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Grove's dictionary of music and musicians

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808 SYEINX SZYMANOWSKA<br />

SYRINX. [See P<strong>and</strong>ean Pipe, vol. ui.<br />

pp. 611, 612.]<br />

SYSTEM. The collection <strong>of</strong> staves necessary<br />

for the complete score <strong>of</strong> a piece—in a string<br />

quartet, or an ordinary vocal score, four ; a<br />

PF. trio, four ; a PF. quartet, five ; <strong>and</strong> so on.<br />

Two or more <strong>of</strong> these will go on a page, <strong>and</strong><br />

then we speak <strong>of</strong> the upper or lower system,<br />

etc. a.<br />

SZARVADY, Madame. See Olatjss-Szar-<br />

VADT, vol. i. p. 548, <strong>and</strong> add date <strong>of</strong> death,<br />

in Paris, Sept. 1, 1907.<br />

SZYMANOWSKA, Makie, a distinguished<br />

pianist <strong>of</strong> her day, who would, however, hardly<br />

have been remembered but for Goethe's infatuation<br />

for her. She was born about 1790, <strong>of</strong><br />

Polish parents named Wolowski, <strong>and</strong> was a<br />

pupil <strong>of</strong> John Field's at Moscow. She ti-avelled<br />

much in Germany, France, <strong>and</strong> Engl<strong>and</strong>, <strong>and</strong><br />

died at St. Petersburg <strong>of</strong> cholera in August 1831.<br />

One <strong>of</strong> her daughters married the famous Polish<br />

poet Miokiewicz, whom she had introduced to<br />

Goethe in July 1829. Goethe knew her as<br />

early as 1821, <strong>and</strong> even then overpraised her,<br />

setting her above Hummel '<br />

; but those who<br />

do so,' says Felix Mendelssohn, who was then<br />

at Weimar,^ think more ' <strong>of</strong> her pretty face<br />

than her not pretty playing.' Goethe renewed<br />

the acquaintance in August 1823, at Eger, where<br />

she <strong>and</strong> Anna Milder were both staying, calls<br />

her 'an incredible player,' <strong>and</strong> expresses his<br />

excitement at hearing <strong>music</strong> after an interval<br />

<strong>of</strong> over two years in a remarkable letter to<br />

Zelter <strong>of</strong> August 24, 1823, again comparing her<br />

with Hummel, to the latter's disadvantage.<br />

Mme. Szymanowska appears to have helped to<br />

inspire the 'Trilogie der Leidensohaft,' <strong>and</strong> the<br />

third <strong>of</strong> its three poems, called Aussbhnung,<br />

'<br />

is a direct allusion to her. In 1824 she was in<br />

Berlin. 'She is furiously in love (rasend<br />

verliebt) with you,' says Zelter to the poet,<br />

'<strong>and</strong> has given me a hundred kisses on my<br />

mouth for you.<br />

Her compositions were chiefly for the PF.,<br />

with a few songs. G.<br />

1 Ooethe <strong>and</strong> 3fendelM0lvn, p. 25.<br />

END OF VOIi. IV

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