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ead <strong>in</strong> my room. The freedom to be oneself, whatever that self might be, was very<br />

empower<strong>in</strong>g. I came to value this freedom a great deal. Thus, it is not surpris<strong>in</strong>g<br />

that for this thesis I wanted to use a methodology that would honour and value<br />

what participants did and said. It was this thought, more than anyth<strong>in</strong>g else, that<br />

led to my consider<strong>in</strong>g, from the outset, that some form of participatory practitioner<br />

research would be most appropriate for this study.<br />

I have had an <strong>in</strong>terest <strong>in</strong> Māori people and their culture s<strong>in</strong>ce I was 7 years<br />

old. In part this was sparked through the children <strong>in</strong> our neighbourhood whom my<br />

father <strong>in</strong>formally tutored <strong>in</strong> read<strong>in</strong>g and whom he coached <strong>in</strong> sport. The first doll I<br />

remember ever want<strong>in</strong>g was the Māori walkie-talkie doll at the local toy shop. I<br />

can remember my delight <strong>in</strong> receiv<strong>in</strong>g her when I was 8 years old. I also enjoyed<br />

learn<strong>in</strong>g poi and rakau as part of our physical education programme at school.<br />

My understand<strong>in</strong>g of, and <strong>in</strong>terest <strong>in</strong> other cultures cont<strong>in</strong>ued to develop<br />

through visit<strong>in</strong>g the homes of school friends and through people who came to our<br />

house. My father‟s degree was <strong>in</strong> French and German and his <strong>in</strong>terest and skill<br />

with languages led him <strong>in</strong>to conversations with people from overseas whom he<br />

would <strong>in</strong>vite home for d<strong>in</strong>ner.<br />

My decision to go to North Shore Teachers‟ College <strong>in</strong> 1965 to ga<strong>in</strong> a<br />

Tra<strong>in</strong>ed Teacher‟s Certificate exposed me to the ideas of Sylvia Ashton Warner,<br />

particularly those which were penned <strong>in</strong> her book Teacher (Ashton-Warner,<br />

1963/1980). These ideas resonated and became pivotal <strong>in</strong> shap<strong>in</strong>g my views on the<br />

importance of context, relevancy, and freedom, especially <strong>in</strong> relation to work<strong>in</strong>g<br />

with Māori children. Another <strong>in</strong>fluential book was Summerhill (Neill, 1973) 2 .<br />

Neill writes about the l<strong>in</strong>k between freedom and happ<strong>in</strong>ess, and this made an<br />

impression. He said “the difficult child is the child who is unhappy. He is at war<br />

with himself; and <strong>in</strong> consequence, he is at war with the world” (p. xxiii). An<br />

<strong>in</strong>tegral part of Neill‟s philosophy was that children who are free to choose are<br />

happy. Freedom and choice cont<strong>in</strong>ued to be a theme of my approach to teach<strong>in</strong>g<br />

and it also underp<strong>in</strong>ned my philosophical approach to research. For me, it was<br />

important that participants <strong>in</strong> any research that I undertook had the power of<br />

2 This text was first published <strong>in</strong> 1960.<br />

3

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