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Grove's dictionary of music and musicians

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STEVENS STEWART 695<br />

Of somewhat delicate health, the strain <strong>of</strong> public<br />

playing slowly undermined his constitution,<br />

<strong>and</strong> finally compelled him in 1S93 to ab<strong>and</strong>on<br />

an American tour <strong>and</strong> return to Loudon, where,<br />

after a lingering illness, he died at the early age<br />

<strong>of</strong> forty-two on Sept. 10, 1904.<br />

Stern was twice married : firstly, in 1891, to<br />

Nettie Carpenter, a violinist <strong>of</strong> some distinction<br />

<strong>and</strong> secondly, in 1898, to Suzanne Adams, the<br />

accomplished operatic singer.<br />

In his early years Leo Stern played upon a<br />

violoncello by Guidantus, later on the ' General<br />

Kyde ' Stradivari (an instrument <strong>of</strong> large<br />

proportions), <strong>and</strong> finally on the 'Baudiot'<br />

Stradivari. w. w. c.<br />

STEVENS, Richard John Samuel, born in<br />

London, March 27, 1757, was educated in St.<br />

Paul's Cathedral choir under William Savage.<br />

He distinguished himself as a glee composer,<br />

<strong>and</strong> obtained prizes from the Catch Club for his<br />

glees, 'See, what horrid tempests rise,' 1782,<br />

<strong>and</strong> 'It was a lover <strong>and</strong> his lass,' 1786. He<br />

was appointed organist <strong>of</strong> the Temple Church,<br />

1786, organist <strong>of</strong> the Charter House, 1796<br />

(retaining his appointment at the Temple), <strong>and</strong><br />

on March 17, 1801, was elected Pr<strong>of</strong>essor <strong>of</strong><br />

Music in Gresham College. He published three<br />

sets <strong>of</strong> glees, three harpsichord sonatas (op. 1),<br />

<strong>and</strong> songs. Nine glees <strong>and</strong> a catch by him are<br />

included in Warren's collections. Among his<br />

best glees may be mentioned 'Ye spotted<br />

snakes,' 'Blow, blow, thou winter wind,'<br />

'Crabbed age <strong>and</strong> youth,' 'Sigh no more, ladies,'<br />

'The cloud-capt towers,' 'From Oberon in fairy<br />

l<strong>and</strong>,' all <strong>of</strong> which still retain their popularity<br />

with lovers <strong>of</strong> that class <strong>of</strong> composition. He<br />

edited Sacred Music ' for one, two, three <strong>and</strong><br />

four voices, from the works <strong>of</strong> the most esteemed<br />

composers, Italian <strong>and</strong> English,' an excellent<br />

collection in 3 vols. fol. He died Sept. 23,<br />

1837. [He left a valuable collection <strong>of</strong> <strong>music</strong><br />

to the Royal^Academy <strong>of</strong> Music] w. h. h.<br />

STEVENSON, Sir John Andrew, Knight,<br />

Mus.D., son <strong>of</strong> John Stevenson, a violinist in<br />

the State B<strong>and</strong> in Dublin, was born in Dublin<br />

aboutl762. In 1771 he was admitted a chorister<br />

<strong>of</strong> Christ Church Cathedral, Dublin, <strong>and</strong> in<br />

1775-80 was in the choir <strong>of</strong> St. Patrick's Cathedral.<br />

He became a vicar-choral <strong>of</strong> St. Patrick's<br />

in 1783 <strong>and</strong> <strong>of</strong> Christ Church in 1800. He<br />

composed new <strong>music</strong> to O'Keefi'e's farces, The<br />

'<br />

Son-in-Law' (1781), 'The Dead Alive' (1781),<br />

<strong>and</strong> 'The Agreeable Surprise' (1782), to enable<br />

them to be performed in Dublin, <strong>and</strong> also composed<br />

for the Irish stage some <strong>of</strong> the <strong>music</strong> <strong>of</strong><br />

