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Grove's dictionary of music and musicians

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—;<br />

'<br />

SOLO STOP SOMERVELL 503<br />

<strong>of</strong> the full Great organ can be similarly enriched Juin 13, 1748, setatis 63. VoUig geendiget.'<br />

dum at the end <strong>of</strong> the work is G. ' F. H<strong>and</strong>el; choral works, 'A Song <strong>of</strong> Praise ' (Kendal, 1891);<br />

by coupling the solo reeds. In instruments The words <strong>of</strong> the oratorio are supposed to be by<br />

which contain a Vox humana, that stop is Dr. Morell ; but this is not certain. It was produced<br />

perhaps more <strong>of</strong>ten found associated with the<br />

at Covent Garden Theatre, March 17,<br />

Swell-manual than with the Solo-manual ; hut 1749, 'with a Concerto," <strong>and</strong> was revived by<br />

when placed on the solo organ its pipes are Sir G. Smart at Exeter Hall, April 14, 1836.<br />

generally shut up in a separate box with The Sacred Harmonic Society followed, Dec. 3,<br />

Venetian shutters worked by a second swellpedal.<br />

When composition-pedals are made to ments, April 8, 1870. G.<br />

1838 ; <strong>and</strong> with Costa's additional accompani-<br />

act upon the Swell, Great, <strong>and</strong> Choir organs, it SOLOVIEV, Nicholas Theopemptovich,<br />

is evidently wise to make the combinations they born May 9 (April 27, O.S.), 1846, at Petrozavodsk.<br />

produce proceed as gradually as possible from<br />

He was intended for the medical<br />

piano to fortissiino. But this simple principle pr<strong>of</strong>ession, but entered the St. Petersburg<br />

is not applicable to the combinations or rather Conservatorium in 1868, eventually passing into<br />

selections <strong>of</strong> solo-stops which are made by means Zaremba's class for composition. In 1871,<br />

<strong>of</strong> composition -pedals or pistons. The difficulty Serov, being then upon his deathbed, entrusted<br />

seems, however, to be overcome by a method the orchestration <strong>of</strong> his <strong>music</strong> -drama, 'The<br />

suggested some years ago by the writer <strong>of</strong> this Power <strong>of</strong> Evil,' to Soloviev. About this time<br />

article : namely, to arrange them in the order his symphonic picture, Russians <strong>and</strong> Mongols,'<br />

'<br />

in which the instruments are found in a modern was given at one <strong>of</strong> the concerts <strong>of</strong> the Russian<br />

full-score. Thus, six combination-pedals would Musical Society. In ,1874, Soloviev became a<br />

act on the solo-stops in the following system : pr<strong>of</strong>essor at the St. Petersburg Conservatorium.<br />

(1) Stops <strong>of</strong> Flute-tone.<br />

Of his three operas Cordelia ' ' is the best known,<br />

(2) Stops <strong>of</strong> Oboe-tone.<br />

ha-ving been widely performed in Russia, <strong>and</strong><br />

(3) Stops <strong>of</strong> Clarinet <strong>and</strong> Bassoon tones. also at Prague in 1890. Other compositions<br />

(4) Stops <strong>of</strong> Horn-tone.<br />

comprise a Cantata for the bi- centenary <strong>of</strong> the<br />

(5) Stops <strong>of</strong> Trumpet <strong>and</strong> Trombone tones. birth <strong>of</strong> Peter the Great ; an Orchestral Fantasia<br />

(6) Stops <strong>of</strong> Violin <strong>and</strong> Viola tones.<br />

on a folk-song ; <strong>and</strong> a number <strong>of</strong> songs <strong>and</strong><br />

This method, which is at once simple <strong>and</strong> pieces for pian<strong>of</strong>orte. As a critic, Soloviev has<br />

exhaustive, might be indefinitely extended written for the Novoe Vremya, Novosti, Rossia,<br />

thus, for example, a carillon, drum, or triangle, ete. He is also well known as a collector <strong>of</strong><br />

would be produced by a composition-pedal or folk-songs.<br />

K. N.<br />

piston lying between the trumpet-stops <strong>and</strong><br />

_<br />

SOMBREE. Voix somirSe is the French<br />

violin-stops ; <strong>and</strong> a vox humana would naturally term for the veiled voice or voce velata, in contradistinction<br />

follow after stops <strong>of</strong> the violin-tone. Smaller<br />

to the voix claire. [See Veiled<br />

solo organs would probably be easily brought Voice.] g.<br />

under control by combination-pedals or pistons SOMERVELL, Akthue, bom at Windermere,<br />

acting on<br />

June 5, 1863, was educated at Upping-<br />

(1) Flute.<br />

ham School from 1877, <strong>and</strong> Cambridge (King's<br />

(2) Oboe.<br />

College), where he took the degree <strong>of</strong> B.A. in<br />

(3) Clarinet.<br />

1883. During his residence at the university<br />

(4) Trumpet.<br />

he studied •with Stanford, <strong>and</strong> on taking his<br />

The Solo organ is an introduction <strong>of</strong> modern degree he went to Berlin to study at the Hochsclmle,<br />

times, <strong>and</strong> followed naturally upon the invention<br />

where his masters were Kiel <strong>and</strong> Bargiel.<br />

<strong>of</strong> pipes closely imitating the tones <strong>of</strong> Returning to Engl<strong>and</strong> in 1885 he entered the<br />

orchestral instruments. J. s. Royal College <strong>of</strong> Music, <strong>and</strong> after two years there<br />

SOLO STOP. (1) A stop or register <strong>of</strong> a solo became a private pupil <strong>of</strong> Parry in 1887. His<br />

organ or fourth manual. (2) Any stop which charmingly graceful songs obtained a wide popularity,<br />

but his first ambitious introduction to the<br />

can be used as a solo—that is, in single notes,<br />

e.g. a clarinet on the choir organ ; a cornopean, world <strong>of</strong> serious <strong>music</strong> was in his Mass in C<br />

hautboy, or other reed on the swell organ ; a minor, performed by the Bach Choir in 1891.<br />

olarabella or flute on either <strong>of</strong> the three manuals In March 1893 the Philharmonic Society performed<br />

great, swell, or choir. The name Solo stop does<br />

his orchestral ballad, 'Helen <strong>of</strong> Kirk-<br />

not necessarily imply that full chords may not connell,' <strong>and</strong> with his first important work for<br />

be used upon it. [See Solo Organ.] j. s. an important festival, The Forsaken Merman<br />

'<br />

SOLOMOIT. I. A serenata by William Boyce, (Leeds Festival, 1895), he took a position among<br />

to words by Edward Moore, produced 1743. the most accomplished composers <strong>of</strong> the day.<br />

The song S<strong>of</strong>tly ' rise, southern breeze was<br />

' In 1901 he was appointed Inspector <strong>of</strong> Music<br />

popular for many years.<br />

for Engl<strong>and</strong>, Wales, <strong>and</strong> Scotl<strong>and</strong>, in succession<br />

IL An oratorio <strong>of</strong> H<strong>and</strong>el's ; composed between<br />

to Stainer. He took the degree <strong>of</strong> Mus.D. at<br />

'Alex<strong>and</strong>er Balus' <strong>and</strong> 'Theodora.' It Cambridge in 1 903. Besides the works already<br />

was begun on May 5, 1748, <strong>and</strong> the memoran-<br />

mentioned, his list <strong>of</strong> compositions includes

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