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Grove's dictionary of music and musicians

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480 SKENE MANUSCRIPT SKETCH<br />

that its date is from 1620 to 1629, both prior<br />

to the date claimed for the MS. The simple<br />

Skene versions <strong>of</strong> some <strong>of</strong> our old melodies, two<br />

<strong>of</strong> which have already been given in this work<br />

[see Scottish Music], show how little we really<br />

know <strong>of</strong> the early forms <strong>of</strong> our airs. The discovery<br />

in this MS. <strong>of</strong> these <strong>and</strong> <strong>of</strong> some other<br />

tunes, otherwise unknown until the middle <strong>of</strong> the<br />

following century, proves that first appearance<br />

in print is no guide whatever to actual age. The<br />

appearance also in it <strong>of</strong> so many as 25 previously<br />

imknown airs leads to the belief that the loss<br />

<strong>of</strong> ancient melodies may have been as great<br />

even as that <strong>of</strong> songs, in regard to which Eitson,<br />

in a letter to George Paton, after enumerating<br />

about 120, adds that he believes he has the<br />

names <strong>of</strong> as many more, none <strong>of</strong> which he had<br />

ever been able to recover. Several <strong>of</strong> the parts<br />

<strong>of</strong> the Skene MS. contain airs which date themselves<br />

; such as Ostend (taken 1604) ; Prince<br />

Henry's masque (1610) ; Lady Elizabeth's<br />

masque (1613).<br />

List <strong>of</strong> the 115 tunes contained m the<br />

seven parts <strong>of</strong> the Skene MS.<br />

The first row <strong>of</strong> figures shows the order in<br />

which they appear in the original ; the<br />

second is that <strong>of</strong> Mr. Dauney's volume. The<br />

asterisks point out the duplicates, <strong>and</strong> the<br />

figures after the names show their place in<br />

the MS. The omitted tunes are marked by<br />

daggers. The double dagger in the first line<br />

<strong>of</strong> figures between 29 <strong>and</strong> 30 shows the place<br />

<strong>of</strong> a tune omitted in Mr. Dauney's list.<br />

1. 38.<br />

2. 40.<br />

3. 76.<br />

4. 10.<br />

6. 63.<br />

6. 8.<br />

7. 41.<br />

8. t<br />

9. 59.<br />

10. t<br />

11. 69.<br />

12. 47.<br />

13. 85.<br />

14. 60.<br />

15. 68.<br />

16. 42.<br />

17. 78.<br />

18. 36.<br />

19. t<br />

20.64.<br />

PAET I. (24 leaveo.)<br />

Male Simme.<br />

Doun in yoa banke.<br />

SiUie Boule alace.<br />

Long ere ooie old man.<br />

The Spanislie Ladle.<br />

My deareab sueate la fardest fra me.<br />

1 long for your verginitle. *48.<br />

Hutchesou's Oalzlard.<br />

Pitt in an inche <strong>and</strong> mair <strong>of</strong> it<br />

A Frencli Tolt.<br />

Lady Ellzabetli'e Maake.<br />

Kette Bairdie.<br />

Trumpeters Curr<strong>and</strong>. * 50.<br />

Joy to tlie persone.<br />

Comedians maske.<br />

Ademeis Lilt.<br />

Sommersetts Maske.<br />

Jolin Devesonnes pint <strong>of</strong> wine.<br />

Horreis Galziard. * 45.<br />

Froggis Oalziard.<br />

21. 22. 1 cannot Hue <strong>and</strong> want thee.<br />

22. 20. 1 mett Iier in the medowe.<br />

23. 9. Frettie well begunn man.<br />

24. 67. Prince Henreis Maske. Flnia quod Skine.<br />

30.<br />

PAET II.<br />

. t Lady wilt thou love me.<br />

. 37. The lass o Glasguwe.<br />

(8 leaves.)<br />

(Fragment.)<br />

. 21. Shoe looks as shoe wold lett me.<br />

1, Alace yat I came owr the moor <strong>and</strong> left my love behind<br />

me. • 42.<br />

. ."M. Bone Jeane makis meikiU <strong>of</strong> me.<br />

27. Let never crueltie dishonour bewtie.

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