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feature of the ideal bicultural <strong>curriculum</strong> for teachers. It was also the area about<br />

which there was the most data from cross-case analysis and from both the<br />

quantitative and qualitative responses to the questionnaire. It was not surpris<strong>in</strong>g,<br />

therefore, that it featured strongly for teachers implement<strong>in</strong>g Tiriti-<strong>based</strong><br />

<strong>curriculum</strong>.<br />

Much te reo Māori <strong>in</strong>volved s<strong>in</strong>g<strong>in</strong>g waiata. This occurred with grow<strong>in</strong>g<br />

confidence because those <strong>in</strong>volved moved from one or two songs be<strong>in</strong>g sung <strong>in</strong> the<br />

<strong>early</strong> part of the research to many more waiata be<strong>in</strong>g performed dur<strong>in</strong>g the latter<br />

stages of the study. In each case study, waiata were often played on the tape<br />

recorder and both staff and children jo<strong>in</strong>ed <strong>in</strong>. It is worth not<strong>in</strong>g that almost three<br />

quarters of the respondents to the questionnaire <strong>in</strong>dicated that waiata were be<strong>in</strong>g<br />

sung daily (73%, n=51). One <strong>in</strong> six <strong>in</strong>dicated that they were be<strong>in</strong>g sung weekly<br />

(16%, n=11) and approximately one <strong>in</strong> ten reported that they were only be<strong>in</strong>g sung<br />

sometimes (11% n=8). Nobody, however, reported never s<strong>in</strong>g<strong>in</strong>g waiata. For<br />

Margaret from Case Study Three, s<strong>in</strong>g<strong>in</strong>g waiata was one of the strategies she used<br />

<strong>in</strong> order to learn the pronunciation of te reo Māori:<br />

Yeah, because I struggled with the pronunciation myself but after I learnt<br />

to s<strong>in</strong>g and a lot of my pronunciation comes through the songs (Tr: M,<br />

7/11/08).<br />

D also found waiata were helpful for learn<strong>in</strong>g elements of te reo Māori:<br />

And waiata is a good way of teach<strong>in</strong>g language. Pakipaki. The words to<br />

the songs. Action songs, they all do actions. For me it works well. I<br />

would learn the language through song (Tr: D, 28/10/04).<br />

Second language learn<strong>in</strong>g can be challeng<strong>in</strong>g and us<strong>in</strong>g music and s<strong>in</strong>g<strong>in</strong>g<br />

to learn a foreign language is a practical strategy, because as well as creat<strong>in</strong>g a<br />

good atmosphere <strong>in</strong> the classroom, it is useful for teach<strong>in</strong>g the rhythm of language<br />

(Shtakser, 2001). Teachers reported additional strategies which enabled them to<br />

build their skills and confidence:<br />

We have a weekly phrase of te reo Māori which we use, and teach not<br />

only ourselves, but also the children and their families (R. 101).<br />

While these strategies may have assisted teachers to learn aspects of te reo<br />

Māori, the support of team members was also valuable. As a beg<strong>in</strong>n<strong>in</strong>g speaker of<br />

te reo Māori and relatively new to Māori culture, Chris H from Case Study Three<br />

reported <strong>in</strong> her journal, some strategies that aided her development:<br />

201

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