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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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the theology <strong>of</strong> repentance 223<br />

The structure <strong>of</strong> the Vite mer. follows the division <strong>of</strong> the visionary description.<br />

The fijirst fijive parts <strong>of</strong> the six-part work follow the “Man in the<br />

Cosmos” from <strong>to</strong>p <strong>to</strong> bot<strong>to</strong>m: part one treats the region <strong>of</strong> the head in<br />

the ether; part two concerns the <strong>to</strong>rso; part three, the area <strong>of</strong> the thighs,<br />

which are located in the air; part four, the region <strong>of</strong> the earth, in<strong>to</strong> which<br />

the calves <strong>of</strong> the man extend; and part fijive concludes with his feet above<br />

the waters <strong>of</strong> the abyss.<br />

Each <strong>of</strong> the fijive parts begins with a description <strong>of</strong> a vision. These visionary<br />

introductions appear in tripartite form: initially, new details regarding<br />

the respective area <strong>of</strong> the fijigure <strong>of</strong> the man are described; these are followed<br />

by dialogues between fijive <strong>to</strong> seven virtues and vices; and fijinally, a<br />

fijigure representing the zelus Dei, the zeal <strong>of</strong> God, is described.<br />

Even though virtues and vices are depicted in each <strong>of</strong> the fijive parts <strong>of</strong><br />

the book, they also have their own location in the initial vision, which is<br />

described in part one. For this reason, the details depicted in part one<br />

concerning the region <strong>of</strong> the man’s head are also centrally relevant for the<br />

entire text. There are three clouds <strong>of</strong> essential importance, which float in<br />

front <strong>of</strong> and next <strong>to</strong> the man’s face. One <strong>of</strong> these clouds contains, among<br />

other things, the voices <strong>of</strong> the virtues. In the northern quadrant <strong>of</strong> the<br />

image there is a great darkness and a mist vomited forth by a snake, which<br />

represents the devil. The fijigures <strong>of</strong> the vices are found within this mist.<br />

In each <strong>of</strong> the fijirst fijive parts, this initial section, i.e. the tripartite visionary<br />

description, is followed by a second section consisting <strong>of</strong> a sentenceby-sentence<br />

interpretation <strong>of</strong> the visionary image, the vices, and the zelus<br />

Dei. This second, interpretive section always ends with a uniform concluding<br />

formula.7<br />

The third section is the longest component <strong>of</strong> each <strong>of</strong> the fijive parts,<br />

as new visionary elements are introduced, which include <strong>Hildegard</strong>’s<br />

visions about the place <strong>of</strong> purifijication. These visions have their own location:<br />

in the darkness in the northern quadrant <strong>of</strong> the primary visionary<br />

image. Suggestions for acts <strong>of</strong> penance and general rebukes directed at<br />

the respective vices follow the visions.<br />

suras suas in terra; et a suris deorsum ad plantas suas in aquis abyssi, ita quod etiam supra<br />

abyssum stabat.”<br />

7 “Hec autem de penitentium animabus purgandis et saluandis dicta sunt, et fijidelia<br />

sunt; et fijidelis his attendat, et ea in memoriam bone scientie componat.” Vite mer., 1.124,<br />

p. 65. See also 2.85, p. 118; 3.84, p. 168; 4.70, p. 213; 5.86, p. 259. The conclusion <strong>to</strong> the entire<br />

work is a slightly variant formula, 6.292.

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