolley, Greek Bronzes 146, fig.<br />

129, where he expla<strong>in</strong>s that “the body <strong>and</strong> the neck are hammered <strong>in</strong> one piece; the two parts <strong>of</strong> the rim, the<br />

h<strong>and</strong>les, <strong>and</strong> the appliqué decoration on the neck <strong>and</strong> possibly also the foot are cast”: for a brief discussion<br />

<strong>of</strong> the complex mathematics <strong>in</strong>volved <strong>in</strong> the design <strong>of</strong> the krater, see Vickers <strong>and</strong> Gill, Artful Crafts 190, n.<br />

223.<br />

522 <strong>The</strong>re are three major theses regard<strong>in</strong>g the place <strong>of</strong> manufacture <strong>of</strong> the Vix krater: 1) Laconia, 2) South<br />

Italy, 3) Cor<strong>in</strong>th, <strong>and</strong> two regard<strong>in</strong>g its date: 1) 570-560 B.C., 2) 530-520 B.C. <strong>The</strong> thesis <strong>of</strong> Laconian<br />

manufacture is advocated by Stibbe, Laconian Mix<strong>in</strong>g Bowls 63-67, who dates the Vix krater to 570-560<br />

B.C. <strong>and</strong> attributes it to a Laconian workshop. He also stresses the close relationship between Laconian<br />

fictile <strong>and</strong> bronze kraters. Rolley, Greek Bronzes 150, dates the krater between 530 <strong>and</strong> 520 B.C.,<br />

considers it “<strong>in</strong>separable from” two hydrias found <strong>in</strong> Paestum <strong>and</strong> Sala Consil<strong>in</strong>a, <strong>and</strong> therefore attributes it<br />

to a South Italian workshop located perhaps <strong>in</strong> Sybaris; also Les vases des bronze de l’ archaïsme recent en<br />

Gr<strong>and</strong>e Grèce (Naples, 1982). For a most recent summary <strong>of</strong> these oppos<strong>in</strong>g theses <strong>and</strong> updated<br />

bibliography on the debate, see C. M. Stibbe, “<strong>The</strong> Krater from Vix Aga<strong>in</strong>: A Review Article,” <strong>in</strong> C. M.<br />

Stibbe, “Agalmata. Studien zur griechisch-archaischen Bronzekunst,” (BABesch Suppl. 11; Dudley, 2006)<br />

310-321. <strong>The</strong> hypothesis <strong>of</strong> a Cor<strong>in</strong>thian orig<strong>in</strong> was advanced by M. Gjødesen, “Greek Bronzes: A Review<br />

Article,” AJA 67 (1963) 333-351. For a list <strong>of</strong> additional scholars, each <strong>of</strong> whom adheres to one or another<br />

thesis, see S. Hodk<strong>in</strong>son, “Laconian Artistic Production <strong>and</strong> the Problem <strong>of</strong> Spartan Austerity,” <strong>in</strong> N.<br />

Fischer <strong>and</strong> H. van Wees, eds., Archaic <strong>Greece</strong>: New Approaches <strong>and</strong> New Evidence (London, 1998) 103,<br />

n. 24.<br />

523 Rolley, La tombe pr<strong>in</strong>cière de Vix 79-83, pls. 8-11, <strong>and</strong> Greek Bronzes 146, fig. 129, where he refers to<br />

the decoration <strong>of</strong> the frieze as “appliqué”; also J<strong>of</strong>froy, Le Trésor de Vix 11, 21.<br />

524 Rolley, La tombe pr<strong>in</strong>cière de Vix 87-88.<br />

525 It has to be mentioned that the decoration <strong>of</strong> the frieze played only a partial, but still supportive, role <strong>in</strong><br />

Rumpf’s identification <strong>of</strong> Herodotus’ krater as that <strong>of</strong> the Vix-type. Rumpf, “Krath&r Lakwniko&j,” <strong>in</strong><br />

Schauenburg, ed., Charites 131, went much further, especially <strong>in</strong> compar<strong>in</strong>g the hold<strong>in</strong>g capacity <strong>of</strong> the<br />

krater described by Herodotus with that <strong>of</strong> the krater from Vix. <strong>The</strong> latter has a capacity <strong>of</strong> 1200 litres,<br />

whereas that <strong>of</strong> the one described by Herodotus, he estimated to be 7800 litres.<br />

272

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