Grove's dictionary of music and musicians

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Cornell University Library The original <strong>of</strong> this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use <strong>of</strong> the text. http://www.archive.org/details/cu31924021782861
Page 1 and 2: MiDlllilllilhllllHIinilllilllltlill
Page 3: Cornell University Library ML 100.G
Page 8 and 9: FEANZ PETER SCHUBERT
Page 10 and 11: \ aas~'^'^q By the MACMILLAN COMPAN
Page 12 and 13: . LIST OF CONTRIBUTORS Sir George G
Page 15: LIST OF ILLUSTRATIONS Franz Peter S
Page 18 and 19: QUALITY basso eontinuo. In 1606 he
Page 20 and 21: name 4 QUARTET growth of the sympho
Page 22 and 23: — 6 QUARTET of instrumental music
Page 24 and 25: — —' — ' 8 QUICK-STEP QUINTE
Page 26 and 27: ' — 10 QUINT^US occurs in the ' G
Page 28 and 29: ; — 12 KACKET EADZIWILL (Includin
Page 31 and 32: BAFF EAFP 13 Beethoven to subscribe
Page 33 and 34: ' ; ' RAFF RAFF 15 phonies in G min
Page 35 and 36: ' ; EAINFOETH EALLENTANDO 17 Cappel
Page 37 and 38: — RAMEAU RAMEAU 19 pieces de clav
Page 39 and 40: ' ; EAMEAU RAMEAU 21 Pastoral (The3
Page 41 and 42: , RAMSEY EAM)EGGEE D '23 lessons be
Page 43 and 44: ' rowed about in boats. Eanelagh wa
Page 45: JEAN PHILIPPE BAMEAU
Page 48 and 49: 28 RASOUMOWSKY KAUZZINI Quartet in
Page 50 and 51: — 30 RAYMOND AND AGNES KEADE Thom
Page 52 and 53: 32 REBEC REBEL and over the cavity
Page 54 and 55:
34 RECITATIVE RECITATIVE of art, th
Page 56 and 57:
—' 36 RECITATIVE EECITING-NOTE co
Page 58 and 59:
which — ' : a 38 EECORDER KEOOEDE
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— —; — — ' 40 KECTE ET RETE
Page 62 and 63:
— 42 REDOWA EEED and others priva
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' Back ' A ' A ' — ' "While the e
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' —' 46 REEVES BEEVES 1803; 'The
Page 68 and 69:
. handles the ' ' " 48 KEGAN REGER
Page 70 and 71:
50 REGNART EEGONDl Collection of th
Page 72:
; 52 REICHA EEICHARDT Theresa was o
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; , REINACH, ; 56 EEIMANN EEINAOH i
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58 REINER EEINHOLD 1872 he made ext
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— ' 60 REISSMANN RELATION at Dres
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EELATIVE EELLSTABB adjustment of su
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64 E^MY RENAUD ment ; the connectio
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06 REPORTS effective use of repetit
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— 68 RESOLUTION RESOLUTION sonano
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— ' 70 EESOLUTION BBSPONSE The mi
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— -fj — ; — — — ; 72 KESP
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. ; — 74 RESPONSORIAL PSALMODY EE
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— is — 76 RESULTANT TONES RESUL
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' 78 EESZKE EEUTTEE his intention o
Page 102 and 103:
' 80 REY BEYER same year the King d
Page 105 and 106:
; was EEYER EEZNICEK 81 1854. (Revi
Page 107 and 108:
' EHAW EHEINBEEGER 83 The last move
Page 109 and 110:
. . . . Fantasia, . . 7 . Ist , 4 ,
Page 111 and 112:
; RHYTHM RHYTHM 87 barring of their
Page 113 and 114:
' EIBIBLE BICCI 89 it foi- ever in
Page 115 and 116:
;' RICHAFOET RICHARDS 91 Weaver (ad
Page 117:
HANS BICHTER
Page 120 and 121:
Richter — 94 EICHTER RIDDELL much
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— — 96 KIEMSDIJK EIES masterpie
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' ; — ; 98 RIES RIETEE-BIEDEBMANN
Page 126 and 127:
; 100 RIGADOON EIGBY As a composer
Page 128 and 129:
102 EIMSKY-KOESAKOV EIMSKY-KOESAKOV
Page 131 and 132:
' ' . EIMSKY-KORSAKOV RIMSKY-KOESAK
Page 133 and 134:
. time ' — and ' ; — RINALDO RI
Page 135 and 136:
— RINFOEZANDO EIOTTE 107 period,
Page 137 and 138:
—— ' ' EITTER RITTER 109 in 160
Page 139 and 140:
— ' — ROAST BEEF OF OLD ENGLAND
Page 141 and 142:
ROBINSON ROBINSON 113 ; ' inasmuch
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, Do. . Do. , Do. , Vittoria. . Do.
