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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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INTERTEXTUALITY IN HILDEGARD’S WORKS:<br />

EZEKIEL AND THE CLAIM TO PROPHETIC AUTHORITY<br />

Beverly Mayne Kienzle and Travis A. Stevens<br />

Introduction<br />

<strong>Hildegard</strong> <strong>of</strong> <strong>Bingen</strong>’s opera demonstrate a remarkable organic unity in<br />

thought and language, such that the analysis <strong>of</strong> intertextuality—charting<br />

various words, concepts, images, and related themes across the magistra’s<br />

works—opens a fruitful avenue for comprehending her entire allegorical<br />

universe. <strong>Hildegard</strong>’s works constitute a vast exegetical corpus that<br />

grounds its authority on visionary understanding inspired by the prophets,<br />

evangelists, and apostles. Among the prophetic writings, the book <strong>of</strong><br />

Ezekiel stands out in the magistra’s claim <strong>to</strong> authority, and in the imagery<br />

that inspires her and connects word and thought across her opera.<br />

This essay explores <strong>Hildegard</strong>’s interpretation <strong>of</strong> Ezekiel in various<br />

works where she draws on the prophet’s book <strong>to</strong> develop her imagery and<br />

theology. We fijirst consider <strong>Hildegard</strong>’s use <strong>of</strong> Ezekiel’s words <strong>to</strong> enhance<br />

her claim <strong>to</strong> prophetic authority. Next we explore the magistra’s exegesis<br />

<strong>of</strong> two key passages in the prophet’s book: the four creatures, and the<br />

wheels within which the creatures appear (Ezek. 1 and 10). Patristic exegetes<br />

unraveled the signifijicance <strong>of</strong> the four animals and the wheels, and<br />

this study examines which aspects <strong>of</strong> <strong>Hildegard</strong>’s exegesis have precedent<br />

in patristic commenta<strong>to</strong>rs. Finally, we investigate how these <strong>Hildegard</strong>ian<br />

motifs relate <strong>to</strong> the images highlighted in 12th-century visual culture,<br />

notably in manuscript illuminations <strong>of</strong> the book <strong>of</strong> Ezekiel.<br />

<strong>Hildegard</strong>’s Visionary Authority and Ezekiel<br />

<strong>Hildegard</strong> establishes a link <strong>to</strong> Ezekiel and a basis for her authority at<br />

the outset <strong>of</strong> her three visionary works (Scivias, Liber vite meri<strong>to</strong>rum, and<br />

Liber diuinorum operum) when she follows the prophet’s rhe<strong>to</strong>rical paradigm<br />

for dating the reception <strong>of</strong> her visions. She begins the three treatises<br />

with the “prophetic Et,” which indicates the continuity <strong>of</strong> revelation,<br />

as Gregory the Great had explained in his Homilies on Ezekiel when

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