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Grove's dictionary of music and musicians

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,<br />

'<br />

112 ROBERTS ROBINSON<br />

<strong>of</strong> 'Calliope,' thirty or forty years afterwards, the London Church Choir Association Festival<br />

came into possession <strong>of</strong> Longman & Broderip, in 1894 ; about fifty anthems, besides partsongs,<br />

<strong>and</strong> organ pieces. His Practical Method<br />

who reprinted from them. Roberts's other<br />

famous work is<br />

'<br />

Clio <strong>and</strong> Euterpe, ' precisely <strong>of</strong> Training Choristers, 1898, 1900, <strong>and</strong> 1905,<br />

similar in style, which, issued in two volumes, is very useful. w. B. s.<br />

bears the dates 1758 <strong>and</strong> 1759. A later edition ROBIN ADAIR. [See Eileen Akoon, vol.<br />

has a third volume added, <strong>and</strong> is dated 1 762. i. p. 770.]<br />

A fourth was again added when re-issued by ROBIN DBS BOIS. The title <strong>of</strong> the French<br />

John Welcker. Henrjr Roberts kept a <strong>music</strong> version <strong>of</strong> Der ' Freischiitz ' at its first appearance<br />

in Paris (Od&n, Dec. 7, 1824 ;<br />

<strong>and</strong> a print-shop in Holborn ' near H<strong>and</strong> Alley<br />

Operaalmost<br />

opposite Great Turnstile.' His name is Comique, Jan. 15, 1835 ;<br />

Lyrique, Jan. 24,<br />

attached as engraver to several pieces <strong>of</strong> decorative<br />

engraving on <strong>music</strong>-sheets. f. k. the names <strong>of</strong> the characters were changed, the<br />

1855). The libretto was made by Sauvage ;<br />

ROBERTS, John, composer <strong>of</strong> sacred <strong>music</strong>, action <strong>and</strong> the story were altered, portions <strong>of</strong><br />

bom in Wales, Dec. 22, 1822.<br />

'<br />

Before 1839 Preciosa <strong>and</strong> Oberon ' ' ' were introduced, <strong>and</strong><br />

he had adopted the name ' leum Gwyllt.' the piece was made to end happily. The<br />

He removed to Liverpool <strong>and</strong> became editor alterations were due to Castil Blaze, who, to<br />

<strong>of</strong> a Welsh newspaper, besides writing upon save expense, scored the <strong>music</strong> himself from a<br />

<strong>music</strong>al matters. In 1858 he again returned PF. copy. Nevertheless, with all these drawbacks,<br />

so great was the popularity <strong>of</strong> the <strong>music</strong><br />

to Wales, <strong>and</strong> at Aberdare set up as a <strong>music</strong><br />

teacher. On Jan. 10, 1859, he founded there that Castil Blaze made a large sum <strong>of</strong> money<br />

the first <strong>of</strong> a long series <strong>of</strong> Welsh <strong>music</strong>al by it. For the translation by Pacini <strong>and</strong><br />

festivals, <strong>and</strong> in the same year published a Berlioz see FkeisohOtz, vol. ii. p. 107. G.<br />

tune -book, 'Llyfr Touau,' which was much ROBIN HOOD. An opera in. three acts<br />

used throughout Wales, <strong>and</strong> passed through words by John Oxenford, <strong>music</strong> by G. A. Macfarren.<br />

Produced at Her Majesty's Theatre,<br />

many editions. Roberts was a strong advocate<br />

<strong>of</strong> temperance, <strong>and</strong> preached as a Calvinistic London, Oct. 11, 1860, <strong>and</strong> had a very great<br />

Methodist. He died May 6, 1877. [Information<br />

principally from Diet. Nat. Biog.\ F. K. Other operas on the same subject have been<br />

run. G.<br />

ROBERTS, J. Vaeley, Mus.D., native <strong>of</strong> produced, besides many masques <strong>of</strong> the 16th<br />

Stanningley, near Leeds, bom Sept. 25, 1841. <strong>and</strong> 17th centuries, more or less associated<br />

