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Grove's dictionary of music and musicians

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;<br />

,<br />

EAVENSCROFT<br />

Fischer, Cervetto, Stamitz, Decamp, <strong>and</strong> dementi.<br />

He also gave brilliant concerts in the<br />

new Assembly Rooms (built 1771) at Bath,<br />

where he took up his abode on leaving London.<br />

Here he invited Haydn <strong>and</strong> Dr. Burney to visit<br />

him, <strong>and</strong> the three spent several pleasant days<br />

together in 1794. On this occasion Haydn<br />

wrote a four-part canon (or more strictly a<br />

round) to an epitaph on a favourite dog buried<br />

iu Rauzzini's garden, Turk was ' a faithful dog<br />

<strong>and</strong> not a man.' (See Turk.) Rauzzini's<br />

operas performed in London were Piramo ' e<br />

'nsbe' (March 16, 1775, <strong>and</strong> afterwards in<br />

Vienna), 'Le Ali d'Amore' (Feb. 27, 1776);<br />

'Creusa in Delfo' (1783); 'La Regina di<br />

Golconda' (1784); <strong>and</strong> 'La Vestale' (1787).<br />

L' Eroe Cinese,' originally given at Munich in<br />

'<br />

1771, was performed in London in 1782.<br />

(These dates are from the Public Advertiser.)<br />

He composed string-quartets, sonatas for PF.,<br />

Italian arias <strong>and</strong> duets, <strong>and</strong> English songs<br />

also a Requiem produced at the little Haymarket<br />

Theatre in 1801, by Dr. Arnold <strong>and</strong> Salomon.<br />

He died, universally regretted, at Bath, April 8,<br />

1810. His brother<br />

Matteo, bom in Rome 1754, made his iirst<br />

appearance at Munich in 1772, followed his<br />

brother to Engl<strong>and</strong>, <strong>and</strong> settled in Dublin,<br />

where he produced an opera, ' II Rfe pastore, ' in<br />

1784. He had written Le ' finte Gemelli ' for<br />

Munich in 1772, <strong>and</strong> 'L' opera nuova' for Venice<br />

in 1781. He employed himself in teaching<br />

singing, <strong>and</strong> died in 1791. o. F. p.<br />

RAVENSCROFT, John, one <strong>of</strong> the Tower<br />

Hamlets waits, <strong>and</strong> vioUnist at Goodman's Fields<br />

Theatre, was noted for his skill in the composition<br />

<strong>of</strong> hornpipes, a collection <strong>of</strong> which he published.<br />

Two <strong>of</strong> them are printed in Hawkins's<br />

History, <strong>and</strong> another in vol. iii. <strong>of</strong> 'The Dancing<br />

Master.' A set <strong>of</strong> sonatas for two violins <strong>and</strong><br />

violone or arch-lute, were printed at Rome in<br />

1695. He died about 1745. w. H. H.<br />

RAVENSCROFT, Thomas, Mus.B., born<br />

about 1582, was a chorister <strong>of</strong> St. Paul's under<br />

Edward Pearce, <strong>and</strong> graduated at Cambridge in<br />

1607. In 1609 he edited <strong>and</strong> published Pammelia.<br />

'<br />

Musickes Miscellanie : or Mixed Varietie<br />

'<br />

<strong>of</strong> pleasant Roundelayes <strong>and</strong> delightful Catches<br />

<strong>of</strong> 3, 4, 5, 6, 7, 8, 9, 10 Parts in one '—the earliest<br />

collection <strong>of</strong> rounds, catches, <strong>and</strong> canons printed<br />

in this country. A second impression appeared<br />

in 1618. Later in 1609 he put forth 'Deuteromelia<br />

; or the Second Part <strong>of</strong> Musiok's Melodic,<br />

or melodius Musioke <strong>of</strong> Pleasant Roundelaies ;<br />

K. H. mirth, or Freemen's Songs <strong>and</strong> such<br />

delightfull Catches' ; containing the catch,<br />

Hold thy peace, thou knave,' sung in Shakespeare's<br />

'<br />

'Twelfth Night.' In 1611 he published<br />

' Melismata. Musicall Fhansies, fitting the<br />

Court, Citie, <strong>and</strong> Countrey Humours, to 3, 4<br />

<strong>and</strong> 5 Voyces.' In 1614 he published 'A Briefe<br />

Discourse <strong>of</strong> the true (but neglected) use <strong>of</strong><br />