Page 145 and 146:
:! ;' RODE RODWELL 117 achieved his
Page 147 and 148:
a ;' and ' KOGEL ROGER 119 His son,
Page 149 and 150:
— ' ROGUES' MARCH, THE EOI DES VI
Page 151 and 152:
— ROKITANSKY EOLLE 123 'Aida,' 'F
Page 153 and 154:
— — — ROMANTIC EOMANTIC 125 s
Page 155 and 156:
ROMANTIC ROMANTIC 127 to lis from a
Page 157 and 158:
; EOMBEEG IIOMBERG 129 qualities ar
Page 159 and 160:
ROME ROME 131 papal choir received
Page 161 and 162:
ROME ROMEO AND JULIET 133 tenance o
Page 163 and 164:
— — RONDEAU RONDO 135 popularit
Page 165 and 166:
' ROOT ROOT 137 He died Oct. 14, 18
Page 167 and 168:
— ' — EOPAETZ EOSA 139 entitle
Page 169 and 170:
' EOSA ROSALIA 141 and devote himse
Page 171 and 172:
' EOSE ROSEINGRAVE 143 oulars'see N
Page 173 and 174:
' ' ; KOSEINGRAVE EOSELLEN 145 ' Hi
Page 175 and 176:
ROSENTHAL ROSIN 147 style of instru
Page 177 and 178:
ROSSI KOSSI 149 Hebrew and Italian,
Page 179:
GIOACCHIXO AXTOXIO K06SIXI
Page 182 and 183:
' —; 152 EOSSINI ROSSINI was brou
Page 184 and 185:
154 ROSSINI BOSSINI to invent a hap
Page 186 and 187:
' 156 ROSSINI ROSSINI opponents in
Page 188 and 189:
;' wine from the cellar, which it i
Page 190 and 191:
' leo ROSSINI ROSSINI (Edipus. Thes
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' ' ROSSINI ROSSINI more morement,
Page 194 and 195:
; —; 164 ROSSINI ROTA G. Carpani.
Page 196 and 197:
' , 166 ROUND EOUSSEAU popular. Amo
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— ; 168 EOUSSEAU'S DREAM ROVESCIO
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170 EOYAL ACADEMY OF MUSIC ROYAL AC
Page 202 and 203:
172 ROYAL ACADEMY OF MUSIC ROYAL CH
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; ' 174 EOYAL COLLEGE OF ORGANISTS
Page 206 and 207:
176 ETJBATO EUBINI ' when she sang
Page 209 and 210:
EUBINI celebrity, a Frenchwoman by
Page 211:
ANTON GREGOR RUBINSTEIN
Page 214 and 215:
180 RUBINSTEIN EUCKEKS ' Op. Op. .
Page 216 and 217:
. 182 RUCKERS EUCKERS Kareest, schi
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184 EUCKERS RUCKERS There is also e
Page 220 and 221:
186 EUCKERS No.
Page 222 and 223:
