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The Judgment of Animals in Classical Greece: Animal Sculpture and ...

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3. Zw|~on <strong>in</strong> the Fourth Century B.C.<br />

<strong>The</strong> word zw|~on <strong>in</strong> association with the arts appears <strong>in</strong> four fourth-century<br />

authors: Plato, Alcidamas, Aristotle, <strong>and</strong> Philemon. As was the case <strong>in</strong> the previous<br />

century, the term does not carry a s<strong>in</strong>gle mean<strong>in</strong>g, but rather multiple nuanced ones, such<br />

as “image,” “subject <strong>of</strong> representation,” “f<strong>in</strong>ished product <strong>of</strong> an artistic process,” “figural<br />

image,” <strong>and</strong> also “image held by memory.” <strong>The</strong> majority <strong>of</strong> these mean<strong>in</strong>gs occurs<br />

with<strong>in</strong> the context <strong>of</strong> specialized discussions <strong>of</strong> pa<strong>in</strong>t<strong>in</strong>g <strong>and</strong> sculpture, thus suggest<strong>in</strong>g<br />

that the term was part <strong>of</strong> the pr<strong>of</strong>essional vocabulary <strong>of</strong> the arts.<br />

Plato<br />

<strong>The</strong> first fourth-century author to use zw|~on <strong>in</strong> a context that directly <strong>in</strong>volved the<br />

visual arts is Plato. <strong>The</strong> word appears ten times <strong>in</strong> four <strong>of</strong> his dialogues <strong>and</strong> demonstrates<br />

its application to the pa<strong>in</strong>t<strong>in</strong>g <strong>of</strong> both pictures <strong>and</strong> statuary. Zw|~on appears first <strong>in</strong> the<br />

Cratylus, <strong>in</strong> which it carries the mean<strong>in</strong>g <strong>of</strong> the f<strong>in</strong>ished product <strong>of</strong> pa<strong>in</strong>t<strong>in</strong>g. <strong>The</strong><br />

Cratylus is a discussion among three persons—Cratylus, Hermogenes, <strong>and</strong> Socrates on<br />

the subjects <strong>of</strong> etymology <strong>and</strong> correctness <strong>of</strong> names. Socrates speaks <strong>of</strong> the processes <strong>of</strong><br />

pa<strong>in</strong>t<strong>in</strong>g <strong>and</strong> form<strong>in</strong>g words:<br />

SOCRATES. Just as pa<strong>in</strong>ters (zwgra&foi), when they wish to produce an<br />

imitation, sometimes use only red, sometimes, some other color, <strong>and</strong> sometimes<br />

mix many colors, as when they are mak<strong>in</strong>g a picture <strong>of</strong> a man or someth<strong>in</strong>g <strong>of</strong> that<br />

sort, employ<strong>in</strong>g each color, I suppose, as they th<strong>in</strong>k the particular picture dem<strong>and</strong>s<br />

it. In just this way we, too, shall apply letters to th<strong>in</strong>gs, us<strong>in</strong>g one letter for one<br />

th<strong>in</strong>g, when that seems to be required, or many letters together, form<strong>in</strong>g syllables,<br />

as they are called, <strong>and</strong> <strong>in</strong> turn comb<strong>in</strong><strong>in</strong>g syllables, <strong>and</strong> by their comb<strong>in</strong>ation<br />

form<strong>in</strong>g nouns <strong>and</strong> verbs. And from nouns <strong>and</strong> verbs aga<strong>in</strong> we shall f<strong>in</strong>ally<br />

construct someth<strong>in</strong>g great <strong>and</strong> fair <strong>and</strong> complete. Just as <strong>in</strong> our comparison we<br />

made the zw|~on by the art <strong>of</strong> pa<strong>in</strong>t<strong>in</strong>g (grafikh|~), so now we shall make language<br />

by the art <strong>of</strong> nam<strong>in</strong>g, or <strong>of</strong> rhetoric, or whatever it be. (Cra. 424d-425a) [141]<br />

294

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