V-Ray for Rhino Manual - Rum

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Chocolate Crystal Eggshell Emmisive Glass - Black Glass - Frosted Glass - Pure Granite - Brown Granite - Sunsetbeige_Dark Granite - Sunsetbeige_Light Gypsum Gypsum - Bump 96 V-Ray for Rhino
Hematite Ice Jade - Green Jade - White Leather - Brown-01 Leather - Brown-02 Leather - Orange-01 Leather - Orange-02 Marble - Green Marble - Red Marble - White Metal - Brushed Metal V-Ray for Rhino 97
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A R E N D E R I N G P L U G I N F O
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Transparency Mapping...............
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Installing V-Ray for Rhino 1. Make
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Before you start rendering with V-R
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Render Options for V-Ray for Rhino
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The image is in blue tone is becaus
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Material Editor in V-Ray for Rhino
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How to duplicate a material: Under
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Material Usage 01. Open Cups-GI.3dm
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Add Lights We didn't add any light
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Here are some images with different
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Impacts on reflective objects due t
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Material: Reflection Layer This sec
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Fresnel Reflections Fresnel Reflect
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Fresnel IOR Reflection Glossiness C
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3. Click on the Update Preview agai
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Adjusting Refractions with Index of
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Image below shows the influence of
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Check the Translucent box under Tra
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Adjust the Intensity Default set th
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Please note that if any type of map
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03. Click on the “m” to the rig
Page 46 and 47: Projection types and adjustment The
Page 48 and 49: Image on the left is result of usin
Page 50 and 51: Adjusting Displacement Depending on
Page 52 and 53: 1. Click on the cup and open its Ma
Page 54 and 55: Other Uses for transparency mapping
Page 56 and 57: V-Ray Two-Sided Material The V-Ray
Page 58 and 59: Environment Lighting Lighting plays
Page 60 and 61: Techniques for adjusting illuminati
Page 62 and 63: To compare, below are three images
Page 64 and 65: Environment light source for semi-o
Page 66 and 67: Choosing different Render Engines I
Page 68 and 69: Image on the left is showing the la
Page 70 and 71: Primary Engine: Quasi Monte-Carlo Q
Page 72 and 73: Another important option with Light
Page 74 and 75: Light and Shadow The quality of Sha
Page 76 and 77: Depth of Field What's Depth of Fiel
Page 78 and 79: Below are some images showing more
Page 80 and 81: Using Aperture When using aperture
Page 82 and 83: Sun and Sky The V-Ray Sun and Sky a
Page 84 and 85: Changin the Sun’s Appearance with
Page 86 and 87: Caustics What are Caustics? Caustic
Page 88 and 89: Color Mapping The Function of Color
Page 90 and 91: Mesh Settings In order for geometry
Page 92 and 93: V-Ray Frame Buffer Render image win
Page 94 and 95: Starting the DR Spawner Once the DR
Page 98 and 99: Metal - Car Paint_Red Metal - Chrom
Page 100 and 101: 100 V-Ray for Rhino
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V-Ray for Rhino Manual - Rum

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