V-Ray for Rhino Manual - Rum

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Check the Translucent box under Translucency first. Thickness is for control of light pass through the object, the unit for this is unclear. Keep these three settings as default. Other items required to change include: Many rendering engines use Sub-Surface Scattering (SSS) to create this kind of material. This material is good for creating things like: wax, skin, milk, cheese, plastic and jade which all have a little translucency in it. Translucency is created by absorbing light to the object's surface so the color of the object will show up a little darker than its original color. If you still think that it's too dark even though the original color is set to the highest Val 255, the best way to fix it is increasing the intensity of your light in the scene. Below are some examples. 1. Double-Sided must be unchecked so the light can get through to the inside of the object. This setting is extremely important 2. Change the IOR to 1 3. Decrease the Refraction Glossiness to a value below 1 4. Do not use white color for the Transparency because that will turn the object to completely transparent and become dark after rendered due to absorb too much light. Do not use black color, either. That will not allow light get through the object at all. Pick a color anywhere between Val 80~150 will give you the best result. 38 V-Ray for Rhino
Emissive Materials Open file: Cups-Emissive.3dm and we are going to show you how to create a self-illuminated material. Select the green cup on the right. Under Properties>Material, click Edit to open the Material editor dialog box. Add Emissive Layer 1. Click on the + next to the Cup_Green to pull down the layers. Right click on Emissive Layers and select Add new layer. You will see the new Emissive layer added to the right side. Open the Emissive menu. Default set the color to white, intensity to 1 and Transparency color to black. Click on Material Preview and you will see a completely white material ball. Render it and you will get the image like the one on the right. Self-illuminated material can make the object become a lightsource itself. It does not limit to a certain shape like a regular light type does. Every part of the object can be illuminated and used as a lightsource. Self-illuminated material is perfect to create objects like: light ball, light tube, light shade, stylish lighting, cold light and lit screen. However, emissive materials should not be used as the primary lighting for a scene If you are using a physical camera in your scene, you may notice that your light emitting materials render black or darker than expected. This is because the physical camera reacts differently to light than a regular camera does. Because of this you may have to make your light emitting materials significantly brighter in order to be rendered by the physical camera. V-Ray for Rhino 39
Page 1 and 2: A R E N D E R I N G P L U G I N F O
Page 3 and 4: Transparency Mapping...............
Page 6 and 7: Installing V-Ray for Rhino 1. Make
Page 8 and 9: Before you start rendering with V-R
Page 10 and 11: Render Options for V-Ray for Rhino
Page 12 and 13: The image is in blue tone is becaus
Page 14 and 15: Material Editor in V-Ray for Rhino
Page 16 and 17: How to duplicate a material: Under
Page 18 and 19: Material Usage 01. Open Cups-GI.3dm
Page 20 and 21: Add Lights We didn't add any light
Page 22 and 23: Here are some images with different
Page 24 and 25: Impacts on reflective objects due t
Page 26 and 27: Material: Reflection Layer This sec
Page 28 and 29: Fresnel Reflections Fresnel Reflect
Page 30 and 31: Fresnel IOR Reflection Glossiness C
Page 32 and 33: 3. Click on the Update Preview agai
Page 34 and 35: Adjusting Refractions with Index of
Page 36 and 37: Image below shows the influence of
Page 40 and 41: Adjust the Intensity Default set th
Page 42 and 43: Please note that if any type of map
Page 44 and 45: 03. Click on the “m” to the rig
Page 46 and 47: Projection types and adjustment The
Page 48 and 49: Image on the left is result of usin
Page 50 and 51: Adjusting Displacement Depending on
Page 52 and 53: 1. Click on the cup and open its Ma
Page 54 and 55: Other Uses for transparency mapping
Page 56 and 57: V-Ray Two-Sided Material The V-Ray
Page 58 and 59: Environment Lighting Lighting plays
Page 60 and 61: Techniques for adjusting illuminati
Page 62 and 63: To compare, below are three images
Page 64 and 65: Environment light source for semi-o
Page 66 and 67: Choosing different Render Engines I
Page 68 and 69: Image on the left is showing the la
Page 70 and 71: Primary Engine: Quasi Monte-Carlo Q
Page 72 and 73: Another important option with Light
Page 74 and 75: Light and Shadow The quality of Sha
Page 76 and 77: Depth of Field What's Depth of Fiel
Page 78 and 79: Below are some images showing more
Page 80 and 81: Using Aperture When using aperture
Page 82 and 83: Sun and Sky The V-Ray Sun and Sky a
Page 84 and 85: Changin the Sun’s Appearance with
Page 86 and 87: Caustics What are Caustics? Caustic
Page 88 and 89:
Color Mapping The Function of Color
Page 90 and 91:
Mesh Settings In order for geometry
Page 92 and 93:
V-Ray Frame Buffer Render image win
Page 94 and 95:
Starting the DR Spawner Once the DR
Page 96 and 97:
Chocolate Crystal Eggshell Emmisive
Page 98 and 99:
Metal - Car Paint_Red Metal - Chrom
Page 100 and 101:
100 V-Ray for Rhino
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V-Ray for Rhino Manual - Rum

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