V-Ray for Rhino Manual - Rum

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Starting the DR Spawner Once the DR Spawner is installed on the slave machine you will need to start the application. In the folder C:\Program Files\ASGvis you will find a folder called Render slave. Open that folder and you will find the DR Spawner. Double clicking on the DR Spawner will launch it, and once it has successfully loaded the Spawner it ready to go. Connecting to Slave Machines Now that the slave machines are ready to go we need to tell the main computer that we are render from, also known as the client, not only that we will be using other computers to render but also how to access them. This is very simple as well. Within the Systems rollout of V-Ray's options you will see a checkbox and button for Distributed Rendering. To enable Distributed Rendering simply click the checkbox next to the button. Clicking on the button will bring up a window which will allow you to input the IP addresses of any slave machines you wish to use. Within the Distributed Rendering window at the top you will notice the option to Add a Server. This is where you will input the IP addresses of any machines that you will connect to. After you input any IP addresses you will want to click Resolve servers Some Considerations For Distributed Rendering With using Distributed Rendering you might run into several possible issues. When trying to connect to slave machines you may have issues of not actually getting them to render. Check any firewalls that may be on the host or slave machine as well as any routers that you may have. Also, textures will not be transferred to the host machine by the DR software. Optimally, textures should be in a single network location that is accessible to all machines being used, but if this is not possible then you must manually transfer the textures manually to a folder on the slave machine(s) that is the same path as on the host machine. Also, if you have the capability to use Remote Desktop Connection or a similar software, it may make the task of monitoring slave machines an easier task. 94 V-Ray for Rhino
Sample Materials Rubber - Orange Rubber - White Sculpture - Gray_Bump Water Wax - Green Wax - Skin Argil - Brown_Bright Argil - Brown_Dark Argil - Red Carbon Fiber Ceramic - Red Ceramic - White V-Ray for Rhino 95
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A R E N D E R I N G P L U G I N F O
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Transparency Mapping...............
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Installing V-Ray for Rhino 1. Make
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Before you start rendering with V-R
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Render Options for V-Ray for Rhino
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The image is in blue tone is becaus
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Material Editor in V-Ray for Rhino
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How to duplicate a material: Under
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Material Usage 01. Open Cups-GI.3dm
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Add Lights We didn't add any light
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Here are some images with different
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Impacts on reflective objects due t
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Material: Reflection Layer This sec
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Fresnel Reflections Fresnel Reflect
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Fresnel IOR Reflection Glossiness C
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3. Click on the Update Preview agai
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Adjusting Refractions with Index of
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Image below shows the influence of
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Check the Translucent box under Tra
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Adjust the Intensity Default set th
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Please note that if any type of map
Page 44 and 45: 03. Click on the “m” to the rig
Page 46 and 47: Projection types and adjustment The
Page 48 and 49: Image on the left is result of usin
Page 50 and 51: Adjusting Displacement Depending on
Page 52 and 53: 1. Click on the cup and open its Ma
Page 54 and 55: Other Uses for transparency mapping
Page 56 and 57: V-Ray Two-Sided Material The V-Ray
Page 58 and 59: Environment Lighting Lighting plays
Page 60 and 61: Techniques for adjusting illuminati
Page 62 and 63: To compare, below are three images
Page 64 and 65: Environment light source for semi-o
Page 66 and 67: Choosing different Render Engines I
Page 68 and 69: Image on the left is showing the la
Page 70 and 71: Primary Engine: Quasi Monte-Carlo Q
Page 72 and 73: Another important option with Light
Page 74 and 75: Light and Shadow The quality of Sha
Page 76 and 77: Depth of Field What's Depth of Fiel
Page 78 and 79: Below are some images showing more
Page 80 and 81: Using Aperture When using aperture
Page 82 and 83: Sun and Sky The V-Ray Sun and Sky a
Page 84 and 85: Changin the Sun’s Appearance with
Page 86 and 87: Caustics What are Caustics? Caustic
Page 88 and 89: Color Mapping The Function of Color
Page 90 and 91: Mesh Settings In order for geometry
Page 92 and 93: V-Ray Frame Buffer Render image win
Page 96 and 97: Chocolate Crystal Eggshell Emmisive
Page 98 and 99: Metal - Car Paint_Red Metal - Chrom
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V-Ray for Rhino Manual - Rum

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