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Grove's dictionary of music and musicians

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,<br />

SPEYER SPINET 631<br />

?th Fsalm. Marcello,<br />

Aria, Son coQfusa(Foro). H<strong>and</strong>el.<br />

From Der Tod Jeau, Oraus. He is my God (Israel in Egypt).<br />

Te glorioaus (Te Denm). Do.<br />

Do.<br />

Overture to I Pellegrmi. Basse. Chorus, The listeningcrowd. Do.<br />

Le Forte nol diaerra. Do. Do. Do. May no raah intruder. Do.<br />

FeUegrino d 1' uomo. Do. Do. Double Chorus, He gave them<br />

Overture to Faster Fido. H<strong>and</strong>el. hailstones. Do.<br />

VOLUME III.<br />

Fugue (In E). Bach.<br />

Overture, Tolson D'Or. Vogel.<br />

Ko.2<strong>of</strong>thel2solosfoTthe Violin. Fart <strong>of</strong> Sonata 2. Tanhall.<br />

Tartini.<br />

Fart<strong>of</strong> Sonata 2, op.i9. Schobert.<br />

Air, Fupillette vezzosette, from Minuet <strong>and</strong> trio. Sonata I, op. 5.<br />

Ormisda. Vinci.<br />

Do.<br />

Air, liitelice abh<strong>and</strong>onata. Do. Part <strong>of</strong> Quintet 3, op. 12. Boc-<br />

Concerto 6, op. 3. Geminiani. cheriul.<br />

Concerto 2. Bicciotti.<br />

Sonata 3, op. 23. Kozelnch.<br />

Fart <strong>of</strong> Sonata 10. Faradies. Fart <strong>of</strong> Quartet 1. 8th set.<br />

Hequiem. Jommelli.<br />

Fleyel.<br />

Chorus, Sant& Speme (Fassione). Do. 6, op. 8. Do.<br />

Do.<br />

Fart <strong>of</strong> Sonata 1, op. 12. Krump.<br />

Sonata 3. Crispi.<br />

Ps.rt <strong>of</strong> Sonata 4. Do.<br />

holtz.<br />

Do. 2, op. 11. HuUni<strong>and</strong>el.<br />

Fantasia. C. F. E. Bach.<br />

Do. 2, op. 4. Clementi.<br />

Concerto for a full B<strong>and</strong>. J. C. Adagio from op. 11. Do.<br />

Bach.<br />

Fart <strong>of</strong> Sonata 4, op. 12. Do.<br />

Overture to Iphig^nie en Aulide. Recordare from Bequlem. Mozart.<br />

Oluck.<br />

Chorus, Que d'attraits.<br />

Benedictus from Do. Do.<br />

Overture, Fierre le Gr<strong>and</strong>. Overture, LeXozzedi Figaro. Do.<br />

Gi^try.<br />

Fart <strong>of</strong> Quartet 3, op. 76. Haydn.<br />

Do. Don Qoichotte. Champigny.<br />

Sinfonia, in Eb. Do. ^ jr<br />

SPEYER, WiLHELM, composer, was born<br />

June 21, 1790, at JYankfort-on-the-Main,<br />

where he died April 5, 1878. He received his<br />

<strong>music</strong>al education at Offenbach under Thieriot<br />

(the friend <strong>of</strong> Weber) <strong>and</strong> Andre. He was<br />

already a prominent violinist when he went to<br />

Paris in 1812, to become a pupil <strong>of</strong> Baillot, from<br />

whose instruction <strong>and</strong> from the acquaintance <strong>of</strong><br />

such men as Cherubini, Boieldieu, M^hul, etc.<br />

he derived much benefit. Returning to Gei-many<br />

afterwards, he settled down at Frankfort <strong>and</strong><br />

exchanged the <strong>music</strong>al pr<strong>of</strong>ession for that <strong>of</strong> a<br />

merchant, but continued to compose—at first<br />

chiefly chamber <strong>music</strong>. He published string<br />

quartets <strong>and</strong> quintets, <strong>and</strong> also violin duets,<br />

which last became widely popular. He afterwards<br />

devoted himself chiefly to vocal <strong>music</strong>,<br />

<strong>and</strong> it is as a writer <strong>of</strong> songs that his name is<br />

best known. Amongst his lieder—<strong>of</strong> which<br />

he published several hundred—many, such as<br />

'The Trumpeter,' 'Rheinsehnsucht,' Die ' drei<br />

Liebchen,' etc., acquired great popularity. He<br />

also wrote vocal quartets <strong>and</strong> some choral<br />

works. G.<br />

SPIANATO (Ital.), level, even. A word<br />

used by Chopin in the Andante which precedes<br />

the Polonaise in El>, op. 22, to denote a smooth<br />

<strong>and</strong> equal style <strong>of</strong> performance, with but little<br />