188 RUCKEES So.
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; ' 190 RUDOLPHy ARCHDUKE RUDOLPH,
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192 RUCKAUF EULE, BRITANNIA! (Sea J
Page 228 and 229:
A 194 RUMMEL RUSSELL Vogler. In 1 8
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196 KUTHEBFOED RYAN works by Bach a
Page 232 and 233:
— — — : 198 SABBATINI SAOCHIN
Page 234 and 235:
; ' 200 SACCHINI SACKBUT in very mu
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'; ; 202 SACRED HARMONIC SOCIETY SA
Page 238 and 239:
' 204 SAINT ANNE'S TUNE SAINT-AUBIN
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' 206 SAINT HUBERTY ST. JAMES'S HAL
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— ST. PATRICK'S DAY SAINT-SAENS 2
Page 245 and 246:
. Fantaisie . SAINTON SAINTON-DOLBY
Page 247:
ANTONIO SALIERI
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' 212 SALIEEI SALIEEI While Gaasman
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— ; 214 SALMON SALO Boyal, May 28
Page 254 and 255:
s 216 SALOME SALOMON doubtless coun
Page 256 and 257:
— '' 218 SALVE EEGINA SAMARA perf
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' ; objection may be urged, with eq
Page 260 and 261:
' '; 222 SANTLEY SANTLEY collection
Page 262 and 263:
— ' 224 SARASATE SAEASATE Coverle
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' SAERUSOPHONE SARTI 225 in life he
Page 267 and 268:
' SARTOEIS SAURET 227 able to prono
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— ; SAVART SAVILE 229 ateliers of
Page 271 and 272:
SAX SAX 231 and then set up in Brus
Page 273 and 274:
' — — SAXHOEN SAXHORN 233 Schem
Page 275 and 276:
— ; SCALCHI SCALE 235 ornaments.
Page 277 and 278:
— — SCALE SCALE 237 C to G, , P
Page 279 and 280:
SCANDELLO SCANDELLO 239 quartet, th
Page 281:
ALESSANDKO SCARLATTI
Page 284 and 285:
' and ' 242 SCARLATTI SCARLATTI by
Page 286 and 287:
' 244 SOAELATTI SCARLATTI what grea
Page 288 and 289:
; . 246 SCARLATTI SCARLATTI was unw
Page 290 and 291:
248 SCENARIO SCHARWENKA place of pu
Page 292 and 293:
— — 250 SCHAUSPIELDIEECTOR, DER
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; 252 SCHEIDEMANN SCHEIDEMANTEL and
Page 296 and 297:
' 254 SCHEIDT SCHEIDT III. Tertiaet
Page 298 and 299:
6 256 SCHEIN SCHELBLE Sohein is chi
Page 300 and 301:
258 SCHENK SCHERZO director to Prin
Page 302 and 303:
' f260 SCHERZO SCHEEZO ^called Minu
Page 304 and 305:
' 262 SCHIEVEE SCHIKANEDEE of this
Page 306 and 307:
264 SCHINDLER SOHIEA a French music
Page 308 and 309:
— ' 266 SCHLAGINSTRUMENTEN SCHLIC
Page 310 and 311:
'; 268 SCHMELTZL SCHMITT and then c
Page 312 and 313:
— 270 SCHNELLER SCHOBEET the seco
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272 SCHONBEKGER SCHOLA CANTOEUM, TH
Page 316 and 317:
274 SCHOTTISCHE SCHRADIECK brother,
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' ' 276 SCHRODER-DEVEIENT SCHRODER-
Page 321 and 322:
' SCHRODEE-DEVRIENT SCHROTER 277 or
Page 323 and 324:
SCHUBAET SCHUBERT 279 Winterfeld sa
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; —' 1 SOS- SCHUBERT —1810 2S1
Page 327 and 328:
a 1814 SCHUBERT 1814 283 To avoid a
Page 329 and 330:
' ;' —; f 1815 SCHUBERT 1815 285
Page 331 and 332:
; 6; 1816 SCHUBERT 1816 287 ' Diego
Page 333 and 334:
1816— SCHUBERT -1817 289 througho
Page 335 and 336:
—' ; ' 1818 SCHUBERT 1818 291 are
Page 337 and 338:
was 3 — 1819- SCHUBERT —1820 29
Page 339 and 340:
He 1821 SCHUBERT 1821 295 ' Waldesn
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1821- SCHUBERT -1822 297 so impossi
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— , 1822- SCHUBEET -1823 299 •
Page 345 and 346:
' 1823— SCHUBERT —1824 301 it i
Page 347 and 348:
! ' 1824- SCHUBEET -1825 303 party.
