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A Companion to Hildegard of Bingen

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

Beverly Mayne Kienzle, Debra L. Stoudt & George Ferzoco, "A Companion to Hildegard of Bingen". BRILL, Leiden - Boston, 2014.

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hildegard as musical hagiographer 199<br />

Of the regional monasteries that might have fostered the cult <strong>of</strong> St Disibod<br />

as deliberately as in Engelberg 103, the abbey in Sponheim, situated<br />

across the Nahe River from the Disibodenberg, stands out. Its church was<br />

dedicated <strong>to</strong> Sts Martin and Mary; its founding as a Benedictine monastery<br />

in 1124 was supported by donations made before the altar <strong>of</strong> St Martin<br />

in the preexisting church <strong>of</strong> Sponheim. The donors included Count Meinhard<br />

and his wife, Mechthild, <strong>of</strong> Sponheim, brother and sister-in-law <strong>of</strong><br />

Jutta, <strong>Hildegard</strong>’s magistra on the Disibodenberg. Abbot Adelhun <strong>of</strong> the<br />

Disibodenberg witnessed the occasion.10 Fewer than 20 kilometers separated<br />

the two abbeys, and both were stafffed by monks from the larger<br />

monasteries <strong>of</strong> Mainz and were influenced by the Hirsau reforms.11 The<br />

abbot and the entire community <strong>of</strong> Sponheim attended the opening <strong>of</strong> the<br />

ancient sepulcher <strong>of</strong> St Disibod on April 1, 1138.12<br />

Whether from Sponheim or not, the liturgy preserved in Engelberg 103<br />

certainly reflects the surrounding area and may be viewed as representative<br />

<strong>of</strong> the liturgies celebrated in regional Benedictine monasteries at the<br />

end <strong>of</strong> the 12th century. As such, the manuscript indeed <strong>of</strong>ffers a context<br />

for understanding <strong>Hildegard</strong>’s liturgical thought and works. This context,<br />

however, must be applied with caution and caveat, for the geographical<br />

and temporal correspondence is not exact.<br />

Singing St Disibod, Confessor—and Apostle?<br />

St Disibod found a place not only in Engelberg 103 (and the liturgy it<br />

represents) but also in <strong>Hildegard</strong>’s own works. Indeed, the sibyl <strong>of</strong> the<br />

Rhine composed fijive songs and a vita in honor <strong>of</strong> her early patron. Her<br />

only other vita was for St Rupert, another saint local <strong>to</strong> the Mainz- <strong>Bingen</strong><br />

region and patron <strong>of</strong> her own convent, for whom she composed four<br />

10 Mainzer Urkundenbuch, ed. Manfred Stimming, vol. 1 (1932; repr., Darmstadt, 1972),<br />

pp. 427–28.<br />

11 On Hirsau-influenced monasticism in and around Mainz, see Franz Staab, “Reform und<br />

Reformgruppen im Erzbistum Mainz. Vom ‘Libellus de Willigisi consuetudinibus’ zur ‘Vita<br />

domnae Juttae inclusae,’” in Reformidee und Reformpolitik im spätsalisch- frühstaufijischen<br />

Reich: Vorträge zur Tagung der Gesellschaft für mittelrheinische Kirchengeschichte vom 11.<br />

bis 13. September 1991 in Trier, eds. Stefan Weinfurtner and Hubertus Seibert (Mainz, 1992),<br />

pp. 119–87, esp. 147–66. Felix Heinzer identifijied Engelberg 103 as a manuscript reflecting<br />

Hirsau liturgical traditions (evident in the Rheinau ordinary) in “Der Hirsauer Liber Ordinarius,”<br />

Revue Bénédictine 102 (1992): 309–47, esp. 343–44 (where Engelberg 103 is Hesbert’s<br />

manuscript 674). See Constant J. Mews’s essay in this volume, pp. 57–83.<br />

12 Anna Silvas, Jutta and <strong>Hildegard</strong>: The Biographical Sources, Brepols Medieval Women<br />

Series 1 (University Park, Pa., 1998), p. 25.

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