variety. F. T.<br />

SPICCATO (Ital.), accurately 'separate,'<br />

'distinct.' A term applied in violin-playing<br />

to a particular vibratory style <strong>of</strong> bowing.<br />

' Spiocato <strong>and</strong> ' Saltato ' are both explained<br />

'<br />

under the head <strong>of</strong> Springing Bow. g.<br />

SPIES, Hermine, was bom Feb. 25, 1857, at<br />

the Lbhnberger foundry, near Weilburg, Nassau,<br />

daughter <strong>of</strong> the resident manager. She was<br />

taught singing by Frau Fichtenberg at the<br />

Conservatorium <strong>of</strong> Wiesbaden, by Sieber at<br />

Berlin, <strong>and</strong> by Stockhausen at Frankfort. In<br />

July 1880, while stUl a student, she sang at<br />

the Mannheim Festival, <strong>and</strong> in 1882 she made<br />

her dftut at a concert at Wiesbaden ;<br />

in 1883<br />

she sang in concerts at Leipzig, Berlin, etc.,<br />

speedily establishing her reputation as an excellent<br />

mezzo-soprano or contralto singer. She<br />

also sang in Austria, Hungary, Holl<strong>and</strong>, Denmark,<br />

<strong>and</strong> Russia. On June 3, 1889, she made<br />

her d^but in Engl<strong>and</strong> at St. James's Hall at a<br />

Richter Concert, when she sang Che ' far6 <strong>and</strong><br />

'<br />

lieder <strong>of</strong> Schubert, Schumann, <strong>and</strong> Brahms.<br />

She attracted immediate attention on account<br />

<strong>of</strong> her fine voice <strong>and</strong> her excellent phrasing,<br />

expression, <strong>and</strong> general intelligence. She confirmed<br />

her success at her two recitals in a selection<br />

<strong>of</strong> Schumann's ' Dichterliebe, ' etc. , also at<br />

the Philharmonic, where she sang in English<br />

H<strong>and</strong>el's 'Return, God <strong>of</strong> hosts,' etc. In<br />

1892 she married Dr. W. A. F. Hardtmuth, <strong>of</strong><br />

Wiesbaden, a doctor <strong>of</strong> jurisprudence, <strong>and</strong> died<br />

there Feb. 26, <strong>of</strong> the following year, to the regret<br />

<strong>of</strong> all. She was unrivalled in her singing<br />

the contralto part in Brahms's Rhapsody, op.<br />

53, <strong>and</strong> in the lieder <strong>of</strong> the same composer. Her<br />

reading <strong>of</strong> ' Vergebliches St<strong>and</strong>chen ' in particular<br />

was a perfect work <strong>of</strong> art. A memoir by<br />

her sister, Minna Spies, appeared in 1894. A. c.<br />

SPINA, Cakl Anton. The successor <strong>of</strong> the<br />

Diabellis in that famous publishing house at<br />

Vienna, which for so long stood in the Graben,<br />

No. 1133, at the corner <strong>of</strong> the Braunerstrasse.<br />

He succeeded them in 1852, <strong>and</strong> was himself<br />

succeeded by F. Schreiber in July 1872. During<br />

that period Spina's activity showed itself especially<br />

in the publication <strong>of</strong> Schubert's works, a<br />

mass <strong>of</strong> whose MSS. he acquired from Diabelli.<br />

Chief among these were the Octet, Quintet in C,<br />

Quartets in D minor, G, <strong>and</strong> Bb ; the Overture<br />

in the Italian style, those to ' Alfonso und EstreUa,'<br />

'Fierrabras,' 'Rosamunde,'with Entr'actes<br />

in B minor <strong>and</strong> Bb ; the B minor Sjrmphony,<br />

Sonata for PF. <strong>and</strong> Arpeggione, etc., all in score.<br />

Herr Spina's enthusiasm for Schubert was not<br />

that <strong>of</strong> a mere publisher, as the writer from personal<br />

experience <strong>of</strong> his kindness can testify. It<br />

was he who allowed the Crystal Palace Company<br />

to have copies <strong>of</strong> several <strong>of</strong> the orchestral works<br />

for playing, long before there was sufficient public<br />

dem<strong>and</strong> to allow <strong>of</strong> their being published. g.<br />

SPINDLER, Fritz, pian<strong>of</strong>orte -player <strong>and</strong><br />

composer for that instrument, born Nov. 24,<br />

1817, at Wurzbach, Lobenstein, was a pupil <strong>of</strong><br />

F. Schneider <strong>of</strong> Dessau, <strong>and</strong> was for many years<br />

resident in Dresden. His published works are<br />

more than 330 in number, the greater part<br />

brilliant drawing-room pieces, but amongst them<br />

much teaching- <strong>music</strong>, <strong>and</strong> some works <strong>of</strong> a<br />

graver character— trios, sonatinas, hvo symphonies,<br />

concerto for PF. <strong>and</strong> orchestra, etc. His<br />

most favourite pieces are—<br />

' Wellenspiel ' (op.<br />

6); Schneeglbcklein ' ' (op. 19) ; 'SUberquell'<br />

(op. 74); Husarenritt ' '<br />

; six dance themes;<br />

"Transcriptions <strong>of</strong> 'Tannhauser' <strong>and</strong> 'Lohengrin.'<br />

He died at Niederlossnitz, near Dresden, Dec.<br />

26, 1905. G.<br />

SPINET (Fr. jSpinette, Clavieorde ; Ital.

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