'<br />

The Contract,' 1782 ;<br />

'<br />

Love in a blaze,' 1799<br />

The Patriot, '1810; 'The Burning <strong>of</strong> Moscow,<br />

'<br />

<strong>and</strong> 'Bedouins,' 1801. He obtained his<br />

honorary Mus.D. degree at Dublin in 1791 ,<br />

<strong>and</strong><br />

his knighthood from the Lord-Lieutenant (Lord<br />

Hardwicke) in 1803. [In 1814 he was appointed<br />

the first organist <strong>and</strong> <strong>music</strong>al director<br />

at the Castle Chapel.] He composed some<br />

Services <strong>and</strong> Anthems (a collection <strong>of</strong> which he<br />

published, with his portrait prefixed, in 1825),<br />

'<br />

Thanksgiving ' (Dublin Musical Festival, Sept.<br />

1831), an oratorio, <strong>and</strong> numerous glees, duets,<br />

canzonets, songs, etc. But the work by which<br />

he is best known is the symphonies <strong>and</strong> accompaniments<br />

to the collection <strong>of</strong> Irish Melodies,<br />

the words for v,'hich were written by Thomas<br />

Moore. He died at Headfort House, while on<br />

a visit to his daughter, the Marchioness <strong>of</strong><br />

Headfort, Sept. 14, 1833. [A monument<br />

was erected to his memory in St. Patrick's<br />

Cathedral. A biographical sketch, by John<br />

Bumpus, appeared in 1893.] w. h. h. ; additions<br />

<strong>and</strong> corrections by w. H. G. f.<br />

STEWART, Neil. One <strong>of</strong> the early Edinburgh<br />

<strong>music</strong>- publishers. In 1759 he was at<br />

the sign <strong>of</strong> the Violin <strong>and</strong> German Flute ' ' in<br />

the Exchange, but before 1761 he had removed<br />

to a shop, opposite the Head ' <strong>of</strong> Blackfriar's<br />

Wynd,' which had probably been Bremner's<br />

'<br />

place <strong>of</strong> business. He again removed to the<br />

Exchange, <strong>and</strong> then to Miln's Square (now<br />

demolished), facing the Tron Church. Afterwards<br />

the business was in Parliament Square,<br />

<strong>and</strong> finally in South Bridge Street. The stockin-trade<br />

<strong>and</strong> plates were sold <strong>of</strong>i' by auction in<br />

1805. Originally founded by the elder Neil<br />

Stewart, the business afterwards developed into<br />

a partnership as ' Neil Stewart & Company,<br />

<strong>and</strong> finally belonged to NeU <strong>and</strong> Malcolm<br />

Stewart, the two sons.<br />

The Stewart publications comprise a gi-eat<br />

bulk <strong>of</strong> important works <strong>of</strong> Scottish <strong>music</strong>, <strong>and</strong><br />

includerepublications<strong>of</strong>M 'Gibbon; collections<strong>of</strong><br />

reels <strong>and</strong> country dances ; marches <strong>and</strong> minuets<br />

M'Glashan's works ; Scots Songs ; <strong>and</strong> great<br />

quantities <strong>of</strong> interesting <strong>music</strong> sheets, f. k.<br />

STEWART, Sir Robert Prescott, Knight,<br />

Mus.D., son <strong>of</strong> Charles Frederick Stewai-t, librarian<br />

<strong>of</strong> the King's Inns,- Dublin, was born in<br />

Dublin, Dec. 16, 1825. He was educated as a<br />

chorister <strong>of</strong> Christ Church Cathedral, Dublin,<br />

<strong>of</strong> which he was appointed organist in 1844,<br />

in which year he was also appointed organist<br />

<strong>of</strong> Trinity College, Dublin. In 1846 he became<br />

conductor <strong>of</strong> the University <strong>of</strong> Dublin Choral<br />

Society, the members <strong>of</strong> which defrayed the<br />

expenses <strong>of</strong> the performance <strong>of</strong> his <strong>music</strong> for<br />

degrees <strong>of</strong> Mus.B. <strong>and</strong> Mus.D. which took<br />

place in 1851, besides presenting him with his<br />

graduate's robes <strong>and</strong> a jewelled b^ton. In<br />

1862 he became a vicar-choral <strong>of</strong> St. Patrick's<br />

Cathedral, <strong>and</strong> in 1861 was appointed Pr<strong>of</strong>essor<br />

<strong>of</strong> Music in the University <strong>of</strong> Dublin. For<br />

the great Peace Festival held at Boston in<br />

America, in 1872, he composed a fantasia on<br />

Irish airs for orchestra, organ, <strong>and</strong> chorus, but<br />

declined the invitation to represent Irel<strong>and</strong><br />

there. On this occasion he received knighthood<br />

from the Lord-Lieutenant (Earl Spencer)<br />

[<strong>and</strong> became Pr<strong>of</strong>essor <strong>of</strong> Theory in the Royal<br />

Irish Academy <strong>of</strong> Music], In 1873 he was

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