He early exhibited much ability for <strong>music</strong>, <strong>and</strong> with the May Day games <strong>and</strong> observances ;<br />

at twelve was appointed organist <strong>of</strong> S. John's, <strong>of</strong> these early pieces little record as to detail<br />

Farsley, near Leeds. In 1862 he became has survived.<br />

organist <strong>of</strong> S. Bartholomew's, Armley, <strong>and</strong> in A ballad opera <strong>of</strong> the name was acted at Lee<br />

1868 organist <strong>and</strong> choirmaster <strong>of</strong> the parish & Harper's great booth, at St. Bartholomew's<br />

church, Halifax. In 1 8 7 1 he graduated Mus. B. Fair, in 1730 ; the <strong>music</strong> <strong>and</strong> libretto <strong>of</strong> this<br />

<strong>and</strong> in 1876 Mus.D., at Christ Church, Oxford. was published by John Watts in the year <strong>of</strong><br />

During his organistship at Halifax, upwards <strong>of</strong> production. A different ' Robin Hood, ' by Moses<br />

£3000 was raised to enlarge the organ, originally<br />

built by Snetzler—the instrument upon the <strong>music</strong> being supplied by Charles (afterwards<br />

Mendez, was performed at Drury Lane in 1750,<br />

which Sir William Hersohel, the renowned Dr.) Burney. Another English ballad opera<br />

astronomer, formerly played—<strong>and</strong> it is now in three acts, which attained some degree <strong>of</strong><br />

one <strong>of</strong> the finest <strong>and</strong> largest in the North <strong>of</strong> fame, was entitled 'Robin Hood, or Sherwood<br />

Engl<strong>and</strong>. In 1876 Dr. Roberts became a Fellow Forest.' This was written by Leonard Mac<strong>of</strong><br />

the Royal College <strong>of</strong> Organists, London. Nally, with the <strong>music</strong> selected, arranged, <strong>and</strong><br />

In 1882 he was elected organist at Magdalen composed by William Shield. It was produced<br />

College, Oxford, succeeding Mr. (now Sir at Covent Garden Theatre in 1784, the principals<br />

being Mrs. Kennedy, Mrs. Martyr, Mrs.<br />

Walter) Parratt. In 1884 the University Glee<br />

<strong>and</strong> Madrigal Society was founded under his Banister, <strong>and</strong> Miss Kemble, while the male<br />

oonductorship. In 1885-93 he was organist singers were Banister, Johnstone, <strong>and</strong> Edwin.<br />

<strong>of</strong> St. Giles's, Oxford, <strong>and</strong> in the former year The piece had a considerable run, <strong>and</strong> several<br />

was appointed examiner in <strong>music</strong> to the Oxford <strong>of</strong> the songs lasted in popularity long after the<br />

Local Examinations, <strong>and</strong> also became conductor opera itself was dead. p. k.<br />

<strong>of</strong> the Oxford Choral Society. In 1883 he was ROBINSON, Anastasia, born about 1698,<br />

appointed one <strong>of</strong> the University examiners for was daughter <strong>of</strong> a portrait painter, who, becoming<br />

blind, was compelled to qualify his children<br />

<strong>music</strong>al degrees. In 1907 he presented a new<br />

organ to his native village <strong>of</strong> Stanningley. His to gain their own livelihood. Anastasia received<br />

compositions include sacred cantatas, Jonah, instruction from Dr. ' Cr<strong>of</strong>t, Pier Giuseppe<br />

for voices <strong>and</strong> orchestra; 'Advent,' 'The Story S<strong>and</strong>oni, <strong>and</strong> the singer called The Baroness,<br />

<strong>of</strong> the Incarnation,' 'The Passion,' for church<br />

choirs ; Psalm ciii. for voices <strong>and</strong> orchestra ; six<br />

services, one an evening service in C written for<br />

successively. She appeared in ' Creso,' in 1714 ;<br />

as Ariana in H<strong>and</strong>el's 'Amadigi,' May Ss'<br />

1715 ;<br />

<strong>and</strong> in 1720 at the King's Theatre as<br />

;

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