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The Judgment of Animals in Classical Greece: Animal Sculpture and ...

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Chapter 4: <strong>The</strong> Word Zw|~on <strong>in</strong> the Context <strong>of</strong> the Visual Arts <strong>in</strong> <strong>Classical</strong> <strong>Greece</strong><br />

Introduction<br />

This chapter is concerned with the duality <strong>in</strong> the mean<strong>in</strong>g <strong>of</strong> the term zw|~on.<br />

<strong>The</strong> Greek-English Lexicon <strong>of</strong> Liddell <strong>and</strong> Scott def<strong>in</strong>es zw|~on as a fifth-century term,<br />

whose mean<strong>in</strong>g oscillates between two broad categories: a) “animal,” which is the usual<br />

mean<strong>in</strong>g assigned to the word, “liv<strong>in</strong>g be<strong>in</strong>g” <strong>and</strong> “plant,” <strong>and</strong> 2) “image” <strong>and</strong> “figure.”<br />

335 <strong>The</strong>se categories <strong>in</strong>dicate a semantic split that is directly dependent upon the context<br />

<strong>in</strong> which the term occurs. <strong>The</strong> def<strong>in</strong>itions <strong>of</strong> “image,” <strong>and</strong> “figure,” <strong>in</strong> particular, imply a<br />

context directly associated with the visual arts. Although this semantic split has not<br />

passed undetected <strong>in</strong> modern scholarship, no study exists that treats thoroughly the<br />

mean<strong>in</strong>g <strong>of</strong> zw|~on when applied to the visual arts. 336 This chapter discusses <strong>in</strong> detail the<br />

mean<strong>in</strong>g <strong>of</strong> zw|~on <strong>in</strong> direct association with the visual arts <strong>of</strong> the fifth <strong>and</strong> fourth centuries<br />

B.C., that is, the period <strong>in</strong> which the word first appears <strong>in</strong> the extant record. <strong>The</strong><br />

discussion starts with an analysis <strong>of</strong> the etymology <strong>of</strong> zw|~on <strong>and</strong> proceeds to exam<strong>in</strong>e <strong>in</strong><br />

chronological order the appearances <strong>of</strong> the word <strong>in</strong> both literary texts <strong>and</strong> <strong>in</strong>scriptions<br />

directly <strong>in</strong>volved with the visual arts. <strong>The</strong> discussion demonstrates the existence <strong>of</strong><br />

different mean<strong>in</strong>gs for the word zw|~on when used <strong>in</strong> the context <strong>of</strong> pa<strong>in</strong>t<strong>in</strong>gs, sculpture,<br />

bronze-work, <strong>and</strong> textiles: “image,” “subject <strong>of</strong> representation,” “representation <strong>of</strong> both<br />

animate <strong>and</strong> <strong>in</strong>animate subjects taken from real life, “decorative element,” “f<strong>in</strong>ished<br />

335 LSJ 9 , 143, s.v. zw|~on.<br />

336 For a brief discussion <strong>of</strong> the mean<strong>in</strong>g <strong>of</strong> zw|~on as “image,” for example, see Gordon, “<strong>The</strong> Real <strong>and</strong> the<br />

Imag<strong>in</strong>ary” 9; also H. P. Cooke, ed., tr., Aristotle I. <strong>The</strong> Categories. On Interpretation (Cambridge, Mass.<br />

<strong>and</strong> London, 1938; repr. 1996) 12, n. b, who is more explicit when he states that: “zw|~on <strong>in</strong> Greek had two<br />

mean<strong>in</strong>gs, that is to say, liv<strong>in</strong>g creature, <strong>and</strong> secondly, a figure or image <strong>in</strong> pa<strong>in</strong>t<strong>in</strong>g, embroidery,<br />

sculpture.”<br />

218

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