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Grove's dictionary of music and musicians

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;<br />

334 SCHUBERT<br />

made by von Ereissle, who, in 1861 published a small<br />

8vo pamphlet <strong>of</strong> 166 pages, entitled Franz Sch/ubertf eine<br />

Mograjische Skizze ; von Dr. Heinrich von Kreiasle. This<br />

is a very interesting little book, <strong>and</strong> though not nearly<br />

so long as the second edition, it contains some facts<br />

which have dropt out <strong>of</strong> that. 10. The second edition,<br />

Franz Schubert^ von Dr. Heinrich Kreissle von Hellbom<br />

(Vienna, Gerold, 1865), is a large 8vo <strong>of</strong> 619 pages, with<br />

portrait after Kupelwieser. This is a thoroughly honest,<br />

affectionate book ; but it is deformed, like many German<br />

biographies, by a very diffuse style, <strong>and</strong> a mass <strong>of</strong> unnecessary<br />

matter in the shape <strong>of</strong> detailed notices <strong>of</strong> every<br />

one who came into contact with Schubert ; <strong>and</strong> some <strong>of</strong><br />

the letters appear to be garbled ; but the analyses <strong>of</strong> the<br />

operas <strong>and</strong> the lists <strong>of</strong> works are valuable, <strong>and</strong> there are<br />

some interesting facts ^thered from the Frohlichs,<br />

Ferdin<strong>and</strong> Schubert, Spaun, Hiittenbrenner, <strong>and</strong> others.<br />

It has beentranslatedinto English by Mr. A. D. Coleridge<br />

(two vols, 8vo. Ijongman, 1869), with an Appendix by<br />

the present writer, containing the themes <strong>and</strong> particulars<br />

<strong>of</strong> the MS. Symphonies <strong>and</strong> other MS. <strong>music</strong> <strong>of</strong> Schubert,<br />

as seen by Arthur Sullivan <strong>and</strong> him in Vienna in 1867.<br />

A r6sum4 <strong>of</strong> the work is given in English by Wilberforce.<br />

Franz Schubert, etc. (London, 1866). 11. Both Kreissle's<br />

works have been largely utilised by H. Barbedette, in<br />

F. Schubert, sa vie, etc. (Paris, 1866). This contains an<br />

atrocious version <strong>of</strong> Rieder's portrait, <strong>and</strong> one new fact<br />

—a facsimile <strong>of</strong> Schober's song An ' die Musik,* valuable<br />

because, being dated April 24, 1827 (while the song was<br />

composed in 1817), it shows that Schubert did not confine<br />

his dates to the original autographs (compare The<br />

'<br />

Trout,' p. 329, note 4).<br />

12. The chief value <strong>of</strong> Beissmann's book, Fram ScAuhert,<br />

sein Leben u. seine Werke (Berlin, 187S), consists<br />

in the extracts from the juvenile MS. songs, Quintet<br />

overture (pp. 12-30), the comparisons<strong>of</strong> early songs with<br />

later revisions <strong>of</strong> the same (pp. 24, 154, etc.), live pieces<br />

printed for the first time, <strong>and</strong> facsimile <strong>of</strong> a MS. page,<br />

13. Gumprecht, La Mara, <strong>and</strong> others have included<br />

sketches <strong>of</strong> Schubert in their works.<br />

14. The article on Schubert in Wurzbach's Biographisches<br />

L&dcon (Part 32, pp. 30-110 ; Vienna, 1876) is a<br />

good mixture <strong>of</strong> unwearied research, enthusiasm for his<br />

hero, <strong>and</strong> contempt for those who misjudge him (see for<br />

example, p. 98&). The copious lists are extremely interesting<br />

<strong>and</strong> useful. Unfortunately they cannot always be<br />

trusted, <strong>and</strong> the quotations are sometimes curiously incorrect.<br />

Thus Mr. Arthur Duke Coleridge is raised to<br />

the peerage as Herzog Arthur von '<br />

Coleridge,' etc. etc;<br />

Still all students <strong>of</strong> Schubert should be grateful for the<br />

article.<br />

15. The facsimile <strong>of</strong> the 'Erl King' in its first form<br />

has been mentioned in the body <strong>of</strong> the article (p. 2856).<br />

Further consideration convinces me that the original <strong>of</strong><br />

this cannot be the first autograph, but must be a copy<br />

made afterwards by Schubert.<br />

Two documents must be mentioned. 16. Actenmassige<br />

Darstellwng der Ausgrabung und Wiederbeeinsetzv/ng der<br />

irdischen Beste von Beethoven und Schubert (Vienna,<br />

1863), <strong>and</strong> 17. Vom Wiener Mdnnergesa/ngverein. Festschrift<br />

zw EnthMhing des ScTw^eirt Denhnales am 15<br />

Mai, 187S, an account <strong>of</strong> the unveiling <strong>of</strong> the statue in<br />

the Stadt Park, containing a capital sketch <strong>of</strong> Schubert's<br />

Life, Lists, <strong>and</strong> many other welcome facts. Hen Dumba*s<br />

speech on the occasion, <strong>and</strong> poems by Bauernfeld <strong>and</strong><br />