Charact'ring the Degrees by their Perfection,<br />

KAWLINGS<br />

Imperfection, <strong>and</strong> Diminution in Mensurable<br />

Musicke against the Common Practise <strong>and</strong> Custome<br />

<strong>of</strong> these Times ;<br />

Examples where<strong>of</strong> are<br />

exprest in the Harmony <strong>of</strong> 4 Voyces Concerning<br />

the Pleasure <strong>of</strong> 5 vsuall Recreations. 1. Hunting.<br />

2. Hawking. 3. Dancing. 4. Drinking.<br />

5. Enamouring '—a vain attempt to resuscitate<br />

an obsolete practice. The <strong>music</strong>al examples<br />

were composed by Edward Pearce, John Bennet,<br />

<strong>and</strong> Ravensor<strong>of</strong>t himself. [Much <strong>of</strong> the material<br />

is found in a MS. in the Brit. Mus. Add. MS.<br />

19,758 {Diet, <strong>of</strong> Nat. Biog.). In 1618-22 he<br />

was <strong>music</strong> -meister at Christ's Hospital {Mus.<br />

Times, 1905, p. 580.)] In 1621 he published<br />

the work by which he is best known, 'The<br />

Whole Booke <strong>of</strong> Psalmes : With the Hymnes<br />

Evangelicall <strong>and</strong> Spirituall. Composed into four<br />

parts by Sundry Authors with severall Tunes as<br />

have been <strong>and</strong> are usually sung in Engl<strong>and</strong>,<br />

Scotl<strong>and</strong>, Wales, Germany, Italy, France, <strong>and</strong><br />

the Netherl<strong>and</strong>s.' Another edition was published<br />

in 1633. Four anthems or motets by<br />

Ravenscr<strong>of</strong>t are among the MSS. in the library<br />

<strong>of</strong> Christ Church, Oxford. [For other <strong>music</strong> by<br />

him see the Quellen-Lexilcon.^ The date <strong>of</strong> his<br />

death is not known. It is said by some to<br />

have been about 1630, <strong>and</strong> by others about<br />

1635. w. H. H.<br />

RAVINA, Jean Henki, a pian<strong>of</strong>orte composer,<br />

was bom May 20, 1818, at Bordeaux,<br />

where his mother was a prominent <strong>music</strong>ian.<br />

At the instance <strong>of</strong> Rode <strong>and</strong> Zimmermann the<br />

lad was admitted to the Conservatoire <strong>of</strong> Paris<br />

in 1831. His progress was rapid-—second prize<br />

for PF. in 1832; first prize for the same in<br />

1834; first for harmony <strong>and</strong> accompaniment in<br />

1835, ajoint pr<strong>of</strong>essorship <strong>of</strong> PF. Nov. 1835. In<br />

Feb. 1 837 he left the Conservatoire <strong>and</strong> embarked<br />

on the world as a virtuoso <strong>and</strong> teacher. He<br />

resided exclusively at Paris, with the exception<br />

<strong>of</strong> a journey to Russia in 1853, <strong>and</strong> Spain<br />

in 1871. He received the Legion <strong>of</strong> Honour in<br />

1861. His compositions are almost all salon<br />

pieces, many <strong>of</strong> them very popular in their time,<br />

graceful <strong>and</strong> effective, but with no permanent<br />

qualities. He also published a 4 -h<strong>and</strong> arrangement<br />

<strong>of</strong> Beethoven's nine symphonies. Ravina<br />

died in Paris, Sept. 30, 1906.— The above<br />

sketch is indebted to M. Pougin's supplement<br />

to F^tis. G.<br />

RAWLINGS, or RAWLINS, Thomas, bom<br />

about 1703, was a pupil <strong>of</strong> Dr. Pepusch, <strong>and</strong><br />

a member <strong>of</strong> H<strong>and</strong>el's orchestra at both opera<br />

<strong>and</strong> oratorio performances. On March 14,<br />

1753, he was appointed organist <strong>of</strong> Chelsea<br />

Hospital. He died in 1767. His son, Robert,<br />

bom in 1742, was =t pupil <strong>of</strong> his father, <strong>and</strong><br />

afterwards <strong>of</strong> Barsanti. At seventeen he was<br />

appointed <strong>music</strong>al page to the Duke <strong>of</strong> York,<br />

with whom he travelled on the continent until<br />

his death in 1767, when he returned to Engl<strong>and</strong><br />

<strong>and</strong> became a violinist in the King's b<strong>and</strong> <strong>and</strong><br />

Queen's private b<strong>and</strong>. He died in 1 8 1 4, leaving

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