Page 349 and 350:
— ' 1825- SOHUBEET -1826 305 good
Page 351 and 352:
—; ; 1826 SCHUBERT 1826 307 this
Page 353 and 354:
' ' 1827 SCHUBERT 1827 309 Schubert
Page 355 and 356:
— —; 1827- SCHUBERT —1828 311
Page 357 and 358:
— ' 1828 SCHUBERT 1828 313 warm a
Page 359 and 360:
— ; ' 1828'' SCHUBERT 16 315 The
Page 361 and 362:
; ' ; ' Euryanthe ' and Rosamunde,'
Page 363 and 364:
— ' well-known ' Schwanengesang,'
Page 365 and 366:
—' ; ; SCHUBERT 321 programmes of
Page 367 and 368:
y the small things of life. He had
Page 369 and 370:
—' ' SCHUBERT 325 traces appear i
Page 371 and 372:
— — SCHUBERT 327 other parts of
Page 374 and 375:
Fac-simile page of the manuscript o
Page 377 and 378:
— —; 118, 6), are strophio song
Page 379 and 380:
'; element which it contains, the J
Page 381 and 382:
— Such faets as these reduce the
Page 383 and 384:
Date. SCHUBEET SCHUBERTH 335
Page 385 and 386:
' SCHUTZ SCHUTZ 337 education in th
Page 387 and 388:
' SCHUTZ SOHUTZ 339 twice in the fo
Page 389 and 390:
— ; SCHULHOFF SCHULTHESIUS 341 Bt
Page 391 and 392:
' — By this means, with a compara
Page 393:
CLARA JOSEPHINE SCHUMANN
Page 396 and 397:
— 346 1810- SCHUMANN -1828 modern
Page 398 and 399:
—: 348 1829- SCHUMANN -1830 origi
Page 400 and 401:
' ' 350 1832- SCHUMANN -1834 ciicum
Page 402 and 403:
: ; 352 1835 SCHUMANN 1835 1836 : '
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354 1835- SCHUMANN —1839 scratch
Page 406 and 407:
356 1838— SCHUMANN -1840 work, fo
Page 408 and 409:
— 358 1840— SCHUMANN -1843 ol'
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'; ' 360 1844— SCHUMANN -1847 his
Page 412 and 413:
; — 1848- SCHUMANN —1850 societ
Page 414 and 415:
' ' 364 1850— SCHUMANN -1852 was
Page 416 and 417:
' ; 366 1853- SCHUMANN -1854 So far
Page 418 and 419:
368 SCHUMANN musical periodicals of
Page 421 and 422:
more than he would afterwards have
Page 423 and 424:
' SCHUMANN 371 a, es, c, h (A, E|>,
Page 425 and 426:
' SCHUMANN 373 positions of the fir
Page 427 and 428:
: ' ' SCHUMANN 3V5 'Warte, warte, w
Page 429 and 430:
It contains much enchanting beauty,
Page 431 and 432:
' ' and a few really good musical s
Page 433 and 434:
;' Sohiimann inserted all the instr
Page 435 and 436:
Wllhelm . , — . . SCHUMANN SCHUMA
Page 437 and 438:
' SCHWARBEOOK SCHWENKE 385 events a
Page 439 and 440:
:; SCOEDATURA SCORE 387 the third w
Page 441 and 442:
;; SCOEE SCOTCH SNAP 389 natural de
Page 443 and 444:
; — SCOTT SCOTTISH MUSIC 391 SCOT
Page 445 and 446:
' ' ' fyrst hed ane drone bag pipe,
Page 447 and 448:
' — SCOTTISH MUSIO SCOTTISH MUSIC
Page 449 and 450:
— ! ; SCOTTISH MUSIC SCOTTISH MUS
Page 451 and 452:
— — SCOTTISH MUSIC SCOTTISH MUS
Page 453 and 454:
' ' A ' A SCOTTISH MUSIC SCOTTISH M
Page 455 and 456:
' — : — SCEIBE SCRIPTOEES 403 1
Page 457 and 458:
, SEBASTIANI SECHTER 405 In 1813 Cl
Page 459 and 460:
— . : SEELING SEGUIDILLA 407 bett
Page 461:
ANTON SKIDL
Page 464 and 465:
' 410 SEMELE SEMIBREVE original MS.
