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The Judgment of Animals in Classical Greece: Animal Sculpture and ...

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g. <strong>The</strong> Zw|~a <strong>of</strong> M<strong>and</strong>rocles’ Pa<strong>in</strong>t<strong>in</strong>g<br />

A further occurrence <strong>of</strong> the term zw|~on as applied to the visual arts appears aga<strong>in</strong><br />

<strong>in</strong> connection with Darius. <strong>The</strong> term occurs <strong>in</strong> the fourth book <strong>of</strong> the Histories <strong>and</strong> has<br />

aga<strong>in</strong> the mean<strong>in</strong>g <strong>of</strong> the representational subject <strong>of</strong> a work <strong>of</strong> art, <strong>in</strong> this case a pa<strong>in</strong>t<strong>in</strong>g<br />

depict<strong>in</strong>g one <strong>of</strong> Darius’ military feats. A section <strong>of</strong> the fourth book (chapters 83-98)<br />

narrates this k<strong>in</strong>g’s cross<strong>in</strong>g <strong>of</strong> the Hellespont <strong>and</strong> the Danube as part <strong>of</strong> his campaign<br />

aga<strong>in</strong>st the Scythians. When Darius left Susa (c. 513 B.C.), 490 he made his way to<br />

Chalcedon, that part <strong>of</strong> the Bosporus, where a bridge had been built as part <strong>of</strong> his regional<br />

military projects that aimed to facilitate his <strong>in</strong>vasion <strong>of</strong> Scythia. Herodotus reports that<br />

when Darius reached Chalcedon, he wanted to <strong>in</strong>spect the Eux<strong>in</strong>e Sea <strong>and</strong> the Bosporus<br />

<strong>and</strong> thus boarded a boat <strong>and</strong> sailed around the area. Pleased with the construction <strong>of</strong> the<br />

bridge over the strait, Darius <strong>of</strong>fered a reward to its head eng<strong>in</strong>eer, M<strong>and</strong>rocles <strong>of</strong> Samos:<br />

After that, Darius was so delighted with his bridge <strong>of</strong> boats, that he gave<br />

M<strong>and</strong>rocles every sort <strong>of</strong> reward. This man took the first-fruits <strong>of</strong> his honors <strong>and</strong><br />

zw|~a graya&menoj depict<strong>in</strong>g the whole bridg<strong>in</strong>g <strong>of</strong> the Bosporus <strong>and</strong> <strong>of</strong> K<strong>in</strong>g<br />

Darius sitt<strong>in</strong>g high over it <strong>and</strong> the army cross<strong>in</strong>g; he dedicated it <strong>in</strong> the temple <strong>of</strong><br />

Hera <strong>and</strong> made this <strong>in</strong>scription:<br />

This is the bridge <strong>of</strong> boats over the fish-haunted Bosporus;<br />

M<strong>and</strong>rocles built it, <strong>and</strong> Hera received it as her memorial;<br />

A crown for himself its builder made it, a glory <strong>of</strong> Samos;<br />

All that he wrought he accomplished by the will <strong>of</strong> the K<strong>in</strong>g,<br />

Darius. (4.88) [105]<br />

<strong>The</strong> word graya&menoj, which def<strong>in</strong>es M<strong>and</strong>rocles, is the aorist participle <strong>of</strong> the verb<br />

gra&fw, which, as seen earlier, means “to pa<strong>in</strong>t”, “to draw” <strong>and</strong> “to write.” <strong>The</strong> object <strong>of</strong><br />

graya&menoj is the plural zw|~a. <strong>The</strong> presence <strong>of</strong> graya&menoj establishes that the<br />

context <strong>of</strong> the passage is directly <strong>in</strong>volved with the arts; therefore, the mean<strong>in</strong>g <strong>of</strong> zw|~a<br />

490 C. Dewald, “Introduction; Notes,” <strong>in</strong> R. Waterfield, tr., Herodotus: <strong>The</strong> Histories (Oxford <strong>and</strong> New<br />

York, 1998) 653 notes that 513 B.C. is an approximate date for Darius’ expedition aga<strong>in</strong>st the Scythians<br />

<strong>and</strong> one that cannot be confirmed from Persian records.<br />

263

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