24.04.2013 Views

The Judgment of Animals in Classical Greece: Animal Sculpture and ...

The Judgment of Animals in Classical Greece: Animal Sculpture and ...

The Judgment of Animals in Classical Greece: Animal Sculpture and ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

<strong>The</strong>se authorities also say that the Egyptians were the first to use the names <strong>of</strong> the<br />

twelve gods, <strong>and</strong> that the Greeks took these from them, <strong>and</strong> that the Egyptians<br />

were the first to assign altars <strong>and</strong> a)ga&lmata <strong>and</strong> temples to the gods <strong>and</strong> to carve<br />

(e0gglu&yai) zw|~a on stones (e0n li/qoisi). (2.4) [100]<br />

To judge from the zw|~a that are mentioned, Herodotus applies the word to images <strong>of</strong><br />

some k<strong>in</strong>d, which he counts among the st<strong>and</strong>ard equipment for an Egyptian religious<br />

sett<strong>in</strong>g. As was the case previously, the word aga<strong>in</strong> appears <strong>in</strong> the plural <strong>and</strong> <strong>in</strong><br />

connection with religion, whereas the absence <strong>of</strong> any description <strong>of</strong> how these zw|~a<br />

looked aga<strong>in</strong> highlights that it was a term <strong>of</strong> general description. <strong>The</strong> reference to<br />

Egyptians’ be<strong>in</strong>g the first people to <strong>in</strong>clude zw|~a among their <strong>in</strong>stallations for worship<br />

gives the impression that Herodotus considered zw|~a elements <strong>of</strong> the long-ago practice <strong>of</strong><br />

an activity that was current <strong>and</strong> familiar. 389 Further, that he associates these zw|~a with<br />

the arts is evident from his mention <strong>of</strong> them along with a)ga&lmata, which br<strong>in</strong>gs<br />

immediately to m<strong>in</strong>d the fragment <strong>of</strong> Empedocles. As noted above, this fragment placed<br />

both these k<strong>in</strong>ds <strong>of</strong> artistic images well <strong>in</strong>to a religious context <strong>and</strong> <strong>in</strong> direct association<br />

with the Greek idea <strong>of</strong> the past.<br />

Regard<strong>in</strong>g the use <strong>of</strong> the term a1galma <strong>in</strong> the Histories, John Powell states that it<br />

occurs sixty six times. 390 As for its mean<strong>in</strong>g, A. A. Donohue says that it is Herodotus’<br />

usual word for “statue” <strong>and</strong> that he uses it for images <strong>of</strong> both men <strong>and</strong> gods. 391 <strong>The</strong><br />

general reference <strong>of</strong> the passage to a)ga&lmata does not allow specific identification with<br />

either <strong>of</strong> these two types <strong>of</strong> images; therefore, the term can be only broadly def<strong>in</strong>ed as<br />

“statues.”<br />

389 For a brief discussion <strong>of</strong> the importance <strong>of</strong> “firsts” <strong>in</strong> Herodotus, <strong>and</strong> further bibliography on the subject,<br />

see J. Mar<strong>in</strong>cola, Greek Historians (Oxford, 2001) 30, n. 52. For the <strong>Classical</strong> Greek image <strong>of</strong> Egypt as the<br />

source <strong>of</strong> ancient wisdom <strong>and</strong> Greek practice <strong>and</strong> ideals, see Harrison, “Upside Down <strong>and</strong> Back to Front,”<br />

<strong>in</strong> Matthews <strong>and</strong> Roemer, eds., Ancient Perspectives on Egypt (London, 2003) 145-155.<br />

390 J. E. Powell, A Lexicon to Herodotus (Hildesheim, 1966) 1, s.v. a1galma.<br />

391 Donohue, Xoana 26-27, n. 64.<br />

236

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!