Page 467 and 468:
a: in the Gregorian system of notat
Page 469 and 470:
' ' ' SENESINO SENESINO 413 Leclair
Page 471 and 472:
— — — — SEQUENCE SEQUENCE 4
Page 473 and 474:
' ' SEQUENTIA SEEAPHIN 417 it is ca
Page 475 and 476:
' SEEES SEEMISY 419 lated equivalen
Page 477 and 478:
' SEROV SEEOV 421 eleven were compo
Page 479 and 480:
^ SEEPENT SERPETTE 423 discovery of
Page 481 and 482:
'; — SERVICE SERVICE 425 The orig
Page 483 and 484:
SESTET SEVOIK 427 8, 1809, as 'one
Page 485 and 486:
; SEVENTH SEVENTH 429 stituting how
Page 487 and 488:
' ' SFOGATO SGAMBATI 431 Winter, li
Page 489 and 490:
— — . SGAMBATI SHAKE 433 the si
Page 491 and 492:
' SHAKE SHAKE 435 Bach, Prelude No.
Page 493 and 494:
' SHAKE SHAKE 437 g^^F^^^P leaps fr
Page 495 and 496:
'' SHAMUS O'BRIEN SHAW 439 theMaryi
Page 497 and 498:
— ; and . SHEPHERD SHERWOOD 441 w
Page 499 and 500:
' SHIFT SHIKREPF 443 demonstrates i
Page 501 and 502:
; ; SHRUBSOLE SHUDI 445 not exceed
Page 503 and 504:
' SI CONTRA PA SIBELIUS 447 but, ha
Page 505 and 506:
fashion in England and to have been
Page 507 and 508:
— — —; SIGNATURE SIGNATUEE 45
Page 509 and 510:
! — SILBEEMANN SILOTI 453 nliat m
Page 511 and 512:
; — SIMONE BOCCANEGRA SIMPSON 455
Page 513 and 514:
at 266 Regent Street. F. K. SIMPSON
Page 515 and 516:
SINGING SINGING 459 August Grell, w
Page 517 and 518:
SINGING SINGING 461 subsidence of t
Page 519 and 520:
SINGING SINGING 463 slight cough *
Page 521 and 522:
— SINGING SINGING 465 By various
Page 523 and 524:
' SINGING SINGING 467 been confused
Page 525 and 526:
' ' SINGSPIEL SINGSPIEL 469 ' Der T
Page 527 and 528:
— SIR ROGER DE COVERLY SIREN 471
Page 529 and 530:
— SIEMEN SISTINE CHOIR 473 ' Juda
Page 531 and 532:
— SISTINE CHOIR SISTINE CHOIR 475
Page 533 and 534:
SIVOEI SIVORI 477 classical player.