Weilen were printed separately. Good photographs <strong>of</strong><br />

the statue are published by Lbwy <strong>of</strong> Vienna.<br />

]8. Since writing the foregoing I have seen the Life<br />

<strong>and</strong> Works <strong>of</strong> Schubert, by A. Niggli, which forms No. 15<br />

<strong>of</strong> Breitkopf & Hartel's Mitsikalische Vortrdge (1880).<br />

It appears to be an excellent <strong>and</strong> generally an accurate<br />

compilation,! with a great deal <strong>of</strong> information in small<br />

compass, but wants a list <strong>of</strong> works to make it complete.<br />

Also 19, a Life by H. F. Frost in The Great MusiciaTis,<br />

edited by Francis Hueffer (London. 1881), is readable<br />

<strong>and</strong> intelligent, <strong>and</strong> has a list <strong>of</strong> works year by year.<br />

[ScTvu^ert, by Edmondstoune Duncan, contains a good<br />

deal <strong>of</strong> useful information, <strong>and</strong> a catalogue <strong>of</strong> Schubert's<br />

works based on the complete edition <strong>of</strong> Messrs. Breitkopf<br />

& Hartel.]<br />

The articles on Schubert's masses by Pr<strong>of</strong>essor Front,<br />

in the Monthly Mv^ical Record for 1871, <strong>and</strong> the Concordia<br />

for 1875, are too important <strong>and</strong> interesting to be omitted.<br />

[Among other articles on Schubert) may be specially<br />

mentioned those in the Monthly MnsicaZ Becord for Feb.<br />

1 I am sorry ^o find the iDBcription on the tomb very incorrectly<br />

given.<br />

1897 ; those in the Musical Times for August 1893, Jan.<br />

<strong>and</strong> Feb. 1897, Sept. <strong>and</strong> Oct. 1901, <strong>and</strong> an interesting<br />

critical study by Antonin Dvoi'Ak <strong>and</strong> Mr. H. T. Finck in<br />

The Centv/ry for July 1894. The Romantic CoTwposers, by<br />

Daniel Gregory Mason (1907), contains a very interesting'<br />

article on Schubert.]<br />

Thematic Catalogues.<br />

Of these there are two :<br />

1, Thematisches Verzeich/tdss im Druck erschien&ien<br />

CoTnpositionen von Franz Schi/^ert (Vienna, Diabelli)<br />

[1852], contains the works from Opusl to 160 ; Sehwanengesang<br />

; Lieferungenl to 50 ; <strong>and</strong> thirty songs (included<br />

in the foregoing) <strong>of</strong> a series entitled 'Immortellen.'<br />

2. Thematisches Verzeichniss der im Druck erschienetien<br />

Werke von Franz SchAibert, herausgegeben von G. Nottebohm.<br />

Vienna, F. Schreiber, 1874, pages 1 to 288. This<br />

admirable work is as comprehensive <strong>and</strong> accurate as the<br />

previous publications <strong>of</strong> itsauthor would imply its being.<br />

Under the head <strong>of</strong> printed works it comprises :—(l) works<br />

with opus numbers 1 to 173. (2) Nachgelassene Mus.<br />

Dichtungen, Lieferungen 1 to 50. (3) Works without<br />

opus numbers for orchestra, chamber <strong>music</strong>, etc. (4)<br />

Doubtful <strong>and</strong> spurious compositions ; works still in MS.<br />

books, portraits, etc. (5) Index, list <strong>of</strong> songs, etc.<br />

The information undpr each piece is not confined to<br />

the name <strong>and</strong> date <strong>of</strong> publication, but gives in most cases<br />

the date <strong>of</strong> composition, <strong>and</strong> frequently also such facts<br />

as the first time <strong>of</strong> performance, etc. \ It is in fact, like<br />

all the author's publications, a model <strong>of</strong> what such a<br />

catalogue should be.<br />

Date<br />

Schubert's Letters,<br />

etc.

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