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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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hildegard <strong>of</strong> bingen and the hirsau reform 77<br />

The unifying theme behind Rupert’s account, as indeed behind his<br />

whole escha<strong>to</strong>logical vision, was a conviction that the Holy Spirit was<br />

continuously pouring itself out in his<strong>to</strong>ry. This visitation <strong>of</strong> the Spirit he<br />

interpreted in very personal terms. He describes the experience as “a truly<br />

calm fijire” (ignis ualde serenus) around which there was a great peace and<br />

security, so that he knew he need have no fear.69 His description <strong>of</strong> this<br />

experience <strong>of</strong> the Holy Spirit was that <strong>of</strong> “a wonderful living thing and<br />

true life” that became richer and richer with each experience, and like<br />

“liquid gold” provided his readers with a new way <strong>of</strong> thinking about mystical<br />

experience. It parallels <strong>Hildegard</strong>’s description in Scivias <strong>of</strong> a fijiery<br />

light that fijilled her whole brain, heart, and breast. Rupert’s comments<br />

about Waldrada provide a slender but precious witness <strong>to</strong> intense female<br />

piety in the early 12th century. By explaining <strong>to</strong> his readers that the Holy<br />

Spirit could descend on both an unlettered woman and a learned exegete,<br />

Rupert raised the possibility that a woman could be inspired by the Holy<br />

Spirit as much as any learned monk.<br />

More than any previous commenta<strong>to</strong>r, Rupert relates his understanding<br />

<strong>of</strong> the text <strong>of</strong> the Song <strong>of</strong> Songs <strong>to</strong> personal experience. When commenting<br />

on 5:4: “My beloved thrust his hand through the door, and my<br />

womb trembled at his <strong>to</strong>uch,” Rupert reports the experience <strong>of</strong> “one <strong>of</strong><br />

the young women” (quaedam adulescentularum) who felt a hand <strong>to</strong>uching<br />

her breast, a hand that was “sweeter than oil and more agile than the<br />

wing <strong>of</strong> a bird,” but a hand that did not wish <strong>to</strong> be caught. When gazing<br />

on the image <strong>of</strong> the Savior in a church, the image seemed <strong>to</strong> become alive;<br />

its right hand stretched out and made the sign <strong>of</strong> the cross, causing this<br />

“young woman” <strong>to</strong> tremble like the leaf <strong>of</strong> a tree.70 The “young woman”<br />

in question was in fact himself, as he subsequently admitted in his commentary<br />

on Matthew.71 <strong>Hildegard</strong> never quoted Rupert in such a slavish<br />

way that his influence can easily be glimpsed in her writings.72 Nonetheless,<br />

she would certainly have found stimulus in his writings for thinking<br />

that visionary insight could provide a superior form <strong>of</strong> knowledge <strong>to</strong> that<br />

provided by the teachers in the schools <strong>of</strong> northern France.<br />

While <strong>Hildegard</strong> shared Rupert’s conviction that the Holy Spirit could<br />

be experienced as a living, interior fijire, the way in which she employed<br />

69 Ibid., CCCM 29:376.<br />

70 Rupert <strong>of</strong> Deutz, In Cancticum Canticorum 5, ed. Rhaban Haacke, CCCM 26 (Turnhout,<br />

1974), pp. 110–11.<br />

71 Rupert <strong>of</strong> Deutz, Super Matthaeum, CCCM 29:394–95.<br />

72 See Speaking New Mysteries, pp. 185, 267, 283, 295, on other exegetical parallels.

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