Page 535 and 536:
; SJOGREN SKENE MANUSCRIPT 479 20th
Page 537 and 538:
— SLIDE SLIDE 481 from the slight
Page 539 and 540:
SLIDE SLUE 483 way to a truer mode
Page 541 and 542:
' SMART SMETANA 485 musical profess
Page 543:
FKIEDRICH SlIETAXA
Page 546 and 547:
; 488 SMITH SMITH course of the twe
Page 548 and 549:
; 490 SMITH SMYTH In 1828 he brough
Page 550 and 551:
' 492 SOOIETA ARMONICA SOCIETY OF B
Page 552 and 553:
— ; 494 SOGGETTO SOLESMES which i
Page 554 and 555:
' ' 496 SOLESMES SOLESMKS however,
Page 556 and 557:
'; ' 498 SOLFEGGIO SOLFEGGIO of oom
Page 558 and 559:
500 SOLMISATION SOLMISATION with ou
Page 560 and 561:
' 502 SOLMISATION SOLO ORGAN method
Page 562 and 563:
' ; 504 SOMIS SONATA 'The Power of
Page 564 and 565:
506 SONATA early attained to a crud
Page 566 and 567:
508 SONATA for violin and violoncel
Page 568 and 569:
' 510 SONATA seems to be distinctly
Page 570 and 571:
512 SONATA fugue, illustrated with
Page 572 and 573:
—; Vivacity, humour, genuine fun,
Page 574 and 575:
516 SONATA W ^i^J-?=£3=J:^*^ :JaJ=
Page 576 and 577:
; 518 SONATA which, alone made it e
Page 578 and 579:
520 SONATA major. Each movement has
Page 580 and 581:
, 522 SONATA the minor of the princ
Page 582 and 583:
; 524 SONATA and the broadening of
Page 584 and 585:
; 526 SONATA preternaturally formid
Page 586 and 587:
528 SONATA Two other composers of s
Page 588 and 589:
530 SONATA No. 6 in D. They are gen
Page 590 and 591:
532 SONATA first subject reappears
Page 592 and 593:
; . ; 534 SONATA one more in accord
Page 594 and 595:
— 536 SONG the simpler rules of c
Page 596 and 597:
—' 538 SONG of Charlemagne, 8 IS.
Page 598 and 599:
540 SONG 17th centuries than the ch
Page 600 and 601:
' ' 542 SONG in structure and chara
Page 602 and 603:
; ' . ; 544 SONG ' Chansons Fopulai
Page 604 and 605:
546 SONG nature and its elements, o
Page 606 and 607:
— — 548 SONG J'rologo des milag
Page 608 and 609:
' — — — — — . 550 SONG Or
Page 610 and 611:
— 552 SONG played an important pa
Page 612 and 613:
; 554 SONG Nunes, Pires, Joao Leal,
Page 614 and 615:
— ^ — 556 SONG Fragmenit of a M
Page 616 and 617:
558 SONG Ex. 4. Madrigcde a voce so
Page 618 and 619:
' 560 SONG very loosely and indiscr
Page 620 and 621:
562 SONG Looking back on the past h
Page 622 and 623:
— 564 SONG Caudella. The latter w
Page 624 and 625:
; 566 SONG produced no effect on th
Page 626 and 627:
' :' ; 568 SONG Gurilev, Vassilev,
Page 628 and 629:
— — ' — — 570 SONG The chie
Page 630 and 631:
572 SONG (Historical Songs with Mus
Page 632 and 633:
' 574 SONG important factor in musi
Page 634 and 635:
I J-J-J and /J — — 576 SONG bet
Page 636 and 637:
— 578 SONG the old and modern fol
Page 638 and 639:
; 580 SONG treasures of poetry and
Page 640 and 641:
— 582 SONG The northern melodies
Page 642 and 643:
• 584 SONG Songs, ' and more espe
Page 644 and 645:
'; ; . 586 SONG folk-song spirit, a
Page 646 and 647:
— 588 SONG The Netherland masters
Page 648 and 649:
— 590 SONG Ex 5 SpotUed op da Bos
Page 650 and 651:
' ' 592 SONG writer and a great fav
Page 652 and 653:
: — 594 SONG contemptuously terme
Page 654 and 655:
8 ' 596 SONG style of their solo so
Page 656 and 657:
