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The Judgment of Animals in Classical Greece: Animal Sculpture and ...

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<strong>in</strong>scription is <strong>in</strong> the form <strong>of</strong> a head<strong>in</strong>g followed by a text arranged <strong>in</strong> two columns. <strong>The</strong><br />

head<strong>in</strong>g (l<strong>in</strong>es 1-7) records the names <strong>of</strong> a board <strong>of</strong> commissioners <strong>and</strong> their appo<strong>in</strong>tment<br />

to compile a report on the state <strong>of</strong> construction <strong>of</strong> the build<strong>in</strong>g. <strong>The</strong> columnar text details<br />

the <strong>in</strong>complete parts <strong>of</strong> the build<strong>in</strong>g, <strong>and</strong> the materials ly<strong>in</strong>g on the site <strong>and</strong> <strong>in</strong>ventoried by<br />

the commissioners. <strong>The</strong> beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> the first column (l<strong>in</strong>es 8-39) concerns unf<strong>in</strong>ished<br />

parts “<strong>of</strong> the temple” (l<strong>in</strong>e 8), such as the wall blocks, wall-capital, <strong>and</strong> epistyle “at the<br />

corner towards the Cecropium” (l<strong>in</strong>e 9). 546 <strong>The</strong> text cont<strong>in</strong>ues with the follow<strong>in</strong>g four<br />

l<strong>in</strong>es:<br />

All the rest <strong>of</strong> the work round about beg<strong>in</strong>s<br />

with the Eleus<strong>in</strong>ian stone aga<strong>in</strong>st which the<br />

zw~ia (are to be fastened), <strong>and</strong> three blocks <strong>of</strong> it<br />

have been placed under the present commissioners.<br />

(IG I 3 . 474 [fr. II, col. I, 40-43]) [85]<br />

Lacey Caskey translates the term zw~ia, which is the plural nom<strong>in</strong>ative <strong>of</strong> zw|~on, as<br />

“figures.” 547 <strong>The</strong> Eleus<strong>in</strong>ian stone aga<strong>in</strong>st which (pro&j w{i) these zw~ia were to be<br />

placed has been identified with the bluish-black limestone <strong>of</strong> the frieze <strong>of</strong> both the cella<br />

<strong>and</strong> the north porch <strong>of</strong> the Erechtheion, specifically, its smooth background blocks. 548 Of<br />

284, 285 <strong>and</strong> 319 respectively; Fragment VII was found <strong>in</strong> an excavation east <strong>of</strong> the Propylaea on the<br />

Acropolis <strong>in</strong> 1835: Caskey, 319.<br />

546 Caskey, “<strong>The</strong> Inscriptions,” <strong>in</strong> Paton, ed., <strong>The</strong> Erechtheum 301, identifies the corner <strong>of</strong> the temple<br />

towards the Cecropium with the southwest corner <strong>of</strong> the Erechtheion, on the basis <strong>of</strong> evidence that, <strong>in</strong> other<br />

parts <strong>of</strong> the <strong>in</strong>scription (col. I, 58, 63, 83), the Porch <strong>of</strong> the Maidens, which is built aga<strong>in</strong>st the west end <strong>of</strong><br />

its south wall, is referred to as the prostasis that looks “towards the Cecropium.” On the basis <strong>of</strong> additional<br />

literary <strong>and</strong> epigraphical evidence, Ferrari, “<strong>The</strong> Ancient Temple” 21, underst<strong>and</strong>s the reference <strong>of</strong> the<br />

<strong>in</strong>scription to the corner <strong>of</strong> the temple towards the Cecropium to mean the northwestern corner <strong>of</strong> the<br />

archaic temple <strong>of</strong> Athena Polias, which has been identified with the poros temple discovered by Wilhelm<br />

Dörpfeld <strong>in</strong> 1885 to the south <strong>of</strong> the Erechtheion. Central to Ferrari’s thesis is the argument, 17, that the<br />

P<strong>and</strong>roseum, Cecropium, <strong>and</strong> Erechtheion were parts <strong>of</strong> the temenos <strong>of</strong> the temple <strong>of</strong> Athena Polias, which<br />

was sacked <strong>in</strong> the Persian attack <strong>of</strong> 480 B.C., but once repaired, cont<strong>in</strong>ued to st<strong>and</strong> <strong>and</strong> function until the<br />

second century A.D., when Pausanias (1.27.1) described it; based on this argument, she suggests, 21, that<br />

the Erechtheion was “an ornate <strong>and</strong> elegant appendage to the temple <strong>of</strong> the Polias.”<br />

547 Caskey, “<strong>The</strong> Inscriptions,” <strong>in</strong> Paton, ed., <strong>The</strong> Erechtheum 289.<br />

548 For a discussion <strong>of</strong> the dark stone used for the blocks that formed the background <strong>of</strong> the frieze <strong>of</strong> the<br />

Erechtheion, see J. M. Paton, “Notes on the Construction <strong>of</strong> the Erechtheum,” <strong>in</strong> Paton, ed, <strong>The</strong><br />

Erechtheum 181, n. 4; L. T. Shoe, “Dark Stone <strong>in</strong> Greek Architecture,” Hesperia Supplement 8 (1949) 347-<br />

348; also B. S. Ridgway, Prayers <strong>in</strong> Stone. Greek Architectural <strong>Sculpture</strong> Ca. 600-100 B.C. (Berkeley,<br />

277

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