598 SONG years younger than Ariie.
Page 658 and 659:
600 SONG treated effectively is ope
Page 660 and 661:
— ' 602 SONG divided into three p
Page 662 and 663:
— ' : 604 SONG reproduced the bea
Page 664 and 665:
a ; ' 606 SONG the Song-booka the a
Page 666 and 667:
' ; 608 SONG Among the writers of t
Page 668 and 669:
; to be mentioned as representatiTe
Page 670 and 671:
; ' 612 SONG runner of Schubert and
Page 672 and 673:
614 SONG The founder of the true Ba
Page 674 and 675:
616 SONG all have shown tliat if th
Page 676 and 677:
— ' 618 SONG-SCHOOL SONNLEITHNER
Page 678 and 679:
' 620 SONTAG SONTAG production in 1
Page 681 and 682:
SONTAG SOPEANO 621 was tempted to r
Page 683 and 684:
' SORDINO SORIANO 623 damper pedal
Page 685 and 686:
SOTO SOUND-HOLES 625 grand ') and t
Page 687 and 688:
— ; SOUND-HOLES SOUND-POST 627 of
Page 689 and 690:
— — ; SPAGNOLETTI SPARK 629 bro
Page 691 and 692:
, SPEYER SPINET 631 ?th Fsalm. Marc
Page 693 and 694:
— —— SPINET SPINET 633 refere
Page 695 and 696:
SPINET SPINET 635 divergence of hig
Page 697 and 698:
— SPINET SPITTA 637 April 4, 1668
Page 699:
LOUIS SPOHE
Page 702 and 703:
; 640 SPOHR SPOHR soon afterwards,
Page 704 and 705:
—' From 642 SPOHR SPOHR of the ne
Page 706 and 707:
' ; 644 SPOHR SPOHE days most rarel
Page 708 and 709:
'; 646 SPONTINI SPONTINI, Gasparo L
Page 711 and 712:
^ SPONTINI 647 out success) in Berl
Page 713 and 714:
— SPONTINI 649 the singularly hap
Page 715 and 716:
— SPONTINI 651 was again revised,
Page 717 and 718:
' from inherent reasons, it never c
Page 719 and 720:
SPONTINI 655 might not have discour
Page 721 and 722:
' show how far he fell short of the
Page 723 and 724:
' SPONTINI 659 very graceful compos
Page 725 and 726:
Aug. 25, on terms of royal generosi
Page 727 and 728:
— SQUIEE STABAT MATER 663 early c
Page 729 and 730:
— STADEN STADEN 665 are sustained
Page 731 and 732:
. — ; ' STANDCHEN STAINER 667 ser
Page 733 and 734:
—; — STAINER STAINEE 669 out ;
Page 735 and 736:
' ; ; STAMATY STANFORD 671 STAMATY,
Page 737 and 738:
— ' . STANFORD STANFORD 673 have
Page 739 and 740:
—' STAECK STASSOV 675 than once f
Page 741 and 742:
' — STAVE STEFFANI 611 definitely
Page 743 and 744:
1; STEPFANI STEFFANI 679 were paid
Page 745 and 746:
' STEFFANI STEFFANI 681 composition
Page 747 and 748:
STEIBELT STEIBELT 683 as u full-fle
Page 749 and 750:
' STEIBELT STEIBELT 685 issued very
Page 751 and 752:
I 3 6 Grand _ , . 6 ' 2 ' I 2 Sonat
Page 753 and 754:
1 STEIN STEIN 689 engraving was by
Page 755 and 756:
STEINBACH STEINWAY & SONS 691 speed
Page 757 and 758:
; STEPHENS STEELING 693 Cipriani Po
Page 759 and 760:
'; '; STEVENS STEWART 695 Of somewh
Page 761 and 762:
STIEHL STOBAEUS 697 STIEHL, Hbinkic
Page 763 and 764:
) STOCKFLOTE STOCKHAUSEN 699 conduc
Page 765 and 766:
' STOKES STOLTZER 701 STOKES, Chael
Page 767 and 768:
STOPS (HARPSICHORD) STORAGE 703 by
Page 769 and 770:
1794 ; STORNELLO STEADA DEL PO 705
Page 771 and 772:
' ' —" STEADELLA STRADIVARI 707 t
Page 773 and 774:
: STRADIVARI STRADIVARI 709 violin-
Page 775 and 776:
' STEADIVARI STRADIVARI 711 about 1
Page 777 and 778:
STRAIGHT & SKILLERN STEATHSPEY 713
Page 779 and 780:
STRAUSS STRAUSS 715 14, 1804. As a
Page 781 and 782:
' STRAUSS STRAUSS 717 and published
Page 783:
KICHAKD STRAUSS
Page 786 and 787:
; . 720 STEBET 16. Aus Italieu, Sym
Page 788 and 789:
— — E — 722 STKIOT COUNTERPOI
Page 790 and 791:
724 STRICT COUNTEEPOINT STRICT COUN
Page 792 and 793:
— ; ' 72^ STRIGGIO STRINASACCHI 1
Page 794 and 795:
' 728 STRING STRONG Concert Grands,
Page 796 and 797:
' ' 730 STEUNQK SUBJECT the usual f
Page 798 and 799:
in 732 SUBJECT SUBJECT Subject, on
Page 800 and 801:
; 734 SUBJECT SUBJECT these constan
Page 802 and 803:
— — ' 736 SUCCENTOR SUCHER Equa
Page 804 and 805:
; ' 738 SUITE SUITE Padnans and Gai
Page 806 and 807:
• — 740 SUITE SUITE the subdomi
Page 808 and 809:
742 SUITE SUITE that it may be well
Page 810 and 811:
744 SULLIVAN SULLIVAN He then retur
Page 812 and 813:
' — 746 SULLIVAN SULLIVAN was rea
Page 814 and 815:
i. 1 '^MlUr. 1 I ' ' I.., ' ' ..' I
Page 816 and 817:
' r 750 SUMER IS Cantus I. i [l]g^S
Page 818 and 819:
— —; ; 752 SUMER IS ICUMEN IN i
Page 820 and 821:
754 SUMER IS ICUMEN IN SUNDERLAND a
Page 822 and 823:
'; ,' 756 SURIANO SUSPENSION SURIAN
Page 824 and 825:
a 758 SUSPENSION SVENDSEN of rules
Page 826 and 827:
; — 760 SWEELINOK SWELL (HARPSICH
Page 828 and 829:
' ; ' 762 SWINEY SYMPATHETIC TONE H
Page 830 and 831:
' 764 SYMPHONY forth were still sym
Page 832 and 833:
766 SYMPHONY terien. The form of th
Page 834 and 835:
768 SYMPHONY ; ^^g^l g gttB^g^pggS
Page 836 and 837:
770 SYMPHONY Mozart's work, therefo
Page 838 and 839:
772 SYMPHONY Presto. Comi in E. Vio
Page 840 and 841:
' 774 SYMPHONY and appropriateness
Page 842 and 843:
ideas — 776 SYMPHONY Haydn in the
Page 844 and 845:
778 SYMPHONY the muaic. The step to
Page 846 and 847:
; 780 SYMPHONY and fascinating wilf
Page 848 and 849:
782 SYMPHONY days at the Convict ;
Page 850 and 851:
784 SYMPHONY The work approaches mo
Page 852 and 853:
to — : 786 SYMPHONY called Saltar
Page 854 and 855:
— 788 SYMPHONy of technical defic
Page 856 and 857:
; 790 SYMPHONY Symphony being defin
Page 858 and 859:
792 SYMPHONY idiosyncrasies. On the
Page 860 and 861:
' —; ' 794 SYMPHONY times, is Lis
Page 862 and 863:
796 SYMPHONY perfection as the othe
Page 864 and 865:
798 SYMPHONY CONCERTS SYMPHONY CONC
Page 866 and 867:
800 SYMPHONY CONCERTS IN U.S. SYMPH
Page 868 and 869:
Page 870 and 871:
; ; £04 SYMPHONY CONCERTS IN U.S.
Page 872 and 873:
Page 874 and 875:
' ' 808 SYEINX SZYMANOWSKA SYRINX.
Page 876 and 877:
' ' ' read ' ' ADDENDA ET CORRIGEND
